The meaning of music for patients in the post-operating period
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | , , , , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Research, Society and Development |
Texto Completo: | https://rsdjournal.org/index.php/rsd/article/view/16359 |
Resumo: | Objective: to analyze the meaning of music for patients in the postoperative period. Method: a qualitative study, in which 22 patients in the postoperative period participated in musical meetings. The musical meetings were held by a group of volunteers with music being applied to the chapel, performing in a vocal manner without instrumental accompaniment, alternating with the acoustic mode, using Ukulele®, Gianni® acoustic guitars, performing 12 meetings, lasting 40 minutes. After the intervention, the participants answered an interview and subsequently the data were analyzed using the thematic analysis and the aid of the IramuteQ® software. Results: with the analyzed data, it was possible to understand the perception of social actors in relation to music, with the following categories emerging: music and spirituality; the reception; the influence on emotional state and memories. Conclusion: it is concluded that music can be considered na instrument capable of evoking emotions and arousing feelings, favoring well-being and joy, producing and environment that refers to warmth and comfort, thus contributing to the humanization of nursing care. |
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The meaning of music for patients in the post-operating period El significado de la música para pacientes en el postoperatorioO significado da música para os pacientes no período pós-operatórioMúsicaPós-operatórioEnfermagem.MúsicaCuidados PosoperatoriosEnfermería.MusicPostoperative CareNursing.Objective: to analyze the meaning of music for patients in the postoperative period. Method: a qualitative study, in which 22 patients in the postoperative period participated in musical meetings. The musical meetings were held by a group of volunteers with music being applied to the chapel, performing in a vocal manner without instrumental accompaniment, alternating with the acoustic mode, using Ukulele®, Gianni® acoustic guitars, performing 12 meetings, lasting 40 minutes. After the intervention, the participants answered an interview and subsequently the data were analyzed using the thematic analysis and the aid of the IramuteQ® software. Results: with the analyzed data, it was possible to understand the perception of social actors in relation to music, with the following categories emerging: music and spirituality; the reception; the influence on emotional state and memories. Conclusion: it is concluded that music can be considered na instrument capable of evoking emotions and arousing feelings, favoring well-being and joy, producing and environment that refers to warmth and comfort, thus contributing to the humanization of nursing care.Objetivo: analizar el significado de la música para los pacientes en el postoperatorio. Método: estudio cualitativo, en el que 22 pacientes en el postoperatorio participaron en encuentros musicales. Los encuentros musicales fueron realizados por un grupo de voluntarios con música aplicada a la capilla, actuando de manera vocal sin acompañamiento instrumental, alternando con la modalidad acústica, utilizando Ukulele®, guitarras acústicas Gianni®, realizando 12 encuentros de 40 minutos de duración. Tras la intervención, los participantes respondieron a una entrevista y posteriormente se analizaron los datos mediante el análisis temático y la ayuda del software IramuteQ®. Resultados: con los datos analizados fue posible comprender la percepción de los actores sociales en relación a la música, emergiendo las siguientes categorías: música y espiritualidad; la recepción; la influencia sobre el estado emocional y los recuerdos. Conclusión: se concluye que la música puede ser considerada un instrumento capaz de evocar emociones y despertar sentimientos, favoreciendo el bienestar y la alegría, produciendo un ambiente que remite a la calidez y el confort, contribuyendo así a la humanización del cuidado de enfermería.Objetivo: analisar o significado da música para os pacientes no período pós-operatório. Método: estudo de abordagem qualitativa, no qual 22 pacientes, em período pós-operatório, participaram de encontros musicais. Os encontros musicais foram realizados por um grupo de voluntários, sendo aplicada a música à capela, execução de modo vocal sem acompanhamento instrumental, alternando com o modo acústico, utilizando violões acústicos Ukulele®, Gianni®, realizando 12 encontros, com duração de 40 minutos. Após a intervenção, os participantes responderam uma entrevista e, posteriormente, os dados foram analisados a partir da análise temática e auxílio do software IramuteQ®. Resultados: com os dados analisados, foi possível compreender a percepção dos atores sociais em relação à música, emergindo como resultados as categorias: a música e a espiritualidade; o acolhimento; a influência no estado emocional e recordações. Conclusão: conclui-se que a música pode ser considerada um instrumento capaz de evocar emoções e despertar sentimentos, favorecendo ao bem-estar e a alegria, produzindo um ambiente que remete ao aconchego e ao conforto, contribuindo assim na humanização da assistência de enfermagem.Research, Society and Development2021-06-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rsdjournal.org/index.php/rsd/article/view/1635910.33448/rsd-v10i7.16359Research, Society and Development; Vol. 10 No. 7; e27710716359Research, Society and Development; Vol. 10 Núm. 7; e27710716359Research, Society and Development; v. 10 n. 7; e277107163592525-3409reponame:Research, Society and Developmentinstname:Universidade Federal de Itajubá (UNIFEI)instacron:UNIFEIporhttps://rsdjournal.org/index.php/rsd/article/view/16359/14780Copyright (c) 2021 Cristiane de Matos Nogueira; Patrícia Costa dos Santos da Silva; Lívia Ferreira Oliveira; Jéssica Santos de Lima; Bruna Aparecida Rodrigues Duarte; Luana Araújo Macedo Scalia; Carla Denari Giulianihttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNogueira, Cristiane de Matos Silva, Patrícia Costa dos Santos da Oliveira, Lívia Ferreira Lima, Jéssica Santos de Duarte, Bruna Aparecida Rodrigues Scalia, Luana Araújo Macedo Giuliani, Carla Denari 2021-07-18T21:07:03Zoai:ojs.pkp.sfu.ca:article/16359Revistahttps://rsdjournal.org/index.php/rsd/indexPUBhttps://rsdjournal.org/index.php/rsd/oairsd.articles@gmail.com2525-34092525-3409opendoar:2024-01-17T09:36:55.538524Research, Society and Development - Universidade Federal de Itajubá (UNIFEI)false |
dc.title.none.fl_str_mv |
The meaning of music for patients in the post-operating period El significado de la música para pacientes en el postoperatorio O significado da música para os pacientes no período pós-operatório |
title |
The meaning of music for patients in the post-operating period |
spellingShingle |
The meaning of music for patients in the post-operating period Nogueira, Cristiane de Matos Música Pós-operatório Enfermagem. Música Cuidados Posoperatorios Enfermería. Music Postoperative Care Nursing. |
title_short |
The meaning of music for patients in the post-operating period |
title_full |
The meaning of music for patients in the post-operating period |
title_fullStr |
The meaning of music for patients in the post-operating period |
title_full_unstemmed |
The meaning of music for patients in the post-operating period |
title_sort |
The meaning of music for patients in the post-operating period |
author |
Nogueira, Cristiane de Matos |
author_facet |
Nogueira, Cristiane de Matos Silva, Patrícia Costa dos Santos da Oliveira, Lívia Ferreira Lima, Jéssica Santos de Duarte, Bruna Aparecida Rodrigues Scalia, Luana Araújo Macedo Giuliani, Carla Denari |
author_role |
author |
author2 |
Silva, Patrícia Costa dos Santos da Oliveira, Lívia Ferreira Lima, Jéssica Santos de Duarte, Bruna Aparecida Rodrigues Scalia, Luana Araújo Macedo Giuliani, Carla Denari |
author2_role |
author author author author author author |
dc.contributor.author.fl_str_mv |
Nogueira, Cristiane de Matos Silva, Patrícia Costa dos Santos da Oliveira, Lívia Ferreira Lima, Jéssica Santos de Duarte, Bruna Aparecida Rodrigues Scalia, Luana Araújo Macedo Giuliani, Carla Denari |
dc.subject.por.fl_str_mv |
Música Pós-operatório Enfermagem. Música Cuidados Posoperatorios Enfermería. Music Postoperative Care Nursing. |
topic |
Música Pós-operatório Enfermagem. Música Cuidados Posoperatorios Enfermería. Music Postoperative Care Nursing. |
description |
Objective: to analyze the meaning of music for patients in the postoperative period. Method: a qualitative study, in which 22 patients in the postoperative period participated in musical meetings. The musical meetings were held by a group of volunteers with music being applied to the chapel, performing in a vocal manner without instrumental accompaniment, alternating with the acoustic mode, using Ukulele®, Gianni® acoustic guitars, performing 12 meetings, lasting 40 minutes. After the intervention, the participants answered an interview and subsequently the data were analyzed using the thematic analysis and the aid of the IramuteQ® software. Results: with the analyzed data, it was possible to understand the perception of social actors in relation to music, with the following categories emerging: music and spirituality; the reception; the influence on emotional state and memories. Conclusion: it is concluded that music can be considered na instrument capable of evoking emotions and arousing feelings, favoring well-being and joy, producing and environment that refers to warmth and comfort, thus contributing to the humanization of nursing care. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-06-21 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://rsdjournal.org/index.php/rsd/article/view/16359 10.33448/rsd-v10i7.16359 |
url |
https://rsdjournal.org/index.php/rsd/article/view/16359 |
identifier_str_mv |
10.33448/rsd-v10i7.16359 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://rsdjournal.org/index.php/rsd/article/view/16359/14780 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Research, Society and Development |
publisher.none.fl_str_mv |
Research, Society and Development |
dc.source.none.fl_str_mv |
Research, Society and Development; Vol. 10 No. 7; e27710716359 Research, Society and Development; Vol. 10 Núm. 7; e27710716359 Research, Society and Development; v. 10 n. 7; e27710716359 2525-3409 reponame:Research, Society and Development instname:Universidade Federal de Itajubá (UNIFEI) instacron:UNIFEI |
instname_str |
Universidade Federal de Itajubá (UNIFEI) |
instacron_str |
UNIFEI |
institution |
UNIFEI |
reponame_str |
Research, Society and Development |
collection |
Research, Society and Development |
repository.name.fl_str_mv |
Research, Society and Development - Universidade Federal de Itajubá (UNIFEI) |
repository.mail.fl_str_mv |
rsd.articles@gmail.com |
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1797052786209193984 |