THE ENUNCIATEE ON THE DIGITAL POETRY
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | CASA: Cadernos de Semiótica Aplicada |
Texto Completo: | https://periodicos.fclar.unesp.br/casa/article/view/8017 |
Resumo: | The changes produced by the new practices of intersubjective relationships on the Internet, involving the poetic texts published on the web, deserve the discourse researchers’ attention. In this paper, we will analyze, from the theoretical framework of French Semiotics, the participation status of the digital poetry enunciatee in Portuguese language, by observing the presence modes and reading practices apprehensible on the enunciate. Mainly, we will take into account the poems available on the digital environment that make use of syncretic resources, more specifically, animation. We considered the ones published in several poetry sites and official poets’ webpages (as Erratic, Zunái, Cronopios, etc., and the Arnaldo Antunes’s and Augusto de Campos’s websites, among others), to understand how the cyber-reader profile is built. We have identified, in terms of modes of reading and enunciatee participation, a typology that organizes in general, the manner these readers are constituted, in relation to the cognitive and pragmatic ability, presumed to reading, and how the reader reacts to the enunciator’s call to participate and to try the aesthetic and the ludic aspects of the expressive resources. Finally, it is also necessary to understand how these reading practices get closer or further away from those practices, which are already part of the printed texts. |
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THE ENUNCIATEE ON THE DIGITAL POETRYO ENUNCIATÁRIO EM POESIAS DIGITAISEnunciateeDigital poetryEnunciative interactionParticipationReadingEnunciatárioPoesia digitalInteração enunciativaParticipaçãoLeituraThe changes produced by the new practices of intersubjective relationships on the Internet, involving the poetic texts published on the web, deserve the discourse researchers’ attention. In this paper, we will analyze, from the theoretical framework of French Semiotics, the participation status of the digital poetry enunciatee in Portuguese language, by observing the presence modes and reading practices apprehensible on the enunciate. Mainly, we will take into account the poems available on the digital environment that make use of syncretic resources, more specifically, animation. We considered the ones published in several poetry sites and official poets’ webpages (as Erratic, Zunái, Cronopios, etc., and the Arnaldo Antunes’s and Augusto de Campos’s websites, among others), to understand how the cyber-reader profile is built. We have identified, in terms of modes of reading and enunciatee participation, a typology that organizes in general, the manner these readers are constituted, in relation to the cognitive and pragmatic ability, presumed to reading, and how the reader reacts to the enunciator’s call to participate and to try the aesthetic and the ludic aspects of the expressive resources. Finally, it is also necessary to understand how these reading practices get closer or further away from those practices, which are already part of the printed texts.As mudanças produzidas pelas novas práticas de relações intersubjetivas na internet, envolvendo os textos poéticos publicados na web, merecem a atenção dos estudiosos do discurso. Neste artigo, analisaremos o estatuto de participação do enunciatário de poesias digitais de língua portuguesa, a partir do quadro teórico da semiótica de linha francesa, observando seus modos de presença e práticas de leitura, apreensíveis pelos próprios enunciados. Levaremos principalmente em conta poemas que utilizam os recursos sincréticos, com animação, que o meio digital disponibiliza, publicados em diversos sites de poesia e sites oficiais de poetas disponíveis na web (sites como Errática, Zunái, Cronópios etc., e os de autores como o de Arnaldo Antunes, o de Augusto de Campos, entre outros), verificando como constituem o ciberleitor. Identificamos, na variedade de modos de leitura e de participação do enunciatário, uma tipologia que organiza em traços gerais as formas de constituição desses leitores, relativamente à competencialização cognitiva e pragmática pressuposta à leitura e à maneira como fazem face à convocação pelo enunciador à participação e à experimentação lúdica e estética dos recursos expressivos. Enfim, é preciso compreender também de que modo essas práticas de leitura se aproximam ou se distanciam das que já se fazem presentes nos textos impressos.Laboratório Editorial FCL-UNESP | Letraria2016-05-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/casa/article/view/801710.21709/casa.v13i2.8017CASA: Cadernos de Semiótica Aplicada; v. 13 n. 2 (2015); 343-3691679-340410.21709/casa.v13i2reponame:CASA: Cadernos de Semiótica Aplicadainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://periodicos.fclar.unesp.br/casa/article/view/8017/576610.21709/casa.v13i2.8017.g5766Copyright (c) 2016 CASA: Cadernos de Semiótica Aplicadainfo:eu-repo/semantics/openAccessGomes, Regina Souza2016-05-11T03:15:21Zoai:ojs.pkp.sfu.ca:article/8017Revistahttps://periodicos.fclar.unesp.br/casa/indexPUBhttps://periodicos.fclar.unesp.br/casa/oaicasa@fclar.unesp.br1679-34041679-3404opendoar:2023-01-12T16:38:50.570175CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
THE ENUNCIATEE ON THE DIGITAL POETRY O ENUNCIATÁRIO EM POESIAS DIGITAIS |
title |
THE ENUNCIATEE ON THE DIGITAL POETRY |
spellingShingle |
THE ENUNCIATEE ON THE DIGITAL POETRY Gomes, Regina Souza Enunciatee Digital poetry Enunciative interaction Participation Reading Enunciatário Poesia digital Interação enunciativa Participação Leitura |
title_short |
THE ENUNCIATEE ON THE DIGITAL POETRY |
title_full |
THE ENUNCIATEE ON THE DIGITAL POETRY |
title_fullStr |
THE ENUNCIATEE ON THE DIGITAL POETRY |
title_full_unstemmed |
THE ENUNCIATEE ON THE DIGITAL POETRY |
title_sort |
THE ENUNCIATEE ON THE DIGITAL POETRY |
author |
Gomes, Regina Souza |
author_facet |
Gomes, Regina Souza |
author_role |
author |
dc.contributor.author.fl_str_mv |
Gomes, Regina Souza |
dc.subject.por.fl_str_mv |
Enunciatee Digital poetry Enunciative interaction Participation Reading Enunciatário Poesia digital Interação enunciativa Participação Leitura |
topic |
Enunciatee Digital poetry Enunciative interaction Participation Reading Enunciatário Poesia digital Interação enunciativa Participação Leitura |
description |
The changes produced by the new practices of intersubjective relationships on the Internet, involving the poetic texts published on the web, deserve the discourse researchers’ attention. In this paper, we will analyze, from the theoretical framework of French Semiotics, the participation status of the digital poetry enunciatee in Portuguese language, by observing the presence modes and reading practices apprehensible on the enunciate. Mainly, we will take into account the poems available on the digital environment that make use of syncretic resources, more specifically, animation. We considered the ones published in several poetry sites and official poets’ webpages (as Erratic, Zunái, Cronopios, etc., and the Arnaldo Antunes’s and Augusto de Campos’s websites, among others), to understand how the cyber-reader profile is built. We have identified, in terms of modes of reading and enunciatee participation, a typology that organizes in general, the manner these readers are constituted, in relation to the cognitive and pragmatic ability, presumed to reading, and how the reader reacts to the enunciator’s call to participate and to try the aesthetic and the ludic aspects of the expressive resources. Finally, it is also necessary to understand how these reading practices get closer or further away from those practices, which are already part of the printed texts. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-05-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fclar.unesp.br/casa/article/view/8017 10.21709/casa.v13i2.8017 |
url |
https://periodicos.fclar.unesp.br/casa/article/view/8017 |
identifier_str_mv |
10.21709/casa.v13i2.8017 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.fclar.unesp.br/casa/article/view/8017/5766 10.21709/casa.v13i2.8017.g5766 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 CASA: Cadernos de Semiótica Aplicada info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 CASA: Cadernos de Semiótica Aplicada |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Laboratório Editorial FCL-UNESP | Letraria |
publisher.none.fl_str_mv |
Laboratório Editorial FCL-UNESP | Letraria |
dc.source.none.fl_str_mv |
CASA: Cadernos de Semiótica Aplicada; v. 13 n. 2 (2015); 343-369 1679-3404 10.21709/casa.v13i2 reponame:CASA: Cadernos de Semiótica Aplicada instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
CASA: Cadernos de Semiótica Aplicada |
collection |
CASA: Cadernos de Semiótica Aplicada |
repository.name.fl_str_mv |
CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
casa@fclar.unesp.br |
_version_ |
1797051219720536064 |