A propósito de Pagu
Autor(a) principal: | |
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Data de Publicação: | 2005 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Cadernos Pagu (Online) |
Texto Completo: | https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/1677 |
Resumo: | AbstractSome feminist writers have suggested that women are absent from the modernist canon since they barely figure in the histories of art and literature at the beginning of this century. Thus, the specialist in the Sociology of Culture, Janet Wolff, pointing to the “radical potential of the deconstrutive strategies of modernist culture” for women, also says that the public world of work and city life “was barred to respectable women”. I begin to argue in this sketch that this is not exactly so for Brazilian painters and writers, as the example of Patricia Galvão - PAGU - may help to show. |
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A propósito de PaguMulheres. Feminismo. Patricia GalvãoGêneroAbstractSome feminist writers have suggested that women are absent from the modernist canon since they barely figure in the histories of art and literature at the beginning of this century. Thus, the specialist in the Sociology of Culture, Janet Wolff, pointing to the “radical potential of the deconstrutive strategies of modernist culture” for women, also says that the public world of work and city life “was barred to respectable women”. I begin to argue in this sketch that this is not exactly so for Brazilian painters and writers, as the example of Patricia Galvão - PAGU - may help to show.Universidade Estadual de Campinas2005-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionOratóriaapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/1677Cadernos Pagu; n. 1 (1993): De trajetórias e sentimentos; 7-17Cadernos Pagu; No. 1 (1993): De trajetórias e sentimentos; 7-17Cadernos Pagu; Núm. 1 (1993): De trajetórias e sentimentos; 7-171809-4449reponame:Cadernos Pagu (Online)instname:Universidade Estadual de Campinas (UNICAMP)instacron:UNICAMPporhttps://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/1677/1659Copyright (c) 1993 Cadernos Paguinfo:eu-repo/semantics/openAccessCorrêa, Mariza2015-07-17T14:28:20Zoai:ojs.periodicos.sbu.unicamp.br:article/1677Revistahttps://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/indexPUBhttps://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/oaicadpagu@unicamp.br||cadpagu@unicamp.br0104-83331809-4449opendoar:2022-11-08T14:24:18.762884Cadernos Pagu (Online) - Universidade Estadual de Campinas (UNICAMP)false |
dc.title.none.fl_str_mv |
A propósito de Pagu |
title |
A propósito de Pagu |
spellingShingle |
A propósito de Pagu Corrêa, Mariza Mulheres. Feminismo. Patricia Galvão Gênero |
title_short |
A propósito de Pagu |
title_full |
A propósito de Pagu |
title_fullStr |
A propósito de Pagu |
title_full_unstemmed |
A propósito de Pagu |
title_sort |
A propósito de Pagu |
author |
Corrêa, Mariza |
author_facet |
Corrêa, Mariza |
author_role |
author |
dc.contributor.author.fl_str_mv |
Corrêa, Mariza |
dc.subject.por.fl_str_mv |
Mulheres. Feminismo. Patricia Galvão Gênero |
topic |
Mulheres. Feminismo. Patricia Galvão Gênero |
description |
AbstractSome feminist writers have suggested that women are absent from the modernist canon since they barely figure in the histories of art and literature at the beginning of this century. Thus, the specialist in the Sociology of Culture, Janet Wolff, pointing to the “radical potential of the deconstrutive strategies of modernist culture” for women, also says that the public world of work and city life “was barred to respectable women”. I begin to argue in this sketch that this is not exactly so for Brazilian painters and writers, as the example of Patricia Galvão - PAGU - may help to show. |
publishDate |
2005 |
dc.date.none.fl_str_mv |
2005-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Oratória |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/1677 |
url |
https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/1677 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/1677/1659 |
dc.rights.driver.fl_str_mv |
Copyright (c) 1993 Cadernos Pagu info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 1993 Cadernos Pagu |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Campinas |
publisher.none.fl_str_mv |
Universidade Estadual de Campinas |
dc.source.none.fl_str_mv |
Cadernos Pagu; n. 1 (1993): De trajetórias e sentimentos; 7-17 Cadernos Pagu; No. 1 (1993): De trajetórias e sentimentos; 7-17 Cadernos Pagu; Núm. 1 (1993): De trajetórias e sentimentos; 7-17 1809-4449 reponame:Cadernos Pagu (Online) instname:Universidade Estadual de Campinas (UNICAMP) instacron:UNICAMP |
instname_str |
Universidade Estadual de Campinas (UNICAMP) |
instacron_str |
UNICAMP |
institution |
UNICAMP |
reponame_str |
Cadernos Pagu (Online) |
collection |
Cadernos Pagu (Online) |
repository.name.fl_str_mv |
Cadernos Pagu (Online) - Universidade Estadual de Campinas (UNICAMP) |
repository.mail.fl_str_mv |
cadpagu@unicamp.br||cadpagu@unicamp.br |
_version_ |
1800216607319916544 |