Shoah, by Claude Lanzmann: the intrinsic relationship between the duty of transmission and the work of mourning

Detalhes bibliográficos
Autor(a) principal: Arcanjo, Fábio Ávila
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Cadernos de Estudos Linguísticos
Texto Completo: https://periodicos.sbu.unicamp.br/ojs/index.php/cel/article/view/8665158
Resumo: This article aims to use some important categories to analyze the documentary Shoah, directed by Claude Lanzmann and released in theaters in 1985. The film is guided by interviews conducted by the french documentary filmmaker with people belonging to the three subjective categories, who are part of the triad - victims, perpetrators and bystanders - discussed by the american historian Raul Hilberg. Although the film summons interviewees who participate in the three categories, our article will privilege those who belong to the condition of victims. What we will observe is the existing relation between the filmic enunciation guided by the remembrance of trauma, next to the categories of melancholy and grief. We will discuss whether survivors, interviewed by Lanzmann, can be thought of as melancholic subjects, triggering a subjective category worked by Giorgio Agamben (2008), namely the Muselmann. In addition, we will problematize the existing equation between the work of perlaboration and the working of the past, taking as a starting point the activation of the duty of transmission of the returnees.
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spelling Shoah, by Claude Lanzmann: the intrinsic relationship between the duty of transmission and the work of mourningShoah, de Claude Lanzmann: la relación intrínseca entre el deber de transmisión y el trabajo de dueloShoah, de Claude Lanzmann: a relação intrínseca entre o dever de transmissão e o trabalho de luto ShoahRememoraçãoLutoShoahLutoRememoraçãoShoahRecallGriefThis article aims to use some important categories to analyze the documentary Shoah, directed by Claude Lanzmann and released in theaters in 1985. The film is guided by interviews conducted by the french documentary filmmaker with people belonging to the three subjective categories, who are part of the triad - victims, perpetrators and bystanders - discussed by the american historian Raul Hilberg. Although the film summons interviewees who participate in the three categories, our article will privilege those who belong to the condition of victims. What we will observe is the existing relation between the filmic enunciation guided by the remembrance of trauma, next to the categories of melancholy and grief. We will discuss whether survivors, interviewed by Lanzmann, can be thought of as melancholic subjects, triggering a subjective category worked by Giorgio Agamben (2008), namely the Muselmann. In addition, we will problematize the existing equation between the work of perlaboration and the working of the past, taking as a starting point the activation of the duty of transmission of the returnees.Este artículo tiene como objetivo movilizar algunas categorías importantes para analizar el documental Shoah, dirigido por Claude Lanzmann y estrenado en cines en 1985. La estructuración de la película se da a través de las interacciones entre el documentalista y los actores sociales, que integran la relación tripartita -víctimas, perpetradores y testigos presenciales- discutida por el historiador estadounidense Raúl Hilberg. Aunque la película invoca a los entrevistados que participan en las tres categorías, nuestro artículo privilegiará a aquellos que pertenecen a la condición de víctimas. Lo que observaremos es la relación entre la enunciación fímmica guiada por la reememoração del trauma, junto con las categorías de melancolía y duelo. Discutiremos si los sobrevivientes de los campos de exterminio, que participan en el documental, pueden ser considerados como sujetos melancólicos, desencadenando una categoría subjetiva trabajada por Giorgio Agamben (2008), es decir, el musulmán. Además, problematizaremos la ecuación entre el trabajo de duelo y la perelaboración del pasado, tomando como punto de partida la activación del deber de transmisión de los retornados.Este artigo objetiva mobilizar algumas categorias importantes para analisar o documentário Shoah, dirigido por Claude Lanzmann e lançado nos cinemas em 1985. A estruturação do filme se dá por meio das interações realizadas entre o documentarista e os atores sociais, que integram a relação tripartite – vítimas, perpetradores e testemunhas oculares – discutida pelo historiador americano Raul Hilberg. Embora o filme convoque entrevistados que participam das três categorias, nosso artigo privilegiará aqueles que pertencem à condição de vítimas. O que iremos observar é a relação existente entre a enunciação fílmica pautada pela rememoração do trauma, junto às categorias da melancolia e do luto. Discutiremos se os sobreviventes dos campos de extermínio, que participam do documentário, podem ser pensados como sujeitos melancólicos, acionando uma categoria subjetiva trabalhada por Giorgio Agamben (2008), a saber, o muçulmano. Além disso, problematizaremos o equacionamento existente entre o trabalho de luto e a perlaboração do passado, tomando como ponto de partida o acionamento do dever de transmissão dos retornantes.Universidade Estadual de Campinas2021-11-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/cel/article/view/866515810.20396/cel.v63i00.8665158Cadernos de Estudos Linguísticos; v. 63 (2021): Publicação Contínua; e021037Cadernos de Estudos Linguísticos; Vol. 63 (2021): Continous Publication; e021037Cadernos de Estudos Linguísticos; Vol. 63 (2021): Publicación continua; e0210372447-0686reponame:Cadernos de Estudos Linguísticosinstname:Universidade Estadual de Campinas (UNICAMP)instacron:UNICAMPporhttps://periodicos.sbu.unicamp.br/ojs/index.php/cel/article/view/8665158/27599Global; ContemporaryGlobal; ContemporáneoGlobal; ContemporâneoCopyright (c) 2021 Cadernos de Estudos Linguísticoshttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessArcanjo, Fábio Ávila 2023-07-04T17:48:37Zoai:ojs.periodicos.sbu.unicamp.br:article/8665158Revistahttp://revistas.iel.unicamp.br/index.php/cel/PUBhttp://revistas.iel.unicamp.br/index.php/cel/oaispublic@iel.unicamp.br||revistacel@iel.unicamp.br2447-06860102-5767opendoar:2023-07-04T17:48:37Cadernos de Estudos Linguísticos - Universidade Estadual de Campinas (UNICAMP)false
dc.title.none.fl_str_mv Shoah, by Claude Lanzmann: the intrinsic relationship between the duty of transmission and the work of mourning
Shoah, de Claude Lanzmann: la relación intrínseca entre el deber de transmisión y el trabajo de duelo
Shoah, de Claude Lanzmann: a relação intrínseca entre o dever de transmissão e o trabalho de luto
title Shoah, by Claude Lanzmann: the intrinsic relationship between the duty of transmission and the work of mourning
spellingShingle Shoah, by Claude Lanzmann: the intrinsic relationship between the duty of transmission and the work of mourning
Arcanjo, Fábio Ávila
Shoah
Rememoração
Luto
Shoah
Luto
Rememoração
Shoah
Recall
Grief
title_short Shoah, by Claude Lanzmann: the intrinsic relationship between the duty of transmission and the work of mourning
title_full Shoah, by Claude Lanzmann: the intrinsic relationship between the duty of transmission and the work of mourning
title_fullStr Shoah, by Claude Lanzmann: the intrinsic relationship between the duty of transmission and the work of mourning
title_full_unstemmed Shoah, by Claude Lanzmann: the intrinsic relationship between the duty of transmission and the work of mourning
title_sort Shoah, by Claude Lanzmann: the intrinsic relationship between the duty of transmission and the work of mourning
author Arcanjo, Fábio Ávila
author_facet Arcanjo, Fábio Ávila
author_role author
dc.contributor.author.fl_str_mv Arcanjo, Fábio Ávila
dc.subject.por.fl_str_mv Shoah
Rememoração
Luto
Shoah
Luto
Rememoração
Shoah
Recall
Grief
topic Shoah
Rememoração
Luto
Shoah
Luto
Rememoração
Shoah
Recall
Grief
description This article aims to use some important categories to analyze the documentary Shoah, directed by Claude Lanzmann and released in theaters in 1985. The film is guided by interviews conducted by the french documentary filmmaker with people belonging to the three subjective categories, who are part of the triad - victims, perpetrators and bystanders - discussed by the american historian Raul Hilberg. Although the film summons interviewees who participate in the three categories, our article will privilege those who belong to the condition of victims. What we will observe is the existing relation between the filmic enunciation guided by the remembrance of trauma, next to the categories of melancholy and grief. We will discuss whether survivors, interviewed by Lanzmann, can be thought of as melancholic subjects, triggering a subjective category worked by Giorgio Agamben (2008), namely the Muselmann. In addition, we will problematize the existing equation between the work of perlaboration and the working of the past, taking as a starting point the activation of the duty of transmission of the returnees.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/cel/article/view/8665158
10.20396/cel.v63i00.8665158
url https://periodicos.sbu.unicamp.br/ojs/index.php/cel/article/view/8665158
identifier_str_mv 10.20396/cel.v63i00.8665158
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/cel/article/view/8665158/27599
dc.rights.driver.fl_str_mv Copyright (c) 2021 Cadernos de Estudos Linguísticos
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Cadernos de Estudos Linguísticos
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.coverage.none.fl_str_mv Global; Contemporary
Global; Contemporáneo
Global; Contemporâneo
dc.publisher.none.fl_str_mv Universidade Estadual de Campinas
publisher.none.fl_str_mv Universidade Estadual de Campinas
dc.source.none.fl_str_mv Cadernos de Estudos Linguísticos; v. 63 (2021): Publicação Contínua; e021037
Cadernos de Estudos Linguísticos; Vol. 63 (2021): Continous Publication; e021037
Cadernos de Estudos Linguísticos; Vol. 63 (2021): Publicación continua; e021037
2447-0686
reponame:Cadernos de Estudos Linguísticos
instname:Universidade Estadual de Campinas (UNICAMP)
instacron:UNICAMP
instname_str Universidade Estadual de Campinas (UNICAMP)
instacron_str UNICAMP
institution UNICAMP
reponame_str Cadernos de Estudos Linguísticos
collection Cadernos de Estudos Linguísticos
repository.name.fl_str_mv Cadernos de Estudos Linguísticos - Universidade Estadual de Campinas (UNICAMP)
repository.mail.fl_str_mv spublic@iel.unicamp.br||revistacel@iel.unicamp.br
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