From popular music to the “ponto cantado”: folk song and afro-religious musicality

Detalhes bibliográficos
Autor(a) principal: Pinheiro, Lisandra Barbosa Macedo
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Mouseion (Canoas)
Texto Completo: https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4728
Resumo: This article focuses on popular Brazilian musical productions, especially from the 1970s onwards, based on the survey of songs and artists that dealt with Afro-religiosities, and their recognition within the temples of religions of African origin. By using the popular songs as “pontos de Umbanda”, the musicality of the temples demonstrates that they have traveled through a kind of double way in the historiography on Brazilian popular music in the XX and XXI century, where research indicates that “samba”, for example, appeared in some Afro-religious temples. Thus, this brief historical analysis aims to reflect on the representations of a worldview of the temples communities in the field of artistic manifestations in Brazil, as well as the re-significations of these arts by these peoples, as strategies of resistance overlapping in the singular forms of manifestation of human sacredness through music.
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spelling From popular music to the “ponto cantado”: folk song and afro-religious musicalityDo canto popular ao “ponto cantado”: canção popular e musicalidade afro-religiosaCulturePopular MusicAfro-Brazilian ReligionsSambaCulturaMúsica PopularReligiões Afro-brasileirasSambaMúsica e Religiosidade Afro-BrasileiraThis article focuses on popular Brazilian musical productions, especially from the 1970s onwards, based on the survey of songs and artists that dealt with Afro-religiosities, and their recognition within the temples of religions of African origin. By using the popular songs as “pontos de Umbanda”, the musicality of the temples demonstrates that they have traveled through a kind of double way in the historiography on Brazilian popular music in the XX and XXI century, where research indicates that “samba”, for example, appeared in some Afro-religious temples. Thus, this brief historical analysis aims to reflect on the representations of a worldview of the temples communities in the field of artistic manifestations in Brazil, as well as the re-significations of these arts by these peoples, as strategies of resistance overlapping in the singular forms of manifestation of human sacredness through music.O presente artigo tem como tema as produções musicais populares brasileiras, sobretudo a partir da década de 1970, por meio de um levantamento sobre canções e artistas que versaram sobre afro-religiosidades e seu reconhecimento dentro dos terreiros de religiões de matriz africana. Ao utilizar as canções populares como pontos de umbanda, a musicalidade dos terreiros demonstra ter percorrido uma espécie de via de mão dupla na historiografia sobre música popular brasileira no século XX e XXI, na qual pesquisas indicam que o samba, por exemplo, surgiu em alguns terreiros afro-religiosos. Assim, esta breve análise histórica, tem como objetivo refletir sobre as representações de uma cosmovisão das comunidades de terreiro no campo das manifestações artísticas no Brasil, bem como, as ressignificações dessas artes por esses povos, como estratégias de resistência imbricadas nas singulares formas de manifestação da sacralidade humana através da música.Universidade LaSalle - Unilasalle Canoas2018-09-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa Históricaapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/472810.18316/mouseion.v0i30.4728Mouseion; No. 30 (2018); p. 85-104Revista Mouseion; n. 30 (2018); p. 85-1041981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4728/pdfCopyright (c) 2018 Mouseioninfo:eu-repo/semantics/openAccessPinheiro, Lisandra Barbosa Macedo2022-05-23T14:28:28Zoai:ojs.revistas.unilasalle.edu.br:article/4728Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-23T14:28:28Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false
dc.title.none.fl_str_mv From popular music to the “ponto cantado”: folk song and afro-religious musicality
Do canto popular ao “ponto cantado”: canção popular e musicalidade afro-religiosa
title From popular music to the “ponto cantado”: folk song and afro-religious musicality
spellingShingle From popular music to the “ponto cantado”: folk song and afro-religious musicality
Pinheiro, Lisandra Barbosa Macedo
Culture
Popular Music
Afro-Brazilian Religions
Samba
Cultura
Música Popular
Religiões Afro-brasileiras
Samba
Música e Religiosidade Afro-Brasileira
title_short From popular music to the “ponto cantado”: folk song and afro-religious musicality
title_full From popular music to the “ponto cantado”: folk song and afro-religious musicality
title_fullStr From popular music to the “ponto cantado”: folk song and afro-religious musicality
title_full_unstemmed From popular music to the “ponto cantado”: folk song and afro-religious musicality
title_sort From popular music to the “ponto cantado”: folk song and afro-religious musicality
author Pinheiro, Lisandra Barbosa Macedo
author_facet Pinheiro, Lisandra Barbosa Macedo
author_role author
dc.contributor.author.fl_str_mv Pinheiro, Lisandra Barbosa Macedo
dc.subject.por.fl_str_mv Culture
Popular Music
Afro-Brazilian Religions
Samba
Cultura
Música Popular
Religiões Afro-brasileiras
Samba
Música e Religiosidade Afro-Brasileira
topic Culture
Popular Music
Afro-Brazilian Religions
Samba
Cultura
Música Popular
Religiões Afro-brasileiras
Samba
Música e Religiosidade Afro-Brasileira
description This article focuses on popular Brazilian musical productions, especially from the 1970s onwards, based on the survey of songs and artists that dealt with Afro-religiosities, and their recognition within the temples of religions of African origin. By using the popular songs as “pontos de Umbanda”, the musicality of the temples demonstrates that they have traveled through a kind of double way in the historiography on Brazilian popular music in the XX and XXI century, where research indicates that “samba”, for example, appeared in some Afro-religious temples. Thus, this brief historical analysis aims to reflect on the representations of a worldview of the temples communities in the field of artistic manifestations in Brazil, as well as the re-significations of these arts by these peoples, as strategies of resistance overlapping in the singular forms of manifestation of human sacredness through music.
publishDate 2018
dc.date.none.fl_str_mv 2018-09-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Pesquisa Histórica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4728
10.18316/mouseion.v0i30.4728
url https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4728
identifier_str_mv 10.18316/mouseion.v0i30.4728
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4728/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2018 Mouseion
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Mouseion
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
dc.source.none.fl_str_mv Mouseion; No. 30 (2018); p. 85-104
Revista Mouseion; n. 30 (2018); p. 85-104
1981-7207
reponame:Mouseion (Canoas)
instname:Centro Universitário La Salle (Unilasalle)
instacron:UNILASALLE
instname_str Centro Universitário La Salle (Unilasalle)
instacron_str UNILASALLE
institution UNILASALLE
reponame_str Mouseion (Canoas)
collection Mouseion (Canoas)
repository.name.fl_str_mv Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)
repository.mail.fl_str_mv ||revista.mouseion@unilasalle.edu.br
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