Symbolism in the aesthetics architectural of Plosokuning mosque Yogyakarta

Detalhes bibliográficos
Autor(a) principal: Fauzi, Fahrur
Data de Publicação: 2020
Outros Autores: Munir, Misnal, Mustansyir, Rizal
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Research, Society and Development
Texto Completo: https://rsdjournal.org/index.php/rsd/article/view/10058
Resumo: Plosokuning Mosque is the mosque with the most authenticity preserved compared to the other four Pathok Negoro mosques. Therefore, the disclosure of the symbolic value of the architectural aesthetic of the Plosokuning Mosque is a representation of environmental conservation efforts and historical buildings in Indonesia. The research method used was hermeneutics-philosophical with methodical elements: induction-deduction, internal coherence, holistic, historical balance, and heuristics. The methodical elements examined the architecture aesthetical meaning and the symbols attached to Plosokuning Mosque; in line with it, internal relations was searched and discovered, not isolated from the environment and its historical continuity, and then compiled findings about symbolism in the aesthetics of the mosque's architecture. The results showed that symbolism in the architectural aesthetics of the Plosokuning Mosque is an expression of the concept of Javanese cosmology and Javanese Islamic mysticism (Kejawen). In Javanese cosmology, humans are described as a microcosm (jagad cilik), the universe as a macrocosm (jagad gedhe), and the palace as the center of the cosmos. Kejawen is a complex of Javanese Islamic beliefs mixed with previous teachings, particularly Hindu and Buddhist teachings; The Plosokuning Mosque has elements that are integrated together as a symbol of the means for human contemplation towards insan kamil (perfect human). Thus, the top position of human being is makrifatullah (knowing Allah). It can be concluded that the aesthetic architectural related to the religion matter.
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spelling Symbolism in the aesthetics architectural of Plosokuning mosque YogyakartaSimbolismo en la arquitectura estética de la mezquita Plosokuning YogyakartaSimbolismo na arquitetura estética da mesquita de Plosokuning em YogyakartaEstéticaSimbolismoCosmología javanesaNuestra genteMakrifatullahah.EstéticaSimbolismoCosmologia javanesaNosso povoMakrifatullahah.AestheticsJavanese cosmologyInsan kamilSymbolismMakrifatullahah.Plosokuning Mosque is the mosque with the most authenticity preserved compared to the other four Pathok Negoro mosques. Therefore, the disclosure of the symbolic value of the architectural aesthetic of the Plosokuning Mosque is a representation of environmental conservation efforts and historical buildings in Indonesia. The research method used was hermeneutics-philosophical with methodical elements: induction-deduction, internal coherence, holistic, historical balance, and heuristics. The methodical elements examined the architecture aesthetical meaning and the symbols attached to Plosokuning Mosque; in line with it, internal relations was searched and discovered, not isolated from the environment and its historical continuity, and then compiled findings about symbolism in the aesthetics of the mosque's architecture. The results showed that symbolism in the architectural aesthetics of the Plosokuning Mosque is an expression of the concept of Javanese cosmology and Javanese Islamic mysticism (Kejawen). In Javanese cosmology, humans are described as a microcosm (jagad cilik), the universe as a macrocosm (jagad gedhe), and the palace as the center of the cosmos. Kejawen is a complex of Javanese Islamic beliefs mixed with previous teachings, particularly Hindu and Buddhist teachings; The Plosokuning Mosque has elements that are integrated together as a symbol of the means for human contemplation towards insan kamil (perfect human). Thus, the top position of human being is makrifatullah (knowing Allah). It can be concluded that the aesthetic architectural related to the religion matter.La mezquita de Plosokuning es la mezquita que conserva la mayor autenticidad en comparación con las otras cuatro mezquitas de Pathok Negoro. Por lo tanto, la divulgación del valor simbólico de la estética arquitectónica de la Mezquita Plosokuning es una representación de los esfuerzos de conservación del medio ambiente y los edificios históricos en Indonesia. El método de investigación utilizado fue hermenéutico-filosófico con elementos metódicos: inducción-deducción, coherencia interna, holístico, equilibrio histórico y heurística. Los elementos metódicos examinaron el significado estético de la arquitectura y los símbolos adjuntos a la Mezquita Plosokuning; en consonancia con ella, se buscaron y descubrieron relaciones internas, no aisladas del entorno y su continuidad histórica, para luego recopilar hallazgos sobre el simbolismo en la estética de la arquitectura de la mezquita. Los resultados mostraron que el simbolismo en la estética arquitectónica de la Mezquita Plosokuning es una expresión del concepto de cosmología javanesa y misticismo islámico javanés (Kejawen). En la cosmología javanesa, los humanos se describen como un microcosmos (jagad cilik), el universo como un macrocosmos (jagad gedhe) y el palacio como el centro del cosmos. Kejawen es un complejo de creencias islámicas javanesas mezcladas con enseñanzas anteriores, particularmente enseñanzas hindúes y budistas; La Mezquita Plosokuning tiene elementos que se integran juntos como símbolo de los medios para la contemplación humana hacia insan kamil (humano perfecto). Por lo tanto, la posición más alta del ser humano es makrifatullah (conocer a Allah). Se puede concluir que la estética arquitectónica relacionada con la religión importa.A Mesquita Plosokuning é a mesquita com a maior autenticidade preservada em comparação com as outras quatro mesquitas Pathok Negoro. Portanto, a divulgação do valor simbólico da estética arquitetônica da Mesquita Plosokuning é uma representação dos esforços de conservação ambiental e edifícios históricos na Indonésia. O método de pesquisa utilizado foi o hermenêutico-filosófico com elementos metódicos: indução-dedução, coerência interna, holístico, equilíbrio histórico e heurística. Os elementos metódicos examinaram o significado estético da arquitetura e os símbolos associados à mesquita Plosokuning; em consonância com ela, as relações internas foram buscadas e descobertas, não isoladas do meio ambiente e de sua continuidade histórica, para então compilar as descobertas sobre o simbolismo na estética da arquitetura da mesquita. Os resultados mostraram que o simbolismo na estética arquitetônica da Mesquita Plosokuning é uma expressão do conceito de cosmologia javanesa e misticismo islâmico javanês (Kejawen). Na cosmologia javanesa, os humanos são descritos como um microcosmo (jagad cilik), o universo como um macrocosmo (jagad gedhe) e o palácio como o centro do cosmos. Kejawen é um complexo de crenças islâmicas javanesas misturadas com ensinamentos anteriores, particularmente ensinamentos hindus e budistas; A Mesquita Plosokuning possui elementos que são integrados como um símbolo dos meios para a contemplação humana em direção a insan kamil (humano perfeito). Assim, a posição superior do ser humano é makrifatullah (conhecer Allah). Pode-se concluir que a estética arquitetônica relacionada à religião importa.Research, Society and Development2020-11-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rsdjournal.org/index.php/rsd/article/view/1005810.33448/rsd-v9i11.10058Research, Society and Development; Vol. 9 No. 11; e41491110058Research, Society and Development; Vol. 9 Núm. 11; e41491110058Research, Society and Development; v. 9 n. 11; e414911100582525-3409reponame:Research, Society and Developmentinstname:Universidade Federal de Itajubá (UNIFEI)instacron:UNIFEIenghttps://rsdjournal.org/index.php/rsd/article/view/10058/8933Copyright (c) 2020 Fahrur Fauzi; Misnal Munir; Rizal Mustansyirhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFauzi, FahrurMunir, MisnalMustansyir, Rizal2020-12-10T23:37:57Zoai:ojs.pkp.sfu.ca:article/10058Revistahttps://rsdjournal.org/index.php/rsd/indexPUBhttps://rsdjournal.org/index.php/rsd/oairsd.articles@gmail.com2525-34092525-3409opendoar:2024-01-17T09:32:12.033341Research, Society and Development - Universidade Federal de Itajubá (UNIFEI)false
dc.title.none.fl_str_mv Symbolism in the aesthetics architectural of Plosokuning mosque Yogyakarta
Simbolismo en la arquitectura estética de la mezquita Plosokuning Yogyakarta
Simbolismo na arquitetura estética da mesquita de Plosokuning em Yogyakarta
title Symbolism in the aesthetics architectural of Plosokuning mosque Yogyakarta
spellingShingle Symbolism in the aesthetics architectural of Plosokuning mosque Yogyakarta
Fauzi, Fahrur
Estética
Simbolismo
Cosmología javanesa
Nuestra gente
Makrifatullahah.
Estética
Simbolismo
Cosmologia javanesa
Nosso povo
Makrifatullahah.
Aesthetics
Javanese cosmology
Insan kamil
Symbolism
Makrifatullahah.
title_short Symbolism in the aesthetics architectural of Plosokuning mosque Yogyakarta
title_full Symbolism in the aesthetics architectural of Plosokuning mosque Yogyakarta
title_fullStr Symbolism in the aesthetics architectural of Plosokuning mosque Yogyakarta
title_full_unstemmed Symbolism in the aesthetics architectural of Plosokuning mosque Yogyakarta
title_sort Symbolism in the aesthetics architectural of Plosokuning mosque Yogyakarta
author Fauzi, Fahrur
author_facet Fauzi, Fahrur
Munir, Misnal
Mustansyir, Rizal
author_role author
author2 Munir, Misnal
Mustansyir, Rizal
author2_role author
author
dc.contributor.author.fl_str_mv Fauzi, Fahrur
Munir, Misnal
Mustansyir, Rizal
dc.subject.por.fl_str_mv Estética
Simbolismo
Cosmología javanesa
Nuestra gente
Makrifatullahah.
Estética
Simbolismo
Cosmologia javanesa
Nosso povo
Makrifatullahah.
Aesthetics
Javanese cosmology
Insan kamil
Symbolism
Makrifatullahah.
topic Estética
Simbolismo
Cosmología javanesa
Nuestra gente
Makrifatullahah.
Estética
Simbolismo
Cosmologia javanesa
Nosso povo
Makrifatullahah.
Aesthetics
Javanese cosmology
Insan kamil
Symbolism
Makrifatullahah.
description Plosokuning Mosque is the mosque with the most authenticity preserved compared to the other four Pathok Negoro mosques. Therefore, the disclosure of the symbolic value of the architectural aesthetic of the Plosokuning Mosque is a representation of environmental conservation efforts and historical buildings in Indonesia. The research method used was hermeneutics-philosophical with methodical elements: induction-deduction, internal coherence, holistic, historical balance, and heuristics. The methodical elements examined the architecture aesthetical meaning and the symbols attached to Plosokuning Mosque; in line with it, internal relations was searched and discovered, not isolated from the environment and its historical continuity, and then compiled findings about symbolism in the aesthetics of the mosque's architecture. The results showed that symbolism in the architectural aesthetics of the Plosokuning Mosque is an expression of the concept of Javanese cosmology and Javanese Islamic mysticism (Kejawen). In Javanese cosmology, humans are described as a microcosm (jagad cilik), the universe as a macrocosm (jagad gedhe), and the palace as the center of the cosmos. Kejawen is a complex of Javanese Islamic beliefs mixed with previous teachings, particularly Hindu and Buddhist teachings; The Plosokuning Mosque has elements that are integrated together as a symbol of the means for human contemplation towards insan kamil (perfect human). Thus, the top position of human being is makrifatullah (knowing Allah). It can be concluded that the aesthetic architectural related to the religion matter.
publishDate 2020
dc.date.none.fl_str_mv 2020-11-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rsdjournal.org/index.php/rsd/article/view/10058
10.33448/rsd-v9i11.10058
url https://rsdjournal.org/index.php/rsd/article/view/10058
identifier_str_mv 10.33448/rsd-v9i11.10058
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://rsdjournal.org/index.php/rsd/article/view/10058/8933
dc.rights.driver.fl_str_mv Copyright (c) 2020 Fahrur Fauzi; Misnal Munir; Rizal Mustansyir
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Fahrur Fauzi; Misnal Munir; Rizal Mustansyir
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Research, Society and Development
publisher.none.fl_str_mv Research, Society and Development
dc.source.none.fl_str_mv Research, Society and Development; Vol. 9 No. 11; e41491110058
Research, Society and Development; Vol. 9 Núm. 11; e41491110058
Research, Society and Development; v. 9 n. 11; e41491110058
2525-3409
reponame:Research, Society and Development
instname:Universidade Federal de Itajubá (UNIFEI)
instacron:UNIFEI
instname_str Universidade Federal de Itajubá (UNIFEI)
instacron_str UNIFEI
institution UNIFEI
reponame_str Research, Society and Development
collection Research, Society and Development
repository.name.fl_str_mv Research, Society and Development - Universidade Federal de Itajubá (UNIFEI)
repository.mail.fl_str_mv rsd.articles@gmail.com
_version_ 1797052742741524480

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