Music between tangibility and intangibility: the “tons-de-machete” from Recôncavo Baiano
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Mouseion (Canoas) |
Texto Completo: | https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/295 |
Resumo: | The paper presents the broad intangible dimension of a tangible object, the machete guitar, which transcends its simbology and cultural values in samba de roda, revealing how a culture with strong African traits is manifested in the techniques, sonority and musical concepts of the tons-de-machete. The same expression form is reduced and adapted according to the new context triggered by the nomination of samba de roda as cultural heritage (UNESCO). With musicological examples, this study shows the vulnerability of musical practices and discusses possibilities of preserving it. |
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Mouseion (Canoas) |
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Music between tangibility and intangibility: the “tons-de-machete” from Recôncavo BaianoMúsica entre materialidade e imaterialidade: os tons-de-machete do Recôncavo BaianoSamba de rodaMachete guitarMusical changeIntangible cultural heritageCultural policiesSamba de rodaViola macheteTransformações musicaisPatrimônio cultural imaterialPolíticas culturaisPatrimônio CulturalThe paper presents the broad intangible dimension of a tangible object, the machete guitar, which transcends its simbology and cultural values in samba de roda, revealing how a culture with strong African traits is manifested in the techniques, sonority and musical concepts of the tons-de-machete. The same expression form is reduced and adapted according to the new context triggered by the nomination of samba de roda as cultural heritage (UNESCO). With musicological examples, this study shows the vulnerability of musical practices and discusses possibilities of preserving it.O artigo apresenta a ampla dimensão imaterial de um objeto material, a viola machete, que transcende sua simbologia e seus valores no samba de roda, revelando como uma cultura de fortes traços africanos se manifesta nas técnicas, sonoridade e concepções musicais dos tons-de-machete. A mesma forma de expressão reduz-se e adapta-se rapidamente ao novo contexto propiciado pela nomeação do samba de roda como patrimônio cultural (UNESCO). Através de exemplos musicológicos, o estudo evidencia a vulnerabilidade de práticas musicais e discute possibilidades de se preservá-las. Universidade LaSalle - Unilasalle Canoas2012-04-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa etnomusicológicaapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/29510.18316/295Mouseion; No. 11 (2012); p. 72-97Revista Mouseion; n. 11 (2012); p. 72-971981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/295/271Graeff, NinaPinto, Tiago de Oliveirainfo:eu-repo/semantics/openAccess2022-05-31T19:24:18Zoai:ojs.revistas.unilasalle.edu.br:article/295Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-31T19:24:18Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false |
dc.title.none.fl_str_mv |
Music between tangibility and intangibility: the “tons-de-machete” from Recôncavo Baiano Música entre materialidade e imaterialidade: os tons-de-machete do Recôncavo Baiano |
title |
Music between tangibility and intangibility: the “tons-de-machete” from Recôncavo Baiano |
spellingShingle |
Music between tangibility and intangibility: the “tons-de-machete” from Recôncavo Baiano Graeff, Nina Samba de roda Machete guitar Musical change Intangible cultural heritage Cultural policies Samba de roda Viola machete Transformações musicais Patrimônio cultural imaterial Políticas culturais Patrimônio Cultural |
title_short |
Music between tangibility and intangibility: the “tons-de-machete” from Recôncavo Baiano |
title_full |
Music between tangibility and intangibility: the “tons-de-machete” from Recôncavo Baiano |
title_fullStr |
Music between tangibility and intangibility: the “tons-de-machete” from Recôncavo Baiano |
title_full_unstemmed |
Music between tangibility and intangibility: the “tons-de-machete” from Recôncavo Baiano |
title_sort |
Music between tangibility and intangibility: the “tons-de-machete” from Recôncavo Baiano |
author |
Graeff, Nina |
author_facet |
Graeff, Nina Pinto, Tiago de Oliveira |
author_role |
author |
author2 |
Pinto, Tiago de Oliveira |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Graeff, Nina Pinto, Tiago de Oliveira |
dc.subject.por.fl_str_mv |
Samba de roda Machete guitar Musical change Intangible cultural heritage Cultural policies Samba de roda Viola machete Transformações musicais Patrimônio cultural imaterial Políticas culturais Patrimônio Cultural |
topic |
Samba de roda Machete guitar Musical change Intangible cultural heritage Cultural policies Samba de roda Viola machete Transformações musicais Patrimônio cultural imaterial Políticas culturais Patrimônio Cultural |
description |
The paper presents the broad intangible dimension of a tangible object, the machete guitar, which transcends its simbology and cultural values in samba de roda, revealing how a culture with strong African traits is manifested in the techniques, sonority and musical concepts of the tons-de-machete. The same expression form is reduced and adapted according to the new context triggered by the nomination of samba de roda as cultural heritage (UNESCO). With musicological examples, this study shows the vulnerability of musical practices and discusses possibilities of preserving it. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-04-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Pesquisa etnomusicológica |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/295 10.18316/295 |
url |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/295 |
identifier_str_mv |
10.18316/295 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/295/271 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
dc.source.none.fl_str_mv |
Mouseion; No. 11 (2012); p. 72-97 Revista Mouseion; n. 11 (2012); p. 72-97 1981-7207 reponame:Mouseion (Canoas) instname:Centro Universitário La Salle (Unilasalle) instacron:UNILASALLE |
instname_str |
Centro Universitário La Salle (Unilasalle) |
instacron_str |
UNILASALLE |
institution |
UNILASALLE |
reponame_str |
Mouseion (Canoas) |
collection |
Mouseion (Canoas) |
repository.name.fl_str_mv |
Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle) |
repository.mail.fl_str_mv |
||revista.mouseion@unilasalle.edu.br |
_version_ |
1800218180148264960 |