DESBUNDAR IS A POLITICAL ACT: NOVOS BAIANOS AND THE BRAZILIAN MILITARY DICTATORSHIP
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | História e Cultura |
Texto Completo: | https://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3499 |
Resumo: | During the Brazilian military dictatorship (1964 – 1985), the influence of the international Counterculture reached Brazil and the Brazilian youth based on subjective, cultural, and individual revolutionary assumptions. Often, the Brazilian counterculture experience was mediated by the idea of the “desbunde”: an expression created by left-wing activists to describe the individuals that were political “alienated”. A lot of local artists were classified as “desbundados”, and among them were the musical group Novos Baianos. However, the main aim of this article is to demonstrate how the posture adopted by this band represented a political confrontation against the military dictatorship, on a very different interpretation of that proposed by the left-wing during that time. For that, we utilize the considerations of Pierre Ansart about the political passions as a guide for the reading of the chosen historical sources, that are: the documentary Novos Baianos Futebol Clube (Solano Ribeiro, 1973) and the book Novos Baianos: a história do grupo que mudou a MPB (Luiz Galvão, 2014). |
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DESBUNDAR IS A POLITICAL ACT: NOVOS BAIANOS AND THE BRAZILIAN MILITARY DICTATORSHIPDESBUNDAR É UM ATO POLÍTICO: NOVOS BAIANOS E A DITADURA MILITAR BRASILEIRADuring the Brazilian military dictatorship (1964 – 1985), the influence of the international Counterculture reached Brazil and the Brazilian youth based on subjective, cultural, and individual revolutionary assumptions. Often, the Brazilian counterculture experience was mediated by the idea of the “desbunde”: an expression created by left-wing activists to describe the individuals that were political “alienated”. A lot of local artists were classified as “desbundados”, and among them were the musical group Novos Baianos. However, the main aim of this article is to demonstrate how the posture adopted by this band represented a political confrontation against the military dictatorship, on a very different interpretation of that proposed by the left-wing during that time. For that, we utilize the considerations of Pierre Ansart about the political passions as a guide for the reading of the chosen historical sources, that are: the documentary Novos Baianos Futebol Clube (Solano Ribeiro, 1973) and the book Novos Baianos: a história do grupo que mudou a MPB (Luiz Galvão, 2014).Durante a ditadura militar (1964 – 1985) a influência da contracultura internacional chegou ao Brasil e atingiu a juventude a partir de pressupostos revolucionários subjetivos, individuais e culturais. Muitas vezes, a experiência contracultural brasileira foi mediada pela ideia do desbunde: expressão cunhada na década de 1970, por militantes de esquerda, para descrever os “alienados” políticos. Vários artistas foram classificados como desbundados, entre eles o grupo musical Novos Baianos. O objetivo deste artigo é demonstrar como a postura adotada pela banda representou um enfrentamento político contra a ditadura militar, diferente da ideia proposta pela esquerda do período. Para tal, serão utilizadas as considerações de Pierre Ansart sobre as paixões políticas que servirão como um norte para a leitura das fontes escolhidas: o documentário Novos Baianos Futebol Clube e o livro Novos Baianos: a história do grupo que mudou a MPB. ABEC2022-01-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.franca.unesp.br/index.php/historiaecultura/article/view/349910.18223/hiscult.v10i2.3499História e Cultura (History and Culture); Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 147-172História e Cultura; Vol. 10 Núm. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 147-172História e Cultura (Histoire et Culture); Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 147-172História e Cultura; v. 10 n. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 147-1722238-62702238-627010.18223/hiscult.v10i2reponame:História e Culturainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3499/3065Gonzaga, CarolineGatti, Soraiainfo:eu-repo/semantics/openAccess2022-01-03T14:22:26Zoai:ojs.franca.unesp.br:article/3499Revistahttp://seer.franca.unesp.br/index.php/historiaecultura/indexPUBhttps://ojs.franca.unesp.br/index.php/historiaecultura/oai||revistahistoriaecultura@franca.unesp.br2238-62702238-6270opendoar:2022-01-03T14:22:26História e Cultura - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
DESBUNDAR IS A POLITICAL ACT: NOVOS BAIANOS AND THE BRAZILIAN MILITARY DICTATORSHIP DESBUNDAR É UM ATO POLÍTICO: NOVOS BAIANOS E A DITADURA MILITAR BRASILEIRA |
title |
DESBUNDAR IS A POLITICAL ACT: NOVOS BAIANOS AND THE BRAZILIAN MILITARY DICTATORSHIP |
spellingShingle |
DESBUNDAR IS A POLITICAL ACT: NOVOS BAIANOS AND THE BRAZILIAN MILITARY DICTATORSHIP Gonzaga, Caroline |
title_short |
DESBUNDAR IS A POLITICAL ACT: NOVOS BAIANOS AND THE BRAZILIAN MILITARY DICTATORSHIP |
title_full |
DESBUNDAR IS A POLITICAL ACT: NOVOS BAIANOS AND THE BRAZILIAN MILITARY DICTATORSHIP |
title_fullStr |
DESBUNDAR IS A POLITICAL ACT: NOVOS BAIANOS AND THE BRAZILIAN MILITARY DICTATORSHIP |
title_full_unstemmed |
DESBUNDAR IS A POLITICAL ACT: NOVOS BAIANOS AND THE BRAZILIAN MILITARY DICTATORSHIP |
title_sort |
DESBUNDAR IS A POLITICAL ACT: NOVOS BAIANOS AND THE BRAZILIAN MILITARY DICTATORSHIP |
author |
Gonzaga, Caroline |
author_facet |
Gonzaga, Caroline Gatti, Soraia |
author_role |
author |
author2 |
Gatti, Soraia |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Gonzaga, Caroline Gatti, Soraia |
description |
During the Brazilian military dictatorship (1964 – 1985), the influence of the international Counterculture reached Brazil and the Brazilian youth based on subjective, cultural, and individual revolutionary assumptions. Often, the Brazilian counterculture experience was mediated by the idea of the “desbunde”: an expression created by left-wing activists to describe the individuals that were political “alienated”. A lot of local artists were classified as “desbundados”, and among them were the musical group Novos Baianos. However, the main aim of this article is to demonstrate how the posture adopted by this band represented a political confrontation against the military dictatorship, on a very different interpretation of that proposed by the left-wing during that time. For that, we utilize the considerations of Pierre Ansart about the political passions as a guide for the reading of the chosen historical sources, that are: the documentary Novos Baianos Futebol Clube (Solano Ribeiro, 1973) and the book Novos Baianos: a história do grupo que mudou a MPB (Luiz Galvão, 2014). |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-01-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3499 10.18223/hiscult.v10i2.3499 |
url |
https://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3499 |
identifier_str_mv |
10.18223/hiscult.v10i2.3499 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3499/3065 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
História e Cultura (History and Culture); Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 147-172 História e Cultura; Vol. 10 Núm. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 147-172 História e Cultura (Histoire et Culture); Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 147-172 História e Cultura; v. 10 n. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 147-172 2238-6270 2238-6270 10.18223/hiscult.v10i2 reponame:História e Cultura instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
História e Cultura |
collection |
História e Cultura |
repository.name.fl_str_mv |
História e Cultura - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
||revistahistoriaecultura@franca.unesp.br |
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1800215791441805312 |