Audio description, dialogism and exotopy at the theatre
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Alfa (São José do Rio Preto. Online) |
Texto Completo: | https://periodicos.fclar.unesp.br/alfa/article/view/13537 |
Resumo: | This study analyzes how the audio description – mode of translation intersemiotic – and the sensory visit can constitute a framework to ensure the accessibility to the theatrical art to viewers with visual impairments. The research, of qualitative nature is constructed under the assumptions of action research (MONCEAU, 2005), describes the steps of a lived experiences in the state of Espirito Santo to enable to this public the aesthetic fruition of a theatrical presentation by means of the remaining senses (KOEHLER, 2017). It develops discussions about cultural accessibility (SARRAF, 2018), dialogismo and exotopy (BAKHTIN, 1997, 2002), and anchors the understanding about the perception of the blind person based on analysis of the Doctor in Communication and Semiotic Joana Belarmino (2009). The study concludes that the process to planning and executing the audio description and sensory visits in a live artistic event demands methodological rigor, exotopic and dialogic, with multilateral and responsive actions to the detriment of the improvisation and the to do so alone. In addition, concludes that the perception of the world to visually impaired persons, proposes permanente actions that involve the body, the space and the events, consisting in an aesthetic activity. |
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Alfa (São José do Rio Preto. Online) |
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Audio description, dialogism and exotopy at the theatreAudiodescrição, dialogismo e exotopia no teatroaudiodescriçãoacessibilidade culturaldialogismoexotopiaarteaudio descriptioncultural accessibilitydialogismexotopiaartThis study analyzes how the audio description – mode of translation intersemiotic – and the sensory visit can constitute a framework to ensure the accessibility to the theatrical art to viewers with visual impairments. The research, of qualitative nature is constructed under the assumptions of action research (MONCEAU, 2005), describes the steps of a lived experiences in the state of Espirito Santo to enable to this public the aesthetic fruition of a theatrical presentation by means of the remaining senses (KOEHLER, 2017). It develops discussions about cultural accessibility (SARRAF, 2018), dialogismo and exotopy (BAKHTIN, 1997, 2002), and anchors the understanding about the perception of the blind person based on analysis of the Doctor in Communication and Semiotic Joana Belarmino (2009). The study concludes that the process to planning and executing the audio description and sensory visits in a live artistic event demands methodological rigor, exotopic and dialogic, with multilateral and responsive actions to the detriment of the improvisation and the to do so alone. In addition, concludes that the perception of the world to visually impaired persons, proposes permanente actions that involve the body, the space and the events, consisting in an aesthetic activity.Este estudo analisa como a audiodescrição - modalidade de tradução intersemiótica - e a visita sensorial podem se constituir em arcabouço para acessibilizar a arte teatral a espectadores com deficiência visual. A pesquisa, de caráter qualitativo e construída sob os pressupostos da pesquisa-ação (MONCEAU, 2005), relata as etapas de uma experiência vivenciada no estado do Espírito Santo para possibilitar a esse público a fruição estética de um espetáculo teatral por meio dos sentidos remanescentes (KOEHLER, 2017). Desenvolve discussões sobre acessibilidade cultural (SARRAF, 2018), dialogismo e exotopia (BAKHTIN, 1997, 2002), e ancora o entendimento sobre a percepção da pessoa cega a partir de análises da doutora em Comunicação e Semiótica Joana Belarmino (2009). Conclui que o processo de planejar e executar a audiodescrição e a visita sensorial em um evento artístico ao vivo demanda rigor metodológico, exotópico e dialógico, com atitudes responsivas e multilaterais, em detrimento do improviso e do fazer solitário. E que o perceber o mundo, para pessoas com deficiência visual, propõe exercícios permanentes que envolvem o corpo, o espaço e os acontecimentos, consistindo em uma atividade estética.UNESP2021-08-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://periodicos.fclar.unesp.br/alfa/article/view/1353710.1590/1981-5794-e13537ALFA: Revista de Linguística; v. 65 (2021)1981-5794reponame:Alfa (São José do Rio Preto. Online)instname:Universidade Estadual Paulista (UNESP)instacron:UNESPporenghttps://periodicos.fclar.unesp.br/alfa/article/view/13537/11201https://periodicos.fclar.unesp.br/alfa/article/view/13537/11202Copyright (c) 2021 ALFA: Revista de Linguísticainfo:eu-repo/semantics/openAccessKoehler, Andressa DiasFoerste, Gerda Margit Schütz2022-02-09T13:29:45Zoai:ojs.pkp.sfu.ca:article/13537Revistahttp://www.scielo.br/scielo.php?script=sci_serial&pid=1981-5794&lng=pt&nrm=isoPUBhttps://old.scielo.br/oai/scielo-oai.phpalfa@unesp.br1981-57940002-5216opendoar:2022-02-09T13:29:45Alfa (São José do Rio Preto. Online) - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Audio description, dialogism and exotopy at the theatre Audiodescrição, dialogismo e exotopia no teatro |
title |
Audio description, dialogism and exotopy at the theatre |
spellingShingle |
Audio description, dialogism and exotopy at the theatre Koehler, Andressa Dias audiodescrição acessibilidade cultural dialogismo exotopia arte audio description cultural accessibility dialogism exotopia art |
title_short |
Audio description, dialogism and exotopy at the theatre |
title_full |
Audio description, dialogism and exotopy at the theatre |
title_fullStr |
Audio description, dialogism and exotopy at the theatre |
title_full_unstemmed |
Audio description, dialogism and exotopy at the theatre |
title_sort |
Audio description, dialogism and exotopy at the theatre |
author |
Koehler, Andressa Dias |
author_facet |
Koehler, Andressa Dias Foerste, Gerda Margit Schütz |
author_role |
author |
author2 |
Foerste, Gerda Margit Schütz |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Koehler, Andressa Dias Foerste, Gerda Margit Schütz |
dc.subject.por.fl_str_mv |
audiodescrição acessibilidade cultural dialogismo exotopia arte audio description cultural accessibility dialogism exotopia art |
topic |
audiodescrição acessibilidade cultural dialogismo exotopia arte audio description cultural accessibility dialogism exotopia art |
description |
This study analyzes how the audio description – mode of translation intersemiotic – and the sensory visit can constitute a framework to ensure the accessibility to the theatrical art to viewers with visual impairments. The research, of qualitative nature is constructed under the assumptions of action research (MONCEAU, 2005), describes the steps of a lived experiences in the state of Espirito Santo to enable to this public the aesthetic fruition of a theatrical presentation by means of the remaining senses (KOEHLER, 2017). It develops discussions about cultural accessibility (SARRAF, 2018), dialogismo and exotopy (BAKHTIN, 1997, 2002), and anchors the understanding about the perception of the blind person based on analysis of the Doctor in Communication and Semiotic Joana Belarmino (2009). The study concludes that the process to planning and executing the audio description and sensory visits in a live artistic event demands methodological rigor, exotopic and dialogic, with multilateral and responsive actions to the detriment of the improvisation and the to do so alone. In addition, concludes that the perception of the world to visually impaired persons, proposes permanente actions that involve the body, the space and the events, consisting in an aesthetic activity. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-08-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fclar.unesp.br/alfa/article/view/13537 10.1590/1981-5794-e13537 |
url |
https://periodicos.fclar.unesp.br/alfa/article/view/13537 |
identifier_str_mv |
10.1590/1981-5794-e13537 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://periodicos.fclar.unesp.br/alfa/article/view/13537/11201 https://periodicos.fclar.unesp.br/alfa/article/view/13537/11202 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 ALFA: Revista de Linguística info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 ALFA: Revista de Linguística |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
UNESP |
publisher.none.fl_str_mv |
UNESP |
dc.source.none.fl_str_mv |
ALFA: Revista de Linguística; v. 65 (2021) 1981-5794 reponame:Alfa (São José do Rio Preto. Online) instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Alfa (São José do Rio Preto. Online) |
collection |
Alfa (São José do Rio Preto. Online) |
repository.name.fl_str_mv |
Alfa (São José do Rio Preto. Online) - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
alfa@unesp.br |
_version_ |
1800214377934094336 |