IN THE STEPS OF BON-ODORI: JAPANESE SOCIO-HISTORICAL REPRESENTATIONS, NIKKEY CULTURE AND NIPO-BRAZILIAN SOCIETY
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Aurora (Online) |
Texto Completo: | https://revistas.marilia.unesp.br/index.php/aurora/article/view/10315 |
Resumo: | The aim of this article is to investigate the cultural plurality of Bon-Odori in the city of Marília / SP. Preliminarily, it’s known that this phenomenon is a ritual of Japanese origin and celebrates the spirits of the dead by the sacred circular dance. In the Midwest and Northwest cities of São Paulo, this ritual takes place in annual events organized by Japanese-Brazilian communities. Thus, the description of this ritualistic practice proved to be indispensable to capture the dynamics of its functioning system, and to understand the socio-cultural representations that compose it. Even of a foreign origin, the Bon-Odori practiced in the Midwest and Northwest of São Paulo would assume another feature due to the Nikkey culture: a symbolic system that integrates Japanese and Brazilian cultures. In a methodological point of view, the research applied a participant observation, in addition, photographs and videos of the events were necessary to understand the dances. In anthropological terms, it was concluded that in Brazil the Bon-odori is no longer a strictly Japanese phenomenon, but a Japanese-Brazilian ritual of sacred circular dance, because the ethnic-cultural differences are mixed in its social composition. |
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IN THE STEPS OF BON-ODORI: JAPANESE SOCIO-HISTORICAL REPRESENTATIONS, NIKKEY CULTURE AND NIPO-BRAZILIAN SOCIETYEN LOS PASOS DE BON-ODORI: REPRESENTACIONES SOCIOHISTÓRICAS JAPONESAS, CULTURA NIKKEY Y SOCIEDAD NIPO-BRASILEÑASUR LES PAS DE BON-ODORI: REPRÉSENTATIONS SOCIO-HISTORIQUES JAPONAISES, CULTURE NIKKEY ET SOCIÉTÉ NIPO-BRÉSILIENNENos passos do Bon-Odori: Representações sócio-históricas japonesas, cultura nikkey e sociedade nipo-brasileiraBon-OdoriRitualCulturaDança circularBon-OdoriRitualCulturaDanza circularBon-OdoriRituelCultureDanse circulaireBon-OdoriRitualCultureCircular danceThe aim of this article is to investigate the cultural plurality of Bon-Odori in the city of Marília / SP. Preliminarily, it’s known that this phenomenon is a ritual of Japanese origin and celebrates the spirits of the dead by the sacred circular dance. In the Midwest and Northwest cities of São Paulo, this ritual takes place in annual events organized by Japanese-Brazilian communities. Thus, the description of this ritualistic practice proved to be indispensable to capture the dynamics of its functioning system, and to understand the socio-cultural representations that compose it. Even of a foreign origin, the Bon-Odori practiced in the Midwest and Northwest of São Paulo would assume another feature due to the Nikkey culture: a symbolic system that integrates Japanese and Brazilian cultures. In a methodological point of view, the research applied a participant observation, in addition, photographs and videos of the events were necessary to understand the dances. In anthropological terms, it was concluded that in Brazil the Bon-odori is no longer a strictly Japanese phenomenon, but a Japanese-Brazilian ritual of sacred circular dance, because the ethnic-cultural differences are mixed in its social composition.El objetivo del artículo es investigar la pluralidad cultural de Bon-Odori en la ciudad de Marília / SP. Preliminarmente, se sabe que el fenómeno en cuestión es un ritual de origen japonés que celebra los espíritus de los muertos a través de la danza circular sagrada. En el interior de São Paulo, este ritual se lleva a cabo a través de eventos anuales organizados por comunidades japonés-brasileñas. Por lo tanto, la descripción de esta práctica ritualista resultó ser indispensable para capturar la dinámica de su sistema de funcionamiento y comprender las representaciones socioculturales que la componen. Aunque de origen extranjero, Bon-Odori, practicado en el interior de São Paulo, asumiría otro carácter debido a la cultura Nikkey: un sistema simbólico que integra las culturas japonesa y brasileña. Desde un punto de vista metodológico, la investigación utilizó la observación participante, además, las fotografías y el metraje de los eventos fueron instrumentos indispensables para comprender los bailes. En términos antropológicos, se concluyó que, en Brasil, Bon-odori ya no es un fenómeno estrictamente japonés, sino un ritual japonés-brasileño de danza circular sagrada porque, en su composición social, las diferencias étnico-culturales se mezclan .Le but de l'article est d'étudier la pluralité culturelle de Bon-Odori dans la ville de Marília / SP. Préliminairement, on sait que le phénomène en question est un rituel d'origine japonaise qui célèbre les esprits des morts à travers la danse circulaire sacrée. À l'intérieur de São Paulo, ce rituel se déroule à travers des événements annuels organisés par les communautés nippo-brésiliennes. Ainsi, la description de cette pratique rituelle s'est avérée indispensable pour capter la dynamique de son fonctionnement et comprendre les représentations socioculturelles qui la composent. Bien que d'origine étrangère, Bon-Odori, pratiqué à l'intérieur de São Paulo, revêtirait un autre caractère dû à la culture Nikkey: un système symbolique qui intègre les cultures japonaise et brésilienne. D'un point de vue méthodologique, la recherche a utilisé l'observation des participants, de plus, les photographies et les images des événements étaient des instruments indispensables pour comprendre les danses. En termes anthropologiques, il a été conclu qu'au Brésil, le Bon-odori n'est plus un phénomène strictement japonais, mais un rituel nippo-brésilien de danse circulaire sacrée car, dans sa composition sociale, les différences ethno-culturelles se mélangent .O objetivo do artigo é investigar a pluralidade cultural do Bon-Odori da cidade de Marília/SP. Preliminarmente, sabe-se que o fenômeno em questão é um ritual de origem japonesa que celebra os espíritos dos mortos através da dança circular sagrada. No interior paulista, tal ritual ocorre através de eventos anuais organizados pelas comunidades nipo-brasileiras. Assim, a descrição desta prática ritualística se mostrou indispensável para captar a dinamicidade do seu sistema de funcionamento, e compreender as representações socioculturais que a compõem. Ainda que de matriz estrangeira, o Bon-Odori, praticado no interior de São Paulo, assumiria outro caráter devido à cultura nikkey: um sistema simbólico que integra as culturas japonesa e brasileira. De ponto de vista metodológico, a pesquisa utilizou a observação participante, além disso, fotografias e filmagens dos eventos foram instrumentos indispensáveis para a compreensão das danças. Em termos antropológicos, concluiu-se que, no Brasil, o Bon-odori não é mais um fenômeno estritamente japonês, mas sim um ritual nipo-brasileiro de dança circular sagrada porque, em sua composição social, mesclam-se as diferenças étnico-culturais. Submetido em: 05/06/2020Aprovado em: 08/07/2020Faculdade de Filosofia e Ciências2021-03-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.marilia.unesp.br/index.php/aurora/article/view/1031510.36311/1982-8004.2020.v13n1.p77-98Revista Aurora; Vol. 13 No. 1 (2020); 77-98Revista Aurora; Vol. 13 Núm. 1 (2020); 77-98Revista Aurora; v. 13 n. 1 (2020); 77-981982-80042177-0484reponame:Revista Aurora (Online)instname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://revistas.marilia.unesp.br/index.php/aurora/article/view/10315/7049Copyright (c) 2021 Revista Aurorahttp://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessArraes Gomes, Vitor2021-12-21T18:20:43Zoai:ojs.www2.marilia.unesp.br:article/10315Revistahttps://revistas.marilia.unesp.br/index.php/aurora/indexPUBhttps://revistas.marilia.unesp.br/index.php/aurora/oaiaurora.revista@gmail.com||1982-80041982-8004opendoar:2021-12-21T18:20:43Revista Aurora (Online) - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
IN THE STEPS OF BON-ODORI: JAPANESE SOCIO-HISTORICAL REPRESENTATIONS, NIKKEY CULTURE AND NIPO-BRAZILIAN SOCIETY EN LOS PASOS DE BON-ODORI: REPRESENTACIONES SOCIOHISTÓRICAS JAPONESAS, CULTURA NIKKEY Y SOCIEDAD NIPO-BRASILEÑA SUR LES PAS DE BON-ODORI: REPRÉSENTATIONS SOCIO-HISTORIQUES JAPONAISES, CULTURE NIKKEY ET SOCIÉTÉ NIPO-BRÉSILIENNE Nos passos do Bon-Odori: Representações sócio-históricas japonesas, cultura nikkey e sociedade nipo-brasileira |
title |
IN THE STEPS OF BON-ODORI: JAPANESE SOCIO-HISTORICAL REPRESENTATIONS, NIKKEY CULTURE AND NIPO-BRAZILIAN SOCIETY |
spellingShingle |
IN THE STEPS OF BON-ODORI: JAPANESE SOCIO-HISTORICAL REPRESENTATIONS, NIKKEY CULTURE AND NIPO-BRAZILIAN SOCIETY Arraes Gomes, Vitor Bon-Odori Ritual Cultura Dança circular Bon-Odori Ritual Cultura Danza circular Bon-Odori Rituel Culture Danse circulaire Bon-Odori Ritual Culture Circular dance |
title_short |
IN THE STEPS OF BON-ODORI: JAPANESE SOCIO-HISTORICAL REPRESENTATIONS, NIKKEY CULTURE AND NIPO-BRAZILIAN SOCIETY |
title_full |
IN THE STEPS OF BON-ODORI: JAPANESE SOCIO-HISTORICAL REPRESENTATIONS, NIKKEY CULTURE AND NIPO-BRAZILIAN SOCIETY |
title_fullStr |
IN THE STEPS OF BON-ODORI: JAPANESE SOCIO-HISTORICAL REPRESENTATIONS, NIKKEY CULTURE AND NIPO-BRAZILIAN SOCIETY |
title_full_unstemmed |
IN THE STEPS OF BON-ODORI: JAPANESE SOCIO-HISTORICAL REPRESENTATIONS, NIKKEY CULTURE AND NIPO-BRAZILIAN SOCIETY |
title_sort |
IN THE STEPS OF BON-ODORI: JAPANESE SOCIO-HISTORICAL REPRESENTATIONS, NIKKEY CULTURE AND NIPO-BRAZILIAN SOCIETY |
author |
Arraes Gomes, Vitor |
author_facet |
Arraes Gomes, Vitor |
author_role |
author |
dc.contributor.author.fl_str_mv |
Arraes Gomes, Vitor |
dc.subject.por.fl_str_mv |
Bon-Odori Ritual Cultura Dança circular Bon-Odori Ritual Cultura Danza circular Bon-Odori Rituel Culture Danse circulaire Bon-Odori Ritual Culture Circular dance |
topic |
Bon-Odori Ritual Cultura Dança circular Bon-Odori Ritual Cultura Danza circular Bon-Odori Rituel Culture Danse circulaire Bon-Odori Ritual Culture Circular dance |
description |
The aim of this article is to investigate the cultural plurality of Bon-Odori in the city of Marília / SP. Preliminarily, it’s known that this phenomenon is a ritual of Japanese origin and celebrates the spirits of the dead by the sacred circular dance. In the Midwest and Northwest cities of São Paulo, this ritual takes place in annual events organized by Japanese-Brazilian communities. Thus, the description of this ritualistic practice proved to be indispensable to capture the dynamics of its functioning system, and to understand the socio-cultural representations that compose it. Even of a foreign origin, the Bon-Odori practiced in the Midwest and Northwest of São Paulo would assume another feature due to the Nikkey culture: a symbolic system that integrates Japanese and Brazilian cultures. In a methodological point of view, the research applied a participant observation, in addition, photographs and videos of the events were necessary to understand the dances. In anthropological terms, it was concluded that in Brazil the Bon-odori is no longer a strictly Japanese phenomenon, but a Japanese-Brazilian ritual of sacred circular dance, because the ethnic-cultural differences are mixed in its social composition. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-03-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.marilia.unesp.br/index.php/aurora/article/view/10315 10.36311/1982-8004.2020.v13n1.p77-98 |
url |
https://revistas.marilia.unesp.br/index.php/aurora/article/view/10315 |
identifier_str_mv |
10.36311/1982-8004.2020.v13n1.p77-98 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.marilia.unesp.br/index.php/aurora/article/view/10315/7049 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Revista Aurora http://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Revista Aurora http://creativecommons.org/licenses/by-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Faculdade de Filosofia e Ciências |
publisher.none.fl_str_mv |
Faculdade de Filosofia e Ciências |
dc.source.none.fl_str_mv |
Revista Aurora; Vol. 13 No. 1 (2020); 77-98 Revista Aurora; Vol. 13 Núm. 1 (2020); 77-98 Revista Aurora; v. 13 n. 1 (2020); 77-98 1982-8004 2177-0484 reponame:Revista Aurora (Online) instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Revista Aurora (Online) |
collection |
Revista Aurora (Online) |
repository.name.fl_str_mv |
Revista Aurora (Online) - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
aurora.revista@gmail.com|| |
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1797053560285822976 |