Screen Present and Fictional Present

Detalhes bibliográficos
Autor(a) principal: Le Poidevin,Robin
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Manuscrito (Online)
Texto Completo: http://old.scielo.br/scielo.php?script=sci_arttext&pid=S0100-60452016000400315
Resumo: ABSTRACT I intend in this paper to explore the possible consequences for our understanding of fiction of a particular view of the nature of time, namely the hypothesis of the open future. The kind of fiction we will particularly concerned with is film, which provides a convenient way of focusing the general issue I want to raise here. The issue could also be raised in relation to theatre and certain types of novel, but there are nevertheless some disanalogies between film and these other art forms, and I shall indicate these below. The essay is intended as an exercise in bringing metaphysics and aesthetics together, to the benefit (I hope and trust) of both.
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spelling Screen Present and Fictional PresentTime in FictionPresentismOpenness of the FutureABSTRACT I intend in this paper to explore the possible consequences for our understanding of fiction of a particular view of the nature of time, namely the hypothesis of the open future. The kind of fiction we will particularly concerned with is film, which provides a convenient way of focusing the general issue I want to raise here. The issue could also be raised in relation to theatre and certain types of novel, but there are nevertheless some disanalogies between film and these other art forms, and I shall indicate these below. The essay is intended as an exercise in bringing metaphysics and aesthetics together, to the benefit (I hope and trust) of both.UNICAMP - Universidade Estadual de Campinas, Centro de Lógica, Epistemologia e História da Ciência2016-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontext/htmlhttp://old.scielo.br/scielo.php?script=sci_arttext&pid=S0100-60452016000400315Manuscrito v.39 n.4 2016reponame:Manuscrito (Online)instname:Universidade Estadual de Campinas (UNICAMP)instacron:UNICAMP10.1590/0100-6045.2016.v39n4.rpinfo:eu-repo/semantics/openAccessLe Poidevin,Robineng2016-12-09T00:00:00Zoai:scielo:S0100-60452016000400315Revistahttp://www.scielo.br/scielo.php?script=sci_serial&pid=0100-6045&lng=pt&nrm=isoPUBhttps://old.scielo.br/oai/scielo-oai.phpmwrigley@cle.unicamp.br|| dascal@spinoza.tau.ac.il||publicacoes@cle.unicamp.br2317-630X0100-6045opendoar:2016-12-09T00:00Manuscrito (Online) - Universidade Estadual de Campinas (UNICAMP)false
dc.title.none.fl_str_mv Screen Present and Fictional Present
title Screen Present and Fictional Present
spellingShingle Screen Present and Fictional Present
Le Poidevin,Robin
Time in Fiction
Presentism
Openness of the Future
title_short Screen Present and Fictional Present
title_full Screen Present and Fictional Present
title_fullStr Screen Present and Fictional Present
title_full_unstemmed Screen Present and Fictional Present
title_sort Screen Present and Fictional Present
author Le Poidevin,Robin
author_facet Le Poidevin,Robin
author_role author
dc.contributor.author.fl_str_mv Le Poidevin,Robin
dc.subject.por.fl_str_mv Time in Fiction
Presentism
Openness of the Future
topic Time in Fiction
Presentism
Openness of the Future
description ABSTRACT I intend in this paper to explore the possible consequences for our understanding of fiction of a particular view of the nature of time, namely the hypothesis of the open future. The kind of fiction we will particularly concerned with is film, which provides a convenient way of focusing the general issue I want to raise here. The issue could also be raised in relation to theatre and certain types of novel, but there are nevertheless some disanalogies between film and these other art forms, and I shall indicate these below. The essay is intended as an exercise in bringing metaphysics and aesthetics together, to the benefit (I hope and trust) of both.
publishDate 2016
dc.date.none.fl_str_mv 2016-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://old.scielo.br/scielo.php?script=sci_arttext&pid=S0100-60452016000400315
url http://old.scielo.br/scielo.php?script=sci_arttext&pid=S0100-60452016000400315
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 10.1590/0100-6045.2016.v39n4.rp
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
dc.publisher.none.fl_str_mv UNICAMP - Universidade Estadual de Campinas, Centro de Lógica, Epistemologia e História da Ciência
publisher.none.fl_str_mv UNICAMP - Universidade Estadual de Campinas, Centro de Lógica, Epistemologia e História da Ciência
dc.source.none.fl_str_mv Manuscrito v.39 n.4 2016
reponame:Manuscrito (Online)
instname:Universidade Estadual de Campinas (UNICAMP)
instacron:UNICAMP
instname_str Universidade Estadual de Campinas (UNICAMP)
instacron_str UNICAMP
institution UNICAMP
reponame_str Manuscrito (Online)
collection Manuscrito (Online)
repository.name.fl_str_mv Manuscrito (Online) - Universidade Estadual de Campinas (UNICAMP)
repository.mail.fl_str_mv mwrigley@cle.unicamp.br|| dascal@spinoza.tau.ac.il||publicacoes@cle.unicamp.br
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