Mutant landscapes: processes of (de)composition in dance

Detalhes bibliográficos
Autor(a) principal: Padovan, Laila Renardini
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rua (Campinas. Online)
Texto Completo: https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8673968
Resumo: This article is based on the practices developed during the Mutant Landscapes Artistic Residency, held at Casa do Lago at Unicamp and belonging to the Extension Project Poetics of the body in pandemic landscapes: creating communities to revive affections with the city. Held between May and June 2022, the residency sought inspiration in the dystopian landscape images from the film Stalker (1979), by Andrei Tarkovsky, in order to research how it would be possible to develop a contextual dance research from the ruins caused by the Covid-19 pandemic and a political context of destruction. By researching the landscapes through three qualities of movement - Body-Plant, Body-Basement, and Body-Contagion - some (de)composition practices in dance were carried out, seeking to dig over what has decayed, accepting the precariousness condition and weaving cooperation networks among different beings.
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spelling Mutant landscapes: processes of (de)composition in dancePaisagens mutantes: processos de (de)composição em dançaDança contextualPandemiaDecomposiçãoPrecariedadeRedes de cooperaçãoContextual dancePandemicDecompositionPrecariousnessCooperation networksThis article is based on the practices developed during the Mutant Landscapes Artistic Residency, held at Casa do Lago at Unicamp and belonging to the Extension Project Poetics of the body in pandemic landscapes: creating communities to revive affections with the city. Held between May and June 2022, the residency sought inspiration in the dystopian landscape images from the film Stalker (1979), by Andrei Tarkovsky, in order to research how it would be possible to develop a contextual dance research from the ruins caused by the Covid-19 pandemic and a political context of destruction. By researching the landscapes through three qualities of movement - Body-Plant, Body-Basement, and Body-Contagion - some (de)composition practices in dance were carried out, seeking to dig over what has decayed, accepting the precariousness condition and weaving cooperation networks among different beings.O presente artigo parte das práticas desenvolvidas durante a Residência Artística Paisagens Mutantes, realizada na Casa do Lago na Unicamp e pertencente ao Projeto de Extensão Poéticas do corpo em paisagens pandêmicas: criar comunidades para reavivar afetos com a cidade. Realizada entre maio e junho de 2022, a residência buscou inspirações nas imagens de paisagens distópicas do filme Stalker (1979), de Andrei Tarkovsky, para pesquisar como seria possível desenvolver uma pesquisa em dança contextual a partir das ruínas causadas pela pandemia da Covid-19 e por um contexto político de destruição. Ao pesquisar as paisagens a partir de três qualidades de movimento – Corpo-Planta, Corpo-Porão e Corpo-Contágio – realizaram-se práticas de (de)composição em dança, buscando revolver o que apodreceu, aceitando a condição de precariedade e tecendo redes de cooperação entre distintos seres.Universidade Estadual de Campinas2023-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionInvited authorArtigo de convidadoTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/867396810.20396/rua.v29i1.8673968RUA; Vol. 29 No. 1 (2023); 189-218RUA; v. 29 n. 1 (2023); 189-2182179-99111413-2109reponame:Rua (Campinas. Online)instname:Universidade Estadual de Campinas (Unicamp)instacron:UNICAMPporhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8673968/32252Brazil; 2022Brasil; 2022Copyright (c) 2023 RUAhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessPadovan, Laila Renardini2023-07-25T17:42:27Zoai:ojs.periodicos.sbu.unicamp.br:article/8673968Revistahttps://periodicos.sbu.unicamp.br/ojs/index.php/ruaPUBhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/oaipublabe@unicamp.br2179-99111413-2109opendoar:2023-07-25T17:42:27Rua (Campinas. Online) - Universidade Estadual de Campinas (Unicamp)false
dc.title.none.fl_str_mv Mutant landscapes: processes of (de)composition in dance
Paisagens mutantes: processos de (de)composição em dança
title Mutant landscapes: processes of (de)composition in dance
spellingShingle Mutant landscapes: processes of (de)composition in dance
Padovan, Laila Renardini
Dança contextual
Pandemia
Decomposição
Precariedade
Redes de cooperação
Contextual dance
Pandemic
Decomposition
Precariousness
Cooperation networks
title_short Mutant landscapes: processes of (de)composition in dance
title_full Mutant landscapes: processes of (de)composition in dance
title_fullStr Mutant landscapes: processes of (de)composition in dance
title_full_unstemmed Mutant landscapes: processes of (de)composition in dance
title_sort Mutant landscapes: processes of (de)composition in dance
author Padovan, Laila Renardini
author_facet Padovan, Laila Renardini
author_role author
dc.contributor.author.fl_str_mv Padovan, Laila Renardini
dc.subject.por.fl_str_mv Dança contextual
Pandemia
Decomposição
Precariedade
Redes de cooperação
Contextual dance
Pandemic
Decomposition
Precariousness
Cooperation networks
topic Dança contextual
Pandemia
Decomposição
Precariedade
Redes de cooperação
Contextual dance
Pandemic
Decomposition
Precariousness
Cooperation networks
description This article is based on the practices developed during the Mutant Landscapes Artistic Residency, held at Casa do Lago at Unicamp and belonging to the Extension Project Poetics of the body in pandemic landscapes: creating communities to revive affections with the city. Held between May and June 2022, the residency sought inspiration in the dystopian landscape images from the film Stalker (1979), by Andrei Tarkovsky, in order to research how it would be possible to develop a contextual dance research from the ruins caused by the Covid-19 pandemic and a political context of destruction. By researching the landscapes through three qualities of movement - Body-Plant, Body-Basement, and Body-Contagion - some (de)composition practices in dance were carried out, seeking to dig over what has decayed, accepting the precariousness condition and weaving cooperation networks among different beings.
publishDate 2023
dc.date.none.fl_str_mv 2023-06-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Invited author
Artigo de convidado
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8673968
10.20396/rua.v29i1.8673968
url https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8673968
identifier_str_mv 10.20396/rua.v29i1.8673968
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8673968/32252
dc.rights.driver.fl_str_mv Copyright (c) 2023 RUA
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 RUA
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.coverage.none.fl_str_mv Brazil; 2022
Brasil; 2022
dc.publisher.none.fl_str_mv Universidade Estadual de Campinas
publisher.none.fl_str_mv Universidade Estadual de Campinas
dc.source.none.fl_str_mv RUA; Vol. 29 No. 1 (2023); 189-218
RUA; v. 29 n. 1 (2023); 189-218
2179-9911
1413-2109
reponame:Rua (Campinas. Online)
instname:Universidade Estadual de Campinas (Unicamp)
instacron:UNICAMP
instname_str Universidade Estadual de Campinas (Unicamp)
instacron_str UNICAMP
institution UNICAMP
reponame_str Rua (Campinas. Online)
collection Rua (Campinas. Online)
repository.name.fl_str_mv Rua (Campinas. Online) - Universidade Estadual de Campinas (Unicamp)
repository.mail.fl_str_mv publabe@unicamp.br
_version_ 1799308039253131264

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