Brazility on the scene at the artistic show at the Closing Ceremony of the Rio 2016 Olympic Games
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Research, Society and Development |
Texto Completo: | https://rsdjournal.org/index.php/rsd/article/view/35574 |
Resumo: | The first edition of the Olympic Games in South America raised several focuses of investigation, among them the segment of artistic shows, called opening and closing ceremonies. Those events are responsible for the largest audiences within the Olympic mega-event and serve as identity flag-bearers for the host nation. This study launched itself into decoding symbologies of Brazilian national identity in the artistic show of the Closing Ceremony of the Rio 2016 Olympic Games, through the lens of the “Moving Images Analysis” method based on the epistemology of the Peircean semiotics. An exploratory and descriptive qualitative approach was used, based on bibliographic and documental surveys. The results indicate that the closing ceremony traversed through Brazilian art in its multiple forms, from cave paintings and engravings, indigenous handicrafts, European cultural heritages, to contemporary artists such as Roberto Burle Marx. The show also has a greater range of attributes of national identity in the sound segment when compared to the opening ceremony, including musical rhythms such as carnival marches, maxixe, xaxado, indigenous tunes and classical music. |
id |
UNIFEI_06700bbbc87db2d10b1d49c248486449 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/35574 |
network_acronym_str |
UNIFEI |
network_name_str |
Research, Society and Development |
repository_id_str |
|
spelling |
Brazility on the scene at the artistic show at the Closing Ceremony of the Rio 2016 Olympic GamesLa brasilidad en escena en el espectáculo artístico de la Ceremonia de Clausura de los Juegos Olímpicos de Río 2016Brasilidade em cena no espetáculo artístico da Cerimônia de Encerramento dos Jogos Olímpicos Rio 2016 Identidade NacionalJogos OlímpicosRio 2016Cerimônia de EncerramentoEspetáculo artístico.National IdentityOlympic GamesRio 2016Closing CeremonyArtistic show.Identidad NacionalJuegos OlímpicosRío 2016Ceremonia de ClausuraEspectáculo artístico.The first edition of the Olympic Games in South America raised several focuses of investigation, among them the segment of artistic shows, called opening and closing ceremonies. Those events are responsible for the largest audiences within the Olympic mega-event and serve as identity flag-bearers for the host nation. This study launched itself into decoding symbologies of Brazilian national identity in the artistic show of the Closing Ceremony of the Rio 2016 Olympic Games, through the lens of the “Moving Images Analysis” method based on the epistemology of the Peircean semiotics. An exploratory and descriptive qualitative approach was used, based on bibliographic and documental surveys. The results indicate that the closing ceremony traversed through Brazilian art in its multiple forms, from cave paintings and engravings, indigenous handicrafts, European cultural heritages, to contemporary artists such as Roberto Burle Marx. The show also has a greater range of attributes of national identity in the sound segment when compared to the opening ceremony, including musical rhythms such as carnival marches, maxixe, xaxado, indigenous tunes and classical music.La primera edición de los Juegos Olímpicos en Sudamérica generó varios focos de investigación, entre ellos el segmento de espectáculos artísticos, denominados ceremonias de apertura y clausura. Estos eventos son responsables de las audiencias más grandes dentro del megaevento olímpico y sirven como estándares de identidad para la nación anfitriona. De esta forma, el estudio tuvo como objetivo decodificar simbologías de la identidad nacional brasileña en el espectáculo artístico de la Ceremonia de Clausura de los Juegos Olímpicos de Río 2016, utilizando el método “Análisis de Imágenes en Movimiento”, aquí basado en la epistemología de la vertiente semiótica peirceana. Se utilizó un enfoque cualitativo de carácter exploratorio y descriptivo, a partir de levantamientos bibliográficos y documentales. Los resultados indican que la ceremonia de clausura transitó por el arte brasileño en sus múltiples formas, desde pinturas y grabados rupestres, artesanías indígenas, herencias culturales europeas, hasta artistas contemporáneos como Roberto Burle Marx. El espectáculo también tiene una mayor gama de atributos de identidad nacional en el segmento sonoro en comparación con la ceremonia de apertura, incluyendo ritmos musicales como marchas de carnaval, maxixe, xaxado, música indígena y clásica.A primeira edição dos Jogos Olímpicos na América do Sul gerou diversos focos de investigações, dentre eles o segmento dos espetáculos artísticos, denominados como cerimônias de abertura e encerramento. Tais eventos são responsáveis pelas maiores audiências dentro do megaevento olímpico, e servem como estandartes identitários da nação-sede. Deste modo, o estudo visou decodificar simbologias da identidade nacional brasileira no espetáculo artístico da Cerimônia de Encerramento dos Jogos Olímpicos Rio 2016, tendo como método a “Análise de Imagens em Movimento”, aqui alicerçado pela epistemologia da vertente semiótica peirceana. Fez-se uso de uma abordagem qualitativa de cunho exploratório e descritivo, com base em levantamentos bibliográfico e documental. Os resultados sinalizaram que a cerimônia de encerramento transitou pela arte brasileira em suas múltiplas formas, desde as pinturas e gravuras rupestres, as manualidades indígenas, as heranças culturais europeias, até chegar aos artistas contemporâneos como Roberto Burle Marx. O espetáculo detém ainda, uma maior abrangência de atributos da identidade nacional no segmento sonoro quando comparado com a cerimônia de abertura, incluindo ritmos musicais como marchinhas de carnaval, maxixe, xaxado, música indígena e clássica.Research, Society and Development2022-10-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rsdjournal.org/index.php/rsd/article/view/3557410.33448/rsd-v11i13.35574Research, Society and Development; Vol. 11 No. 13; e330111335574Research, Society and Development; Vol. 11 Núm. 13; e330111335574Research, Society and Development; v. 11 n. 13; e3301113355742525-3409reponame:Research, Society and Developmentinstname:Universidade Federal de Itajubá (UNIFEI)instacron:UNIFEIporhttps://rsdjournal.org/index.php/rsd/article/view/35574/29757Copyright (c) 2022 Bruno de Oliveira da Silva; Luciano Torres Tricárico; Yára Christina Cesário Pereira ; Elloane Carinie Gomes e Silvahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSilva, Bruno de Oliveira da Tricárico, Luciano Torres Pereira , Yára Christina Cesário Silva, Elloane Carinie Gomes e 2022-10-17T13:43:46Zoai:ojs.pkp.sfu.ca:article/35574Revistahttps://rsdjournal.org/index.php/rsd/indexPUBhttps://rsdjournal.org/index.php/rsd/oairsd.articles@gmail.com2525-34092525-3409opendoar:2024-01-17T09:50:27.017042Research, Society and Development - Universidade Federal de Itajubá (UNIFEI)false |
dc.title.none.fl_str_mv |
Brazility on the scene at the artistic show at the Closing Ceremony of the Rio 2016 Olympic Games La brasilidad en escena en el espectáculo artístico de la Ceremonia de Clausura de los Juegos Olímpicos de Río 2016 Brasilidade em cena no espetáculo artístico da Cerimônia de Encerramento dos Jogos Olímpicos Rio 2016 |
title |
Brazility on the scene at the artistic show at the Closing Ceremony of the Rio 2016 Olympic Games |
spellingShingle |
Brazility on the scene at the artistic show at the Closing Ceremony of the Rio 2016 Olympic Games Silva, Bruno de Oliveira da Identidade Nacional Jogos Olímpicos Rio 2016 Cerimônia de Encerramento Espetáculo artístico. National Identity Olympic Games Rio 2016 Closing Ceremony Artistic show. Identidad Nacional Juegos Olímpicos Río 2016 Ceremonia de Clausura Espectáculo artístico. |
title_short |
Brazility on the scene at the artistic show at the Closing Ceremony of the Rio 2016 Olympic Games |
title_full |
Brazility on the scene at the artistic show at the Closing Ceremony of the Rio 2016 Olympic Games |
title_fullStr |
Brazility on the scene at the artistic show at the Closing Ceremony of the Rio 2016 Olympic Games |
title_full_unstemmed |
Brazility on the scene at the artistic show at the Closing Ceremony of the Rio 2016 Olympic Games |
title_sort |
Brazility on the scene at the artistic show at the Closing Ceremony of the Rio 2016 Olympic Games |
author |
Silva, Bruno de Oliveira da |
author_facet |
Silva, Bruno de Oliveira da Tricárico, Luciano Torres Pereira , Yára Christina Cesário Silva, Elloane Carinie Gomes e |
author_role |
author |
author2 |
Tricárico, Luciano Torres Pereira , Yára Christina Cesário Silva, Elloane Carinie Gomes e |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Silva, Bruno de Oliveira da Tricárico, Luciano Torres Pereira , Yára Christina Cesário Silva, Elloane Carinie Gomes e |
dc.subject.por.fl_str_mv |
Identidade Nacional Jogos Olímpicos Rio 2016 Cerimônia de Encerramento Espetáculo artístico. National Identity Olympic Games Rio 2016 Closing Ceremony Artistic show. Identidad Nacional Juegos Olímpicos Río 2016 Ceremonia de Clausura Espectáculo artístico. |
topic |
Identidade Nacional Jogos Olímpicos Rio 2016 Cerimônia de Encerramento Espetáculo artístico. National Identity Olympic Games Rio 2016 Closing Ceremony Artistic show. Identidad Nacional Juegos Olímpicos Río 2016 Ceremonia de Clausura Espectáculo artístico. |
description |
The first edition of the Olympic Games in South America raised several focuses of investigation, among them the segment of artistic shows, called opening and closing ceremonies. Those events are responsible for the largest audiences within the Olympic mega-event and serve as identity flag-bearers for the host nation. This study launched itself into decoding symbologies of Brazilian national identity in the artistic show of the Closing Ceremony of the Rio 2016 Olympic Games, through the lens of the “Moving Images Analysis” method based on the epistemology of the Peircean semiotics. An exploratory and descriptive qualitative approach was used, based on bibliographic and documental surveys. The results indicate that the closing ceremony traversed through Brazilian art in its multiple forms, from cave paintings and engravings, indigenous handicrafts, European cultural heritages, to contemporary artists such as Roberto Burle Marx. The show also has a greater range of attributes of national identity in the sound segment when compared to the opening ceremony, including musical rhythms such as carnival marches, maxixe, xaxado, indigenous tunes and classical music. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://rsdjournal.org/index.php/rsd/article/view/35574 10.33448/rsd-v11i13.35574 |
url |
https://rsdjournal.org/index.php/rsd/article/view/35574 |
identifier_str_mv |
10.33448/rsd-v11i13.35574 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://rsdjournal.org/index.php/rsd/article/view/35574/29757 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Research, Society and Development |
publisher.none.fl_str_mv |
Research, Society and Development |
dc.source.none.fl_str_mv |
Research, Society and Development; Vol. 11 No. 13; e330111335574 Research, Society and Development; Vol. 11 Núm. 13; e330111335574 Research, Society and Development; v. 11 n. 13; e330111335574 2525-3409 reponame:Research, Society and Development instname:Universidade Federal de Itajubá (UNIFEI) instacron:UNIFEI |
instname_str |
Universidade Federal de Itajubá (UNIFEI) |
instacron_str |
UNIFEI |
institution |
UNIFEI |
reponame_str |
Research, Society and Development |
collection |
Research, Society and Development |
repository.name.fl_str_mv |
Research, Society and Development - Universidade Federal de Itajubá (UNIFEI) |
repository.mail.fl_str_mv |
rsd.articles@gmail.com |
_version_ |
1797052725162147840 |