Memories of the Empire in dispute: senses in the urban space from the analysis of the equestrian statue of D. Pedro I
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Cadernos de Estudos Linguísticos |
Texto Completo: | https://periodicos.sbu.unicamp.br/ojs/index.php/cel/article/view/8654055 |
Resumo: | In the year of 1862, it was inaugurated the equestrian statue of D. Pedro I, in Rio de Janeiro, in the square that afterwards would be named Tiradentes Square. This article, based on the studies of discourse, history and memory, aims to analyze the monument to the Emperor, considering the production conditions that inscribe that monument as a reference point and, at the same time, as a silent point (FEDATTO, 2011) in the National history. In a dispute for the territoriality memory, by building a monument it is chosen the image of the national hero that must be, since then, remembered, celebrate, commemorated; in doing so, the dissonant discourses that could affect this memory are erased. In order to think about the meaning effects in tension, we are to confront the institutional memory, linked to the statue, to the way Dom Pedro is depicted in verbal materialitiy, in the novels O Chalaça (1994), by José Roberto Torero, and As maluquices do Imperador (2008), by Paulo Setúbal. As theoretical background, we refer to Pêcheux (2008, 1999), Orlandi (2003, 2008), Fedatto (2011) and Robin (2016). |
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Memories of the Empire in dispute: senses in the urban space from the analysis of the equestrian statue of D. Pedro IRecuerdos del Imperio en disputa: sentidos en el espacio urbano del análisis de la estatua ecuestre de D. Pedro IMemórias do Império em disputa: sentidos no espaço urbano a partir da análise da estátua equestre de D. Pedro IMemoriaOlvidoMonumentoDom Pedro IFicción históricaMemóriaEsquecimentoMonumentoDom Pedro IFicção histórica.MemoryOblivionMonumentDom Pedro IHistorical fictionIn the year of 1862, it was inaugurated the equestrian statue of D. Pedro I, in Rio de Janeiro, in the square that afterwards would be named Tiradentes Square. This article, based on the studies of discourse, history and memory, aims to analyze the monument to the Emperor, considering the production conditions that inscribe that monument as a reference point and, at the same time, as a silent point (FEDATTO, 2011) in the National history. In a dispute for the territoriality memory, by building a monument it is chosen the image of the national hero that must be, since then, remembered, celebrate, commemorated; in doing so, the dissonant discourses that could affect this memory are erased. In order to think about the meaning effects in tension, we are to confront the institutional memory, linked to the statue, to the way Dom Pedro is depicted in verbal materialitiy, in the novels O Chalaça (1994), by José Roberto Torero, and As maluquices do Imperador (2008), by Paulo Setúbal. As theoretical background, we refer to Pêcheux (2008, 1999), Orlandi (2003, 2008), Fedatto (2011) and Robin (2016).En el año 1862, la estatua ecuestre de San Pedro I fue inaugurada en Río de Janeiro, en la plaza que se llamaría Tiradentes. En esta obra, a partir de estudios sobre el discurso, la Historia y la memoria, trataremos de analizar el monumento al emperador, considerando las condiciones de producción que (INS) escriben este monumento como punto de referencia y al mismo tiempo como punto de silencio ( FEDATTO, 2011) en la historia nacional. En una disputa por una territorialidad en la memoria, se elige, al erigir un monumento, la imagen de un héroe nacional que debe ser, a partir de ese momento, recordado, conmemorado, eliminando y sibar discursos disonantes, que podrían afectar a esta memoria. Para pensar en los efectos de los sentidos en la tensión, enfrentaremos la memoria institucional vinculada a la escultura con la forma en que D. Pedro se presenta en la materialidad verbal, en las novelas O Chalaa (1994), de José Roberto Torero, y la locura del emperador (2008), de Paulo Setúbal. Como contribución teórica, destacamos el artículo de interés de la ciudad, el de P-cheux (2008, 1999), Orlandi (2003, 2008), Fedatto (2011) y Robin (2016).No ano de 1862, foi inaugurada a estátua equestre de D. Pedro I, no Rio de Janeiro, na praça que viria a se chamar Tiradentes. Neste trabalho, a partir de estudos sobre discurso, história e memória, buscaremos analisar o monumento ao Imperador, considerando as condições de produção que (ins)escrevem esse monumento como um ponto de referência e ao mesmo tempo como um ponto de silêncio (FEDATTO, 2011) na história nacional. Numa disputa por uma territorialidade na memória, elege-se, ao erigir um monumento, a imagem de um herói nacional que deve ser, a partir daquele momento, lembrado, comemorado, apagando-se e silenciando discursos dissonantes, que poderiam afetar essa memória. Para pensar nos efeitos de sentidos em tensão, confrontaremos a memória institucional ligada à escultura com a forma pela qual D. Pedro é apresentado na materialidade verbal, nos romances O Chalaça (1994), de José Roberto Torero, e As maluquices do Imperador (2008), de Paulo Setúbal. Como aporte teórico, destacamos Pêcheux (2008, 1999), Orlandi (2003, 2008), Fedatto (2011) e Robin (2016).Universidade Estadual de Campinas2019-05-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa qualitativaapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/cel/article/view/865405510.20396/cel.v61i0.8654055Cadernos de Estudos Linguísticos; v. 61 (2019): Ethos discursivo em diversas dimensões; 1-16Cadernos de Estudos Linguísticos; Vol. 61 (2019): Discursive Ethos in several dimensions; 1-16Cadernos de Estudos Linguísticos; Vol. 61 (2019): Ethos discursivo en varias dimensiones; 1-162447-0686reponame:Cadernos de Estudos Linguísticosinstname:Universidade Estadual de Campinas (UNICAMP)instacron:UNICAMPporhttps://periodicos.sbu.unicamp.br/ojs/index.php/cel/article/view/8654055/20780Brazil 2019Brasil 2019Brasil; 2019Copyright (c) 2019 Cadernos de Estudos Lingüísticoshttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessFerraça, MiriellyLacowicz, Stanis David2022-08-31T14:39:12Zoai:ojs.periodicos.sbu.unicamp.br:article/8654055Revistahttp://revistas.iel.unicamp.br/index.php/cel/PUBhttp://revistas.iel.unicamp.br/index.php/cel/oaispublic@iel.unicamp.br||revistacel@iel.unicamp.br2447-06860102-5767opendoar:2022-11-08T14:23:58.620555Cadernos de Estudos Linguísticos - Universidade Estadual de Campinas (UNICAMP)false |
dc.title.none.fl_str_mv |
Memories of the Empire in dispute: senses in the urban space from the analysis of the equestrian statue of D. Pedro I Recuerdos del Imperio en disputa: sentidos en el espacio urbano del análisis de la estatua ecuestre de D. Pedro I Memórias do Império em disputa: sentidos no espaço urbano a partir da análise da estátua equestre de D. Pedro I |
title |
Memories of the Empire in dispute: senses in the urban space from the analysis of the equestrian statue of D. Pedro I |
spellingShingle |
Memories of the Empire in dispute: senses in the urban space from the analysis of the equestrian statue of D. Pedro I Ferraça, Mirielly Memoria Olvido Monumento Dom Pedro I Ficción histórica Memória Esquecimento Monumento Dom Pedro I Ficção histórica. Memory Oblivion Monument Dom Pedro I Historical fiction |
title_short |
Memories of the Empire in dispute: senses in the urban space from the analysis of the equestrian statue of D. Pedro I |
title_full |
Memories of the Empire in dispute: senses in the urban space from the analysis of the equestrian statue of D. Pedro I |
title_fullStr |
Memories of the Empire in dispute: senses in the urban space from the analysis of the equestrian statue of D. Pedro I |
title_full_unstemmed |
Memories of the Empire in dispute: senses in the urban space from the analysis of the equestrian statue of D. Pedro I |
title_sort |
Memories of the Empire in dispute: senses in the urban space from the analysis of the equestrian statue of D. Pedro I |
author |
Ferraça, Mirielly |
author_facet |
Ferraça, Mirielly Lacowicz, Stanis David |
author_role |
author |
author2 |
Lacowicz, Stanis David |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Ferraça, Mirielly Lacowicz, Stanis David |
dc.subject.por.fl_str_mv |
Memoria Olvido Monumento Dom Pedro I Ficción histórica Memória Esquecimento Monumento Dom Pedro I Ficção histórica. Memory Oblivion Monument Dom Pedro I Historical fiction |
topic |
Memoria Olvido Monumento Dom Pedro I Ficción histórica Memória Esquecimento Monumento Dom Pedro I Ficção histórica. Memory Oblivion Monument Dom Pedro I Historical fiction |
description |
In the year of 1862, it was inaugurated the equestrian statue of D. Pedro I, in Rio de Janeiro, in the square that afterwards would be named Tiradentes Square. This article, based on the studies of discourse, history and memory, aims to analyze the monument to the Emperor, considering the production conditions that inscribe that monument as a reference point and, at the same time, as a silent point (FEDATTO, 2011) in the National history. In a dispute for the territoriality memory, by building a monument it is chosen the image of the national hero that must be, since then, remembered, celebrate, commemorated; in doing so, the dissonant discourses that could affect this memory are erased. In order to think about the meaning effects in tension, we are to confront the institutional memory, linked to the statue, to the way Dom Pedro is depicted in verbal materialitiy, in the novels O Chalaça (1994), by José Roberto Torero, and As maluquices do Imperador (2008), by Paulo Setúbal. As theoretical background, we refer to Pêcheux (2008, 1999), Orlandi (2003, 2008), Fedatto (2011) and Robin (2016). |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-05-23 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Pesquisa qualitativa |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.sbu.unicamp.br/ojs/index.php/cel/article/view/8654055 10.20396/cel.v61i0.8654055 |
url |
https://periodicos.sbu.unicamp.br/ojs/index.php/cel/article/view/8654055 |
identifier_str_mv |
10.20396/cel.v61i0.8654055 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.sbu.unicamp.br/ojs/index.php/cel/article/view/8654055/20780 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Cadernos de Estudos Lingüísticos https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Cadernos de Estudos Lingüísticos https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.coverage.none.fl_str_mv |
Brazil 2019 Brasil 2019 Brasil; 2019 |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Campinas |
publisher.none.fl_str_mv |
Universidade Estadual de Campinas |
dc.source.none.fl_str_mv |
Cadernos de Estudos Linguísticos; v. 61 (2019): Ethos discursivo em diversas dimensões; 1-16 Cadernos de Estudos Linguísticos; Vol. 61 (2019): Discursive Ethos in several dimensions; 1-16 Cadernos de Estudos Linguísticos; Vol. 61 (2019): Ethos discursivo en varias dimensiones; 1-16 2447-0686 reponame:Cadernos de Estudos Linguísticos instname:Universidade Estadual de Campinas (UNICAMP) instacron:UNICAMP |
instname_str |
Universidade Estadual de Campinas (UNICAMP) |
instacron_str |
UNICAMP |
institution |
UNICAMP |
reponame_str |
Cadernos de Estudos Linguísticos |
collection |
Cadernos de Estudos Linguísticos |
repository.name.fl_str_mv |
Cadernos de Estudos Linguísticos - Universidade Estadual de Campinas (UNICAMP) |
repository.mail.fl_str_mv |
spublic@iel.unicamp.br||revistacel@iel.unicamp.br |
_version_ |
1800216496286203904 |