Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Faces da História |
Texto Completo: | https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472 |
Resumo: | This research proposes to analyze from the drawings Las perreras and La parrilla, made by the Chilean architect Miguel Lawner, the claim on the right to look (N. Mirzoeff). The testimonial action of these drawings is recognized here, since in them we can observe the denunciations of (un)human abuses committed during the Chilean dictatorship established by Augusto Pinochet, between 1973 and 1990. Thus, influenced by the lines of thought and theoretical-methodological basis approach of visual studies, especially by the professor and researcher of visual culture Nichollas Mirzoeff, this text seeks to understand how we can examine a double role of visualities and countervisualities in the works chosen for our reflection. |
id |
UNESP-6_96e00b7d75f811c350227aea3925214e |
---|---|
oai_identifier_str |
oai:seer.assis.unesp.br:article/2472 |
network_acronym_str |
UNESP-6 |
network_name_str |
Faces da História |
repository_id_str |
|
spelling |
Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel LawnerEntre visualidade e contravisualidade: : a reivindicação do direito a olhar através dos desenhos, Las perreras e La parrilla, de Miguel LawnerDireito a olhar; Visualidades; Contravisualidades; Ditadura chilena.Right to look; Visualities; Countervisualities; Chilean dictatorship.Direito de olhar; Visualidades; Contravisualidades; Ditadura chilena.This research proposes to analyze from the drawings Las perreras and La parrilla, made by the Chilean architect Miguel Lawner, the claim on the right to look (N. Mirzoeff). The testimonial action of these drawings is recognized here, since in them we can observe the denunciations of (un)human abuses committed during the Chilean dictatorship established by Augusto Pinochet, between 1973 and 1990. Thus, influenced by the lines of thought and theoretical-methodological basis approach of visual studies, especially by the professor and researcher of visual culture Nichollas Mirzoeff, this text seeks to understand how we can examine a double role of visualities and countervisualities in the works chosen for our reflection.Esta investigación propone una análisis de los dibujos Las perreras y La parrilla del arquitecto chileno Miguel Lawner, a partir de la reivindicación del derecho a mirar (N. Mirzoeff). Se reconoce aquí la acción testimonial de estos dibujos, ya que denuncian los abusos (in)humanos cometidos durante la dictadura chilena instaurada por Augusto Pinochet entre 1973 y 1990. Así, influenciado por las líneas de pensamiento y las bases teórico-metodológicas de los estudios visuales, especialmente por el profesor e investigador de la cultura visual Nichollas Mirzoeff, el presente texto busca comprender de qué manera se puede examinar una doble actuación de visualidades y contravisualidades en las obras elegidas para nuestra reflexión.Esta pesquisa propõe analisar a partir dos desenhos, Las perreras e La parrilla, feitos pelo arquiteto chileno Miguel Lawner, a reivindicação sobre o direito a olhar (N. Mirzoeff). A ação testemunhal desses desenhos está aqui reconhecida, uma vez que neles se observam as denúncias das sevícias (des)humanas cometidas durante a ditadura chilena instaurada por Augusto Pinochet, nos anos de 1973 a 1990. Assim, influenciado pelas linhas de pensamento e base teórica-metodológica dos estudos visuais, especialmente pelo professor e pesquisador da cultura visual Nichollas Mirzoeff, este texto procura compreender de que maneira podemos examinar uma dupla atuação de visualidades e contravisualidades nas obras elegidas para nossa reflexão.UNESP2023-06-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472Faces da História; Vol. 10 Núm. 1 (2023): História dos transportes no Brasil e no mundo; 324-339Faces da História; v. 10 n. 1 (2023): História dos transportes no Brasil e no mundo; 324-3392358-3878reponame:Faces da Históriainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472/2056https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472/2057Copyright (c) 2023 Hellen Morizza de Amorim Carvalho Januarioinfo:eu-repo/semantics/openAccessde Amorim Carvalho Januario, Hellen Morizza2023-06-28T22:35:59Zoai:seer.assis.unesp.br:article/2472Revistahttps://seer.assis.unesp.br/index.php/facesdahistoriaPUBhttps://seer.assis.unesp.br/index.php/facesdahistoria/oai||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com2358-38782358-3878opendoar:2023-06-28T22:35:59Faces da História - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner Entre visualidade e contravisualidade: : a reivindicação do direito a olhar através dos desenhos, Las perreras e La parrilla, de Miguel Lawner |
title |
Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner |
spellingShingle |
Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner de Amorim Carvalho Januario, Hellen Morizza Direito a olhar; Visualidades; Contravisualidades; Ditadura chilena. Right to look; Visualities; Countervisualities; Chilean dictatorship. Direito de olhar; Visualidades; Contravisualidades; Ditadura chilena. |
title_short |
Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner |
title_full |
Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner |
title_fullStr |
Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner |
title_full_unstemmed |
Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner |
title_sort |
Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner |
author |
de Amorim Carvalho Januario, Hellen Morizza |
author_facet |
de Amorim Carvalho Januario, Hellen Morizza |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Amorim Carvalho Januario, Hellen Morizza |
dc.subject.por.fl_str_mv |
Direito a olhar; Visualidades; Contravisualidades; Ditadura chilena. Right to look; Visualities; Countervisualities; Chilean dictatorship. Direito de olhar; Visualidades; Contravisualidades; Ditadura chilena. |
topic |
Direito a olhar; Visualidades; Contravisualidades; Ditadura chilena. Right to look; Visualities; Countervisualities; Chilean dictatorship. Direito de olhar; Visualidades; Contravisualidades; Ditadura chilena. |
description |
This research proposes to analyze from the drawings Las perreras and La parrilla, made by the Chilean architect Miguel Lawner, the claim on the right to look (N. Mirzoeff). The testimonial action of these drawings is recognized here, since in them we can observe the denunciations of (un)human abuses committed during the Chilean dictatorship established by Augusto Pinochet, between 1973 and 1990. Thus, influenced by the lines of thought and theoretical-methodological basis approach of visual studies, especially by the professor and researcher of visual culture Nichollas Mirzoeff, this text seeks to understand how we can examine a double role of visualities and countervisualities in the works chosen for our reflection. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-06-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472 |
url |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472/2056 https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472/2057 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Hellen Morizza de Amorim Carvalho Januario info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Hellen Morizza de Amorim Carvalho Januario |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
UNESP |
publisher.none.fl_str_mv |
UNESP |
dc.source.none.fl_str_mv |
Faces da História; Vol. 10 Núm. 1 (2023): História dos transportes no Brasil e no mundo; 324-339 Faces da História; v. 10 n. 1 (2023): História dos transportes no Brasil e no mundo; 324-339 2358-3878 reponame:Faces da História instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Faces da História |
collection |
Faces da História |
repository.name.fl_str_mv |
Faces da História - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com |
_version_ |
1800215832533401600 |