Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner

Detalhes bibliográficos
Autor(a) principal: de Amorim Carvalho Januario, Hellen Morizza
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Faces da História
Texto Completo: https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472
Resumo: This research proposes to analyze from the drawings Las perreras and La parrilla, made by the Chilean architect Miguel Lawner, the claim on the right to look (N. Mirzoeff). The testimonial action of these drawings is recognized here, since in them we can observe the denunciations of (un)human abuses committed during the Chilean dictatorship established by Augusto Pinochet, between 1973 and 1990. Thus, influenced by the lines of thought and theoretical-methodological basis approach of visual studies, especially by the professor and researcher of visual culture Nichollas Mirzoeff, this text seeks to understand how we can examine a double role of visualities and countervisualities in the works chosen for our reflection.
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spelling Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel LawnerEntre visualidade e contravisualidade: : a reivindicação do direito a olhar através dos desenhos, Las perreras e La parrilla, de Miguel LawnerDireito a olhar; Visualidades; Contravisualidades; Ditadura chilena.Right to look; Visualities; Countervisualities; Chilean dictatorship.Direito de olhar; Visualidades; Contravisualidades; Ditadura chilena.This research proposes to analyze from the drawings Las perreras and La parrilla, made by the Chilean architect Miguel Lawner, the claim on the right to look (N. Mirzoeff). The testimonial action of these drawings is recognized here, since in them we can observe the denunciations of (un)human abuses committed during the Chilean dictatorship established by Augusto Pinochet, between 1973 and 1990. Thus, influenced by the lines of thought and theoretical-methodological basis approach of visual studies, especially by the professor and researcher of visual culture Nichollas Mirzoeff, this text seeks to understand how we can examine a double role of visualities and countervisualities in the works chosen for our reflection.Esta investigación propone una análisis de los dibujos Las perreras y La parrilla del arquitecto chileno Miguel Lawner, a partir de la reivindicación del derecho a mirar (N. Mirzoeff). Se reconoce aquí la acción testimonial de estos dibujos, ya que denuncian los abusos (in)humanos cometidos durante la dictadura chilena instaurada por Augusto Pinochet entre 1973 y 1990. Así, influenciado por las líneas de pensamiento y las bases teórico-metodológicas de los estudios visuales, especialmente por el profesor e investigador de la cultura visual Nichollas Mirzoeff, el presente texto busca comprender de qué manera se puede examinar una doble actuación de visualidades y contravisualidades en las obras elegidas para nuestra reflexión.Esta pesquisa propõe analisar a partir dos desenhos, Las perreras e La parrilla, feitos pelo arquiteto chileno Miguel Lawner, a reivindicação sobre o direito a olhar (N. Mirzoeff). A ação testemunhal desses desenhos está aqui reconhecida, uma vez que neles se observam as denúncias das sevícias (des)humanas cometidas durante a ditadura chilena instaurada por Augusto Pinochet, nos anos de 1973 a 1990. Assim, influenciado pelas linhas de pensamento e base teórica-metodológica dos estudos visuais, especialmente pelo professor e pesquisador da cultura visual Nichollas Mirzoeff, este texto procura compreender de que maneira podemos examinar uma dupla atuação de visualidades e contravisualidades nas obras elegidas para nossa reflexão.UNESP2023-06-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472Faces da História; Vol. 10 Núm. 1 (2023): História dos transportes no Brasil e no mundo; 324-339Faces da História; v. 10 n. 1 (2023): História dos transportes no Brasil e no mundo; 324-3392358-3878reponame:Faces da Históriainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472/2056https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472/2057Copyright (c) 2023 Hellen Morizza de Amorim Carvalho Januarioinfo:eu-repo/semantics/openAccessde Amorim Carvalho Januario, Hellen Morizza2023-06-28T22:35:59Zoai:seer.assis.unesp.br:article/2472Revistahttps://seer.assis.unesp.br/index.php/facesdahistoriaPUBhttps://seer.assis.unesp.br/index.php/facesdahistoria/oai||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com2358-38782358-3878opendoar:2023-06-28T22:35:59Faces da História - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner
Entre visualidade e contravisualidade: : a reivindicação do direito a olhar através dos desenhos, Las perreras e La parrilla, de Miguel Lawner
title Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner
spellingShingle Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner
de Amorim Carvalho Januario, Hellen Morizza
Direito a olhar; Visualidades; Contravisualidades; Ditadura chilena.
Right to look; Visualities; Countervisualities; Chilean dictatorship.
Direito de olhar; Visualidades; Contravisualidades; Ditadura chilena.
title_short Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner
title_full Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner
title_fullStr Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner
title_full_unstemmed Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner
title_sort Between visuality and countervisuality: : claiming the right to look through the drawings Las perreras and La parrilla, by Miguel Lawner
author de Amorim Carvalho Januario, Hellen Morizza
author_facet de Amorim Carvalho Januario, Hellen Morizza
author_role author
dc.contributor.author.fl_str_mv de Amorim Carvalho Januario, Hellen Morizza
dc.subject.por.fl_str_mv Direito a olhar; Visualidades; Contravisualidades; Ditadura chilena.
Right to look; Visualities; Countervisualities; Chilean dictatorship.
Direito de olhar; Visualidades; Contravisualidades; Ditadura chilena.
topic Direito a olhar; Visualidades; Contravisualidades; Ditadura chilena.
Right to look; Visualities; Countervisualities; Chilean dictatorship.
Direito de olhar; Visualidades; Contravisualidades; Ditadura chilena.
description This research proposes to analyze from the drawings Las perreras and La parrilla, made by the Chilean architect Miguel Lawner, the claim on the right to look (N. Mirzoeff). The testimonial action of these drawings is recognized here, since in them we can observe the denunciations of (un)human abuses committed during the Chilean dictatorship established by Augusto Pinochet, between 1973 and 1990. Thus, influenced by the lines of thought and theoretical-methodological basis approach of visual studies, especially by the professor and researcher of visual culture Nichollas Mirzoeff, this text seeks to understand how we can examine a double role of visualities and countervisualities in the works chosen for our reflection.
publishDate 2023
dc.date.none.fl_str_mv 2023-06-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472
url https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472/2056
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/2472/2057
dc.rights.driver.fl_str_mv Copyright (c) 2023 Hellen Morizza de Amorim Carvalho Januario
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Hellen Morizza de Amorim Carvalho Januario
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv UNESP
publisher.none.fl_str_mv UNESP
dc.source.none.fl_str_mv Faces da História; Vol. 10 Núm. 1 (2023): História dos transportes no Brasil e no mundo; 324-339
Faces da História; v. 10 n. 1 (2023): História dos transportes no Brasil e no mundo; 324-339
2358-3878
reponame:Faces da História
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Faces da História
collection Faces da História
repository.name.fl_str_mv Faces da História - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv ||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com
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