Light, Camera, Movement. Enunciative strategies used in the syncretism construction of the Silvio Santos Program
Autor(a) principal: | |
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Data de Publicação: | 2008 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | CASA: Cadernos de Semiótica Aplicada |
Texto Completo: | https://periodicos.fclar.unesp.br/casa/article/view/586 |
Resumo: | The mass media texts are presented through the association of many languages. This fact occurs by their complex technologies. But, all the texts build a unit effect in the manifestation plain, forming the syncretic texts. It’s necessary think about two axles to study these objects: one, what are the construction mechanisms of these syncretism and other, what are the meanings that they produce. This research is under the influence of semiotic by Paris school and intends to observe the enunciative strategies that are used in the construction of television texts, choosing by object the “Silvio Santos Program”. Keywords: Semiotic. Syncretism. Enunciative Strategies. Television. |
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Light, Camera, Movement. Enunciative strategies used in the syncretism construction of the Silvio Santos ProgramLuz, câmera, moviment(ação). Estratégias enunciativas de construção do sincretismo no Programa Silvio Santossemióticasincretismoestratégias enunciativastelevisãosemioticsyncretismenunciative strategiestelevision.The mass media texts are presented through the association of many languages. This fact occurs by their complex technologies. But, all the texts build a unit effect in the manifestation plain, forming the syncretic texts. It’s necessary think about two axles to study these objects: one, what are the construction mechanisms of these syncretism and other, what are the meanings that they produce. This research is under the influence of semiotic by Paris school and intends to observe the enunciative strategies that are used in the construction of television texts, choosing by object the “Silvio Santos Program”. Keywords: Semiotic. Syncretism. Enunciative Strategies. Television.Os textos audiovisuais manifestam-se através da interação entre diversas linguagens dada a sua complexa tecnologia. Porém, todas elas são postas de forma a construir um efeito de unidade no plano da manifestação, constituindo assim os textos sincréticos. Ao tomar tais objetos para análise, é necessário problematizar dois eixos: de um lado, quais os mecanismos de construção desta sincretização e, de outro, quais os efeitos de sentido por eles produzidos. O presente trabalho, embasado teoricamente pela semiótica da escola de Paris, pretende observar as estratégias enunciativas utilizadas na construção dos textos televisivos, elegendo como objeto o “Programa Silvio Santos”. Palavras-chave: Semiótica. Sincretismo. Estratégias Enunciativas. Televisão.Laboratório Editorial FCL-UNESP | Letraria2008-03-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/casa/article/view/58610.21709/casa.v3i2.586CASA: Cadernos de Semiótica Aplicada; v. 3 n. 2 (2005)1679-340410.21709/casa.v3i2reponame:CASA: Cadernos de Semiótica Aplicadainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://periodicos.fclar.unesp.br/casa/article/view/586/50710.21709/casa.v3i2.586.g507Copyright (c) 2008 CASA: Cadernos de Semiótica Aplicadainfo:eu-repo/semantics/openAccessSousa, Silvia Maria de2008-05-05T17:06:37Zoai:ojs.pkp.sfu.ca:article/586Revistahttps://periodicos.fclar.unesp.br/casa/indexPUBhttps://periodicos.fclar.unesp.br/casa/oaicasa@fclar.unesp.br1679-34041679-3404opendoar:2023-01-12T16:38:37.781123CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Light, Camera, Movement. Enunciative strategies used in the syncretism construction of the Silvio Santos Program Luz, câmera, moviment(ação). Estratégias enunciativas de construção do sincretismo no Programa Silvio Santos |
title |
Light, Camera, Movement. Enunciative strategies used in the syncretism construction of the Silvio Santos Program |
spellingShingle |
Light, Camera, Movement. Enunciative strategies used in the syncretism construction of the Silvio Santos Program Sousa, Silvia Maria de semiótica sincretismo estratégias enunciativas televisão semiotic syncretism enunciative strategies television. |
title_short |
Light, Camera, Movement. Enunciative strategies used in the syncretism construction of the Silvio Santos Program |
title_full |
Light, Camera, Movement. Enunciative strategies used in the syncretism construction of the Silvio Santos Program |
title_fullStr |
Light, Camera, Movement. Enunciative strategies used in the syncretism construction of the Silvio Santos Program |
title_full_unstemmed |
Light, Camera, Movement. Enunciative strategies used in the syncretism construction of the Silvio Santos Program |
title_sort |
Light, Camera, Movement. Enunciative strategies used in the syncretism construction of the Silvio Santos Program |
author |
Sousa, Silvia Maria de |
author_facet |
Sousa, Silvia Maria de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Sousa, Silvia Maria de |
dc.subject.por.fl_str_mv |
semiótica sincretismo estratégias enunciativas televisão semiotic syncretism enunciative strategies television. |
topic |
semiótica sincretismo estratégias enunciativas televisão semiotic syncretism enunciative strategies television. |
description |
The mass media texts are presented through the association of many languages. This fact occurs by their complex technologies. But, all the texts build a unit effect in the manifestation plain, forming the syncretic texts. It’s necessary think about two axles to study these objects: one, what are the construction mechanisms of these syncretism and other, what are the meanings that they produce. This research is under the influence of semiotic by Paris school and intends to observe the enunciative strategies that are used in the construction of television texts, choosing by object the “Silvio Santos Program”. Keywords: Semiotic. Syncretism. Enunciative Strategies. Television. |
publishDate |
2008 |
dc.date.none.fl_str_mv |
2008-03-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fclar.unesp.br/casa/article/view/586 10.21709/casa.v3i2.586 |
url |
https://periodicos.fclar.unesp.br/casa/article/view/586 |
identifier_str_mv |
10.21709/casa.v3i2.586 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.fclar.unesp.br/casa/article/view/586/507 10.21709/casa.v3i2.586.g507 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2008 CASA: Cadernos de Semiótica Aplicada info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2008 CASA: Cadernos de Semiótica Aplicada |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Laboratório Editorial FCL-UNESP | Letraria |
publisher.none.fl_str_mv |
Laboratório Editorial FCL-UNESP | Letraria |
dc.source.none.fl_str_mv |
CASA: Cadernos de Semiótica Aplicada; v. 3 n. 2 (2005) 1679-3404 10.21709/casa.v3i2 reponame:CASA: Cadernos de Semiótica Aplicada instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
CASA: Cadernos de Semiótica Aplicada |
collection |
CASA: Cadernos de Semiótica Aplicada |
repository.name.fl_str_mv |
CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
casa@fclar.unesp.br |
_version_ |
1797051218412961792 |