The art historian as an actor responsible for the conservation of the work of art

Detalhes bibliográficos
Autor(a) principal: Contreras, Raquel Lacuesta
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Mouseion (Canoas)
Texto Completo: https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.16.27
Resumo: ‘Art Historian’ or ‘Historian of the Protection and Preservation of Cultural Heritage’ – both urban and rural, real and personal – are two terms which, in spite of the growing trend towards specialization that can be seen in contemporary historiography, cannot be regarded as being opposing or different. The Art Historian should consider himself a stakeholder in the preservation of historical and artistic work in general, because of to his academic training, which should not only encompass history and the evolution of artistic phenomena but also other issues such as law and city planning, which affect or may affect the protection – or disprotection – of our cultural heritage, be it real estate or personal property.
id UNILASALLE-1_1688781e3062889421f1a783f21d1680
oai_identifier_str oai:ojs.revistas.unilasalle.edu.br:article/3121
network_acronym_str UNILASALLE-1
network_name_str Mouseion (Canoas)
repository_id_str
spelling The art historian as an actor responsible for the conservation of the work of artO historiador da arte como agente e responsável da conservação da obra artísticaArt HistoryArt HistorianMovable and Immovable Cultural PropertiesHistoric HeritageConservationHistória da ArteHistoriador da ArteBens Móveis e ImóveisPatrimônio HistóricoConservação‘Art Historian’ or ‘Historian of the Protection and Preservation of Cultural Heritage’ – both urban and rural, real and personal – are two terms which, in spite of the growing trend towards specialization that can be seen in contemporary historiography, cannot be regarded as being opposing or different. The Art Historian should consider himself a stakeholder in the preservation of historical and artistic work in general, because of to his academic training, which should not only encompass history and the evolution of artistic phenomena but also other issues such as law and city planning, which affect or may affect the protection – or disprotection – of our cultural heritage, be it real estate or personal property.Historiador da Arte ou Historiador da Proteção e Conservação do Patrimônio Cultural (urbano e rural, imóvel ou móvel) são dois termos que não se podem considerar como antagônicos ou diferentes, ainda que a historiografia reflita uma tendência à especialização. Nesse sentido, o Historiador de Arte deve erguer-se como agente corresponsável pela conservação da obra histórica e artística em geral, com base em sua formação acadêmica, que deveria compreender, não só a história e evolução dos fenômenos artísticos, como também os aspectos jurídicos, legais, urbanísticos, etc., que afetam ou podem afetar diretamente a proteção – ou desvalia – do patrimônio edificado e do patrimônio móvel. Universidade LaSalle - Unilasalle Canoas2016-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.16.2710.18316/1981-7207.16.27Mouseion; No. 24 (2016); p. 17-45Revista Mouseion; n. 24 (2016); p. 17-451981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.16.27/pdfContreras, Raquel Lacuestainfo:eu-repo/semantics/openAccess2022-05-25T20:19:22Zoai:ojs.revistas.unilasalle.edu.br:article/3121Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-25T20:19:22Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false
dc.title.none.fl_str_mv The art historian as an actor responsible for the conservation of the work of art
O historiador da arte como agente e responsável da conservação da obra artística
title The art historian as an actor responsible for the conservation of the work of art
spellingShingle The art historian as an actor responsible for the conservation of the work of art
Contreras, Raquel Lacuesta
Art History
Art Historian
Movable and Immovable Cultural Properties
Historic Heritage
Conservation
História da Arte
Historiador da Arte
Bens Móveis e Imóveis
Patrimônio Histórico
Conservação
title_short The art historian as an actor responsible for the conservation of the work of art
title_full The art historian as an actor responsible for the conservation of the work of art
title_fullStr The art historian as an actor responsible for the conservation of the work of art
title_full_unstemmed The art historian as an actor responsible for the conservation of the work of art
title_sort The art historian as an actor responsible for the conservation of the work of art
author Contreras, Raquel Lacuesta
author_facet Contreras, Raquel Lacuesta
author_role author
dc.contributor.author.fl_str_mv Contreras, Raquel Lacuesta
dc.subject.por.fl_str_mv Art History
Art Historian
Movable and Immovable Cultural Properties
Historic Heritage
Conservation
História da Arte
Historiador da Arte
Bens Móveis e Imóveis
Patrimônio Histórico
Conservação
topic Art History
Art Historian
Movable and Immovable Cultural Properties
Historic Heritage
Conservation
História da Arte
Historiador da Arte
Bens Móveis e Imóveis
Patrimônio Histórico
Conservação
description ‘Art Historian’ or ‘Historian of the Protection and Preservation of Cultural Heritage’ – both urban and rural, real and personal – are two terms which, in spite of the growing trend towards specialization that can be seen in contemporary historiography, cannot be regarded as being opposing or different. The Art Historian should consider himself a stakeholder in the preservation of historical and artistic work in general, because of to his academic training, which should not only encompass history and the evolution of artistic phenomena but also other issues such as law and city planning, which affect or may affect the protection – or disprotection – of our cultural heritage, be it real estate or personal property.
publishDate 2016
dc.date.none.fl_str_mv 2016-08-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.16.27
10.18316/1981-7207.16.27
url https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.16.27
identifier_str_mv 10.18316/1981-7207.16.27
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.16.27/pdf
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
dc.source.none.fl_str_mv Mouseion; No. 24 (2016); p. 17-45
Revista Mouseion; n. 24 (2016); p. 17-45
1981-7207
reponame:Mouseion (Canoas)
instname:Centro Universitário La Salle (Unilasalle)
instacron:UNILASALLE
instname_str Centro Universitário La Salle (Unilasalle)
instacron_str UNILASALLE
institution UNILASALLE
reponame_str Mouseion (Canoas)
collection Mouseion (Canoas)
repository.name.fl_str_mv Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)
repository.mail.fl_str_mv ||revista.mouseion@unilasalle.edu.br
_version_ 1800218180784750592

Registros relacionados