Detalhes bibliográficos
| Autor(a) principal: |
Bellei, Sérgio Luiz Prado |
| Data de Publicação: |
2016 |
| Tipo de documento: |
Artigo
|
| Idioma: |
por |
| Título da fonte: |
CASA: Cadernos de Semiótica Aplicada |
| Texto Completo: |
https://periodicos.fclar.unesp.br/casa/article/view/8125
|
Resumo: |
Released from the materiality burden by digital technologies, the hypertextualized literary text which is made available on the internet becomes more empowered and efficient in several ways: it can now be linked to a vast quantity of contextual explanations that were impossible to be included due to the limitations of the printed book, and it also becomes accessible to a more global public reader than a local one. On the other hand, once it is disseminated on the internet, the literary text can undergo an obliteration of the material conditions of production that constitute a crucial part of its meaning. These two perspectives can be perfectly understood in the work of the English Poet William Blake, a multimedia author avant la lettre. |