Musical discourse and music production discourse
Autor(a) principal: | |
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Data de Publicação: | 2008 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | CASA: Cadernos de Semiótica Aplicada |
Texto Completo: | https://periodicos.fclar.unesp.br/casa/article/view/545 |
Resumo: | Since its first presentation by Tatit in the early 90's, the semiotic theory of songs came across with the difficulty to build up the proper theoretical place reserved for the roles of composer, arranger and performer. In the present paper we propose that these roles cannot be assigned directly through the analysis of musical pieces, but are strictly connected to the music production discourse. Keywords: Semiotics. Music. Song. Discourse. |
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CASA: Cadernos de Semiótica Aplicada |
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Musical discourse and music production discourseDiscurso musical e discurso de produção musicalsemióticamúsicacançãodiscursosemioticsmusicsongdiscourse.Since its first presentation by Tatit in the early 90's, the semiotic theory of songs came across with the difficulty to build up the proper theoretical place reserved for the roles of composer, arranger and performer. In the present paper we propose that these roles cannot be assigned directly through the analysis of musical pieces, but are strictly connected to the music production discourse. Keywords: Semiotics. Music. Song. Discourse.Desde a primeira formulação proposta por Tatit no início da década de 1990, a semiótica da canção se depara com a dificuldade de construir o lugar teórico reservado aos papéis de compositor, arranjador e intérprete. Neste trabalho mostraremos que essas três instâncias não podem ser depreendidas diretamente a partir da análise de objetos musicais, e que sua atuação está inscrita apenas no discurso de produção musical. Palavras-chave: Semiótica. Música. Canção. Discurso.Laboratório Editorial FCL-UNESP | Letraria2008-03-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/casa/article/view/54510.21709/casa.v5i2.545CASA: Cadernos de Semiótica Aplicada; v. 5 n. 2 (2007)1679-340410.21709/casa.v5i2reponame:CASA: Cadernos de Semiótica Aplicadainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://periodicos.fclar.unesp.br/casa/article/view/545/46610.21709/casa.v5i2.545.g466Copyright (c) 2008 CASA: Cadernos de Semiótica Aplicadainfo:eu-repo/semantics/openAccessDietrich, Peter2008-05-06T16:15:01Zoai:ojs.pkp.sfu.ca:article/545Revistahttps://periodicos.fclar.unesp.br/casa/indexPUBhttps://periodicos.fclar.unesp.br/casa/oaicasa@fclar.unesp.br1679-34041679-3404opendoar:2023-01-12T16:38:36.186442CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Musical discourse and music production discourse Discurso musical e discurso de produção musical |
title |
Musical discourse and music production discourse |
spellingShingle |
Musical discourse and music production discourse Dietrich, Peter semiótica música canção discurso semiotics music song discourse. |
title_short |
Musical discourse and music production discourse |
title_full |
Musical discourse and music production discourse |
title_fullStr |
Musical discourse and music production discourse |
title_full_unstemmed |
Musical discourse and music production discourse |
title_sort |
Musical discourse and music production discourse |
author |
Dietrich, Peter |
author_facet |
Dietrich, Peter |
author_role |
author |
dc.contributor.author.fl_str_mv |
Dietrich, Peter |
dc.subject.por.fl_str_mv |
semiótica música canção discurso semiotics music song discourse. |
topic |
semiótica música canção discurso semiotics music song discourse. |
description |
Since its first presentation by Tatit in the early 90's, the semiotic theory of songs came across with the difficulty to build up the proper theoretical place reserved for the roles of composer, arranger and performer. In the present paper we propose that these roles cannot be assigned directly through the analysis of musical pieces, but are strictly connected to the music production discourse. Keywords: Semiotics. Music. Song. Discourse. |
publishDate |
2008 |
dc.date.none.fl_str_mv |
2008-03-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fclar.unesp.br/casa/article/view/545 10.21709/casa.v5i2.545 |
url |
https://periodicos.fclar.unesp.br/casa/article/view/545 |
identifier_str_mv |
10.21709/casa.v5i2.545 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.fclar.unesp.br/casa/article/view/545/466 10.21709/casa.v5i2.545.g466 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2008 CASA: Cadernos de Semiótica Aplicada info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2008 CASA: Cadernos de Semiótica Aplicada |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Laboratório Editorial FCL-UNESP | Letraria |
publisher.none.fl_str_mv |
Laboratório Editorial FCL-UNESP | Letraria |
dc.source.none.fl_str_mv |
CASA: Cadernos de Semiótica Aplicada; v. 5 n. 2 (2007) 1679-3404 10.21709/casa.v5i2 reponame:CASA: Cadernos de Semiótica Aplicada instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
CASA: Cadernos de Semiótica Aplicada |
collection |
CASA: Cadernos de Semiótica Aplicada |
repository.name.fl_str_mv |
CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
casa@fclar.unesp.br |
_version_ |
1797051218365775872 |