To be or not to be (made) a clown (out of)? the performativity of denouncing utterances

Detalhes bibliográficos
Autor(a) principal: Osthues, Romulo Santana
Data de Publicação: 2021
Outros Autores: Fontana, Mónica Graciela Zoppi
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rua (Campinas. Online)
Texto Completo: https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667320
Resumo: Based on photographs of street demonstrations in Brazil (2011-2015) and according to the theoretical assumptions of the Semantics of the Event (GUIMARÃES, 2005, 2017, 2018), in this article, we describe the performativity of utterances in which the designation of clown occurs. We analyze how (not) being a clown produces the ergative interpretation (not) being made a clown out of when we describe the way the enunciative scenes are configured in the event of such utterances and their relationship with performativity. Thus, it was possible to understand how a negative utterance can function as a warning or a denunciation according to the way the Locutor divides him/herself and projects, from a social place of enunciation, the place of the one to whom that utterance is aimed.
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spelling To be or not to be (made) a clown (out of)? the performativity of denouncing utterancesSer ou não ser (feito de) palhaço? a performatividade de enunciados que denunciamCena enunciativaPalhaçoPerformatividadeProtestosSemântica do acontecimentoEnunciative sceneClownPerformactivityProtestsSemantics of the eventBased on photographs of street demonstrations in Brazil (2011-2015) and according to the theoretical assumptions of the Semantics of the Event (GUIMARÃES, 2005, 2017, 2018), in this article, we describe the performativity of utterances in which the designation of clown occurs. We analyze how (not) being a clown produces the ergative interpretation (not) being made a clown out of when we describe the way the enunciative scenes are configured in the event of such utterances and their relationship with performativity. Thus, it was possible to understand how a negative utterance can function as a warning or a denunciation according to the way the Locutor divides him/herself and projects, from a social place of enunciation, the place of the one to whom that utterance is aimed.A partir de fotografias de manifestações de rua no Brasil (2011-2015) e segundo os pressupostos teóricos da Semântica do Acontecimento (GUIMARÃES, 2005, 2017, 2018), neste artigo, descrevemos o funcionamento da performatividade de enunciados nos quais a designação de palhaço ocorre. Analisamos de que maneira (não) ser palhaço produz a interpretação ergativa (não) ser feito de palhaço ao descrevermos como as cenas enunciativas se configuram no acontecimento de tais enunciados e sua relação com a performatividade. Desse modo, foi possível compreender como um dizer negado pode funcionar como um aviso ou uma denúncia conforme o modo como o Locutor se divide e projeta, a partir de um lugar social de dizer, o lugar daquele a quem destina esse dizer. Universidade Estadual de Campinas2021-10-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/866732010.20396/rua.v27i2.8667320RUA; Vol. 27 No. 2 (2021): nov; 435-460RUA; v. 27 n. 2 (2021): nov; 435-4602179-99111413-2109reponame:Rua (Campinas. Online)instname:Universidade Estadual de Campinas (Unicamp)instacron:UNICAMPporhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667320/27626Brazil; ContemporaryBrasil; ContemporâneoCopyright (c) 2021 RUAhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessOsthues, Romulo Santana Fontana, Mónica Graciela Zoppi 2022-02-21T18:47:57Zoai:ojs.periodicos.sbu.unicamp.br:article/8667320Revistahttps://periodicos.sbu.unicamp.br/ojs/index.php/ruaPUBhttps://periodicos.sbu.unicamp.br/ojs/index.php/rua/oaipublabe@unicamp.br2179-99111413-2109opendoar:2022-02-21T18:47:57Rua (Campinas. Online) - Universidade Estadual de Campinas (Unicamp)false
dc.title.none.fl_str_mv To be or not to be (made) a clown (out of)? the performativity of denouncing utterances
Ser ou não ser (feito de) palhaço? a performatividade de enunciados que denunciam
title To be or not to be (made) a clown (out of)? the performativity of denouncing utterances
spellingShingle To be or not to be (made) a clown (out of)? the performativity of denouncing utterances
Osthues, Romulo Santana
Cena enunciativa
Palhaço
Performatividade
Protestos
Semântica do acontecimento
Enunciative scene
Clown
Performactivity
Protests
Semantics of the event
title_short To be or not to be (made) a clown (out of)? the performativity of denouncing utterances
title_full To be or not to be (made) a clown (out of)? the performativity of denouncing utterances
title_fullStr To be or not to be (made) a clown (out of)? the performativity of denouncing utterances
title_full_unstemmed To be or not to be (made) a clown (out of)? the performativity of denouncing utterances
title_sort To be or not to be (made) a clown (out of)? the performativity of denouncing utterances
author Osthues, Romulo Santana
author_facet Osthues, Romulo Santana
Fontana, Mónica Graciela Zoppi
author_role author
author2 Fontana, Mónica Graciela Zoppi
author2_role author
dc.contributor.author.fl_str_mv Osthues, Romulo Santana
Fontana, Mónica Graciela Zoppi
dc.subject.por.fl_str_mv Cena enunciativa
Palhaço
Performatividade
Protestos
Semântica do acontecimento
Enunciative scene
Clown
Performactivity
Protests
Semantics of the event
topic Cena enunciativa
Palhaço
Performatividade
Protestos
Semântica do acontecimento
Enunciative scene
Clown
Performactivity
Protests
Semantics of the event
description Based on photographs of street demonstrations in Brazil (2011-2015) and according to the theoretical assumptions of the Semantics of the Event (GUIMARÃES, 2005, 2017, 2018), in this article, we describe the performativity of utterances in which the designation of clown occurs. We analyze how (not) being a clown produces the ergative interpretation (not) being made a clown out of when we describe the way the enunciative scenes are configured in the event of such utterances and their relationship with performativity. Thus, it was possible to understand how a negative utterance can function as a warning or a denunciation according to the way the Locutor divides him/herself and projects, from a social place of enunciation, the place of the one to whom that utterance is aimed.
publishDate 2021
dc.date.none.fl_str_mv 2021-10-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667320
10.20396/rua.v27i2.8667320
url https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667320
identifier_str_mv 10.20396/rua.v27i2.8667320
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8667320/27626
dc.rights.driver.fl_str_mv Copyright (c) 2021 RUA
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 RUA
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.coverage.none.fl_str_mv Brazil; Contemporary
Brasil; Contemporâneo
dc.publisher.none.fl_str_mv Universidade Estadual de Campinas
publisher.none.fl_str_mv Universidade Estadual de Campinas
dc.source.none.fl_str_mv RUA; Vol. 27 No. 2 (2021): nov; 435-460
RUA; v. 27 n. 2 (2021): nov; 435-460
2179-9911
1413-2109
reponame:Rua (Campinas. Online)
instname:Universidade Estadual de Campinas (Unicamp)
instacron:UNICAMP
instname_str Universidade Estadual de Campinas (Unicamp)
instacron_str UNICAMP
institution UNICAMP
reponame_str Rua (Campinas. Online)
collection Rua (Campinas. Online)
repository.name.fl_str_mv Rua (Campinas. Online) - Universidade Estadual de Campinas (Unicamp)
repository.mail.fl_str_mv publabe@unicamp.br
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