Elements for a history of the exclusion of North American white women from the literary field: Joyce Johnson’s works
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista NUPEM (Online) |
Texto Completo: | https://periodicos.unespar.edu.br/nupem/article/view/4854 |
Resumo: | The present work aims to analyze the exclusion of North American white women from the literary field in the American countercultural movement of the Beat Generation through Joyce Johnson’s works “Come and Join the Dance” and “Minor Characters”. By means of Le Goff’s (2013) concepts of document/monument and memory, we justify the historicity of literary works and demonstrate that Johnson’s novel and memoir are key to rediscovering the forgotten history of the women who, when refusing the American conformity of the 1950’s, chose to get involved with authors who were revolutionary in their own ways, but who repeated patterns of female exclusion. |
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Elements for a history of the exclusion of North American white women from the literary field: Joyce Johnson’s worksElementos para una historia de la exclusión de las mujeres blancas estadounidenses del campo literario desde la obra de Joyce JohnsonElementos para uma história da exclusão das mulheres brancas norte-americanas do campo literário a partir da obra de Joyce JohnsonGeneración BeatJoyce JohnsonMemoriaBeat GenerationJoyce JohnsonMemoryGeração BeatJoyce JohnsonMemóriaThe present work aims to analyze the exclusion of North American white women from the literary field in the American countercultural movement of the Beat Generation through Joyce Johnson’s works “Come and Join the Dance” and “Minor Characters”. By means of Le Goff’s (2013) concepts of document/monument and memory, we justify the historicity of literary works and demonstrate that Johnson’s novel and memoir are key to rediscovering the forgotten history of the women who, when refusing the American conformity of the 1950’s, chose to get involved with authors who were revolutionary in their own ways, but who repeated patterns of female exclusion.Este artículo propone un análisis de la exclusión femenina del campo literario en el movimiento de contracultura estadunidense conocido como Generación Beat, a través de las obras “Come and Join the Dance” y “Minor Characters”, de Joyce Johnson. A partir de los conceptos de documento/monumento y memoria, ambos de Le Goff (2013), justificamos la historicidad de las obras literarias y demostramos que la novela y el libro de memorias de Johnson son piezas clave para redescubrir la historia olvidada de las mujeres que, al rechazar la conformidad estadounidense de los años 50, optaron por involucrarse con autores que eran revolucionarios a su manera, pero que repetían patrones de exclusión femenina.O presente trabalho busca analisar a exclusão feminina das mulheres brancas norte-americanas do campo literário no movimento de contracultura estadunidense Geração Beat, através das obras “Come and Join the Dance” e “Minor Characters”, ambas de Joyce Johnson. A partir dos conceitos de documento/monumento e de memória, ambos de Le Goff (2013), justificamos a historicidade das obras literárias e demonstramos que o romance e o livro de memórias de Johnson são peças chave para redescobrir a história esquecida das mulheres que, em uma recusa à conformidade estadunidense dos anos 1950, escolheram se envolver com autores revolucionários à sua maneira, mas que repetiam padrões de exclusão feminina.Universidade Estadual do Paraná2022-05-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoapplication/pdfhttps://periodicos.unespar.edu.br/nupem/article/view/485410.33871/nupem.2022.14.32.137-150Revista NUPEM; Vol. 14 No. 32 (2022): Dossier: The (auto)biographical space: individuals, memory and society; 137-150Revista NUPEM; Vol. 14 Núm. 32 (2022): Dossier: El espacio (auto)biográfico: individuo, memoria y sociedad; 137-150Revista NUPEM; v. 14 n. 32 (2022): Dossiê: O espaço (auto)biográfico: indivíduo, memória e sociedade; 137-1502176-79122175-7429reponame:Revista NUPEM (Online)instname:Universidade Estadual do Paraná (UNESPAR)instacron:UNESPARporhttps://periodicos.unespar.edu.br/nupem/article/view/4854/4726Copyright (c) 2022 Ariane Ribeiro Santana, Graziela Menezes de Jesus, Rafaela Scardinohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSantana, Ariane Ribeiro Jesus, Graziela Menezes deScardino, Rafaela2022-06-02T22:08:09Zoai:ojs.pkp.sfu.ca:article/4854Revistahttps://periodicos.unespar.edu.br/index.php/nupem/PUBhttps://periodicos.unespar.edu.br/index.php/nupem/oainupemrevista@gmail.com2176-79122176-7912opendoar:2022-06-02T22:08:09Revista NUPEM (Online) - Universidade Estadual do Paraná (UNESPAR)false |
dc.title.none.fl_str_mv |
Elements for a history of the exclusion of North American white women from the literary field: Joyce Johnson’s works Elementos para una historia de la exclusión de las mujeres blancas estadounidenses del campo literario desde la obra de Joyce Johnson Elementos para uma história da exclusão das mulheres brancas norte-americanas do campo literário a partir da obra de Joyce Johnson |
title |
Elements for a history of the exclusion of North American white women from the literary field: Joyce Johnson’s works |
spellingShingle |
Elements for a history of the exclusion of North American white women from the literary field: Joyce Johnson’s works Santana, Ariane Ribeiro Generación Beat Joyce Johnson Memoria Beat Generation Joyce Johnson Memory Geração Beat Joyce Johnson Memória |
title_short |
Elements for a history of the exclusion of North American white women from the literary field: Joyce Johnson’s works |
title_full |
Elements for a history of the exclusion of North American white women from the literary field: Joyce Johnson’s works |
title_fullStr |
Elements for a history of the exclusion of North American white women from the literary field: Joyce Johnson’s works |
title_full_unstemmed |
Elements for a history of the exclusion of North American white women from the literary field: Joyce Johnson’s works |
title_sort |
Elements for a history of the exclusion of North American white women from the literary field: Joyce Johnson’s works |
author |
Santana, Ariane Ribeiro |
author_facet |
Santana, Ariane Ribeiro Jesus, Graziela Menezes de Scardino, Rafaela |
author_role |
author |
author2 |
Jesus, Graziela Menezes de Scardino, Rafaela |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Santana, Ariane Ribeiro Jesus, Graziela Menezes de Scardino, Rafaela |
dc.subject.por.fl_str_mv |
Generación Beat Joyce Johnson Memoria Beat Generation Joyce Johnson Memory Geração Beat Joyce Johnson Memória |
topic |
Generación Beat Joyce Johnson Memoria Beat Generation Joyce Johnson Memory Geração Beat Joyce Johnson Memória |
description |
The present work aims to analyze the exclusion of North American white women from the literary field in the American countercultural movement of the Beat Generation through Joyce Johnson’s works “Come and Join the Dance” and “Minor Characters”. By means of Le Goff’s (2013) concepts of document/monument and memory, we justify the historicity of literary works and demonstrate that Johnson’s novel and memoir are key to rediscovering the forgotten history of the women who, when refusing the American conformity of the 1950’s, chose to get involved with authors who were revolutionary in their own ways, but who repeated patterns of female exclusion. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-05-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Texto |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.unespar.edu.br/nupem/article/view/4854 10.33871/nupem.2022.14.32.137-150 |
url |
https://periodicos.unespar.edu.br/nupem/article/view/4854 |
identifier_str_mv |
10.33871/nupem.2022.14.32.137-150 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.unespar.edu.br/nupem/article/view/4854/4726 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Ariane Ribeiro Santana, Graziela Menezes de Jesus, Rafaela Scardino https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Ariane Ribeiro Santana, Graziela Menezes de Jesus, Rafaela Scardino https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual do Paraná |
publisher.none.fl_str_mv |
Universidade Estadual do Paraná |
dc.source.none.fl_str_mv |
Revista NUPEM; Vol. 14 No. 32 (2022): Dossier: The (auto)biographical space: individuals, memory and society; 137-150 Revista NUPEM; Vol. 14 Núm. 32 (2022): Dossier: El espacio (auto)biográfico: individuo, memoria y sociedad; 137-150 Revista NUPEM; v. 14 n. 32 (2022): Dossiê: O espaço (auto)biográfico: indivíduo, memória e sociedade; 137-150 2176-7912 2175-7429 reponame:Revista NUPEM (Online) instname:Universidade Estadual do Paraná (UNESPAR) instacron:UNESPAR |
instname_str |
Universidade Estadual do Paraná (UNESPAR) |
instacron_str |
UNESPAR |
institution |
UNESPAR |
reponame_str |
Revista NUPEM (Online) |
collection |
Revista NUPEM (Online) |
repository.name.fl_str_mv |
Revista NUPEM (Online) - Universidade Estadual do Paraná (UNESPAR) |
repository.mail.fl_str_mv |
nupemrevista@gmail.com |
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