Formation of the artistic collection of the Federal University of Espírito Santo

Detalhes bibliográficos
Autor(a) principal: Ramos, Aline
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Mouseion (Canoas)
Texto Completo: https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/9420
Resumo: This essay is part of ongoing research at the Center for Research and Documentation of Contemporary History of Brazil at the Getúlio Vargas Foundation (CPDOC/FGV). The investigation, from which it derives, aims to know and document a significant amount of works of art, which today are not incorporated into the patrimony system of the Federal University of Espírito Santo (UFES), but which remain under the institution’s safeguard. In this sense, this reasoning is conceived in order to discuss the formation of artistic collections, based on the discussion raised by authors such as Bruno Brulon, Daniel Miller, José Reginaldo Santos Gonçalves, Kryzstof Pomian, Serge Chaumier, Susan Pearce, Susan Stewart, Diana Farjalla C. Lima and Pierre Bourdieu. Through the dialogue with the cited sources, the elaboration of a text that seeks to critically analyze and align with the thinkers the constitution of the Artistic Collection of UFES is envisaged. Thus, at first, notes are brought about the creation of the University and the panorama of the arts in Espírito Santo, as they are directly intertwined. Interviews with former professors and the authors Almerinda Lopes and Magna Rosa, researchers in the field, are also organized. Next, the development of the University’s Artistic Collection is explained, with the proposition of hypotheses in dialogue with the listed researchers, especially regarding the processes of Musealization and Patrimonialization, in addition to Adriana Almeida, Ana Panisset and Letícia Julião, references regarding the study of collections and university art museums in Brazil.
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spelling Formation of the artistic collection of the Federal University of Espírito SantoFormação do acervo artístico da universidade Federal do Espírito SantoWorks of artuniversity collectionmusealizationpatrimonializationObras de arteacervo universitáriomusealizaçãopatrimonializaçãoThis essay is part of ongoing research at the Center for Research and Documentation of Contemporary History of Brazil at the Getúlio Vargas Foundation (CPDOC/FGV). The investigation, from which it derives, aims to know and document a significant amount of works of art, which today are not incorporated into the patrimony system of the Federal University of Espírito Santo (UFES), but which remain under the institution’s safeguard. In this sense, this reasoning is conceived in order to discuss the formation of artistic collections, based on the discussion raised by authors such as Bruno Brulon, Daniel Miller, José Reginaldo Santos Gonçalves, Kryzstof Pomian, Serge Chaumier, Susan Pearce, Susan Stewart, Diana Farjalla C. Lima and Pierre Bourdieu. Through the dialogue with the cited sources, the elaboration of a text that seeks to critically analyze and align with the thinkers the constitution of the Artistic Collection of UFES is envisaged. Thus, at first, notes are brought about the creation of the University and the panorama of the arts in Espírito Santo, as they are directly intertwined. Interviews with former professors and the authors Almerinda Lopes and Magna Rosa, researchers in the field, are also organized. Next, the development of the University’s Artistic Collection is explained, with the proposition of hypotheses in dialogue with the listed researchers, especially regarding the processes of Musealization and Patrimonialization, in addition to Adriana Almeida, Ana Panisset and Letícia Julião, references regarding the study of collections and university art museums in Brazil.O presente ensaio compõe pesquisa em andamento no âmbito do Programa de Pós-Graduação em História, Política e Bens Culturais, do Centro de Pesquisa e Documentação de História Contemporânea do Brasil da Fundação Getúlio Vargas (CPDOC/FGV). A investigação, da qual deriva, objetiva conhecer e documentar quantidade significativa de obras de arte, que hoje se encontram sem incorporação ao sistema de patrimônio da Universidade Federal do Espírito Santo (UFES), mas que se mantêm sob a salvaguarda da instituição. Neste sentido, este arrazoado é concebido a fim de discorrer sobre a formação de coleções e acervos artísticos, a partir da discussão suscitada por autores como Bruno Brulon, Daniel Miller, José Reginaldo Santos Gonçalves, Kryzstof Pomian, Serge Chaumier, Susan Pearce, Susan Stewart e Diana Farjalla Coreia Lima, esta última com suas abordagens subsidiadas em Pierre Bourdieu. Por meio do diálogo com as fontes citadas, vislumbra-se a elaboração de um texto que busca analisar criticamente e alinhar com os pensadores a constituição do Acervo Artístico da UFES. Assim, primeiro são trazidos apontamentos sobre a criação da Universidade e do panorama das artes no Espírito Santo, pois estão diretamente imbricados, sendo mobilizadas entrevistas com antigos professores e as autoras Almerinda Lopes e Magna Rosa, pesquisadoras do campo na realidade capixaba. Na sequência, explana-se sobre o desenvolvimento do Acervo Artístico da Universidade, com a proposição de hipóteses em diálogo aos pesquisadores elencados, sobretudo quanto aos processos de Musealização e Patrimonialização, além de Adriana Almeida, Ana Panisset e Letícia Julião, referências quanto ao estudo de acervos, coleções e museus de arte universitários no Brasil.Universidade LaSalle - Unilasalle Canoas2022-05-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/942010.18316/mouseion.v0i41.9420Mouseion; No. 41 (2022)Revista Mouseion; n. 41 (2022)1981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/9420/pdfCopyright (c) 2022 Mouseioninfo:eu-repo/semantics/openAccessRamos, Aline2023-01-06T19:03:32Zoai:ojs.revistas.unilasalle.edu.br:article/9420Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2023-01-06T19:03:32Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false
dc.title.none.fl_str_mv Formation of the artistic collection of the Federal University of Espírito Santo
Formação do acervo artístico da universidade Federal do Espírito Santo
title Formation of the artistic collection of the Federal University of Espírito Santo
spellingShingle Formation of the artistic collection of the Federal University of Espírito Santo
Ramos, Aline
Works of art
university collection
musealization
patrimonialization
Obras de arte
acervo universitário
musealização
patrimonialização
title_short Formation of the artistic collection of the Federal University of Espírito Santo
title_full Formation of the artistic collection of the Federal University of Espírito Santo
title_fullStr Formation of the artistic collection of the Federal University of Espírito Santo
title_full_unstemmed Formation of the artistic collection of the Federal University of Espírito Santo
title_sort Formation of the artistic collection of the Federal University of Espírito Santo
author Ramos, Aline
author_facet Ramos, Aline
author_role author
dc.contributor.author.fl_str_mv Ramos, Aline
dc.subject.por.fl_str_mv Works of art
university collection
musealization
patrimonialization
Obras de arte
acervo universitário
musealização
patrimonialização
topic Works of art
university collection
musealization
patrimonialization
Obras de arte
acervo universitário
musealização
patrimonialização
description This essay is part of ongoing research at the Center for Research and Documentation of Contemporary History of Brazil at the Getúlio Vargas Foundation (CPDOC/FGV). The investigation, from which it derives, aims to know and document a significant amount of works of art, which today are not incorporated into the patrimony system of the Federal University of Espírito Santo (UFES), but which remain under the institution’s safeguard. In this sense, this reasoning is conceived in order to discuss the formation of artistic collections, based on the discussion raised by authors such as Bruno Brulon, Daniel Miller, José Reginaldo Santos Gonçalves, Kryzstof Pomian, Serge Chaumier, Susan Pearce, Susan Stewart, Diana Farjalla C. Lima and Pierre Bourdieu. Through the dialogue with the cited sources, the elaboration of a text that seeks to critically analyze and align with the thinkers the constitution of the Artistic Collection of UFES is envisaged. Thus, at first, notes are brought about the creation of the University and the panorama of the arts in Espírito Santo, as they are directly intertwined. Interviews with former professors and the authors Almerinda Lopes and Magna Rosa, researchers in the field, are also organized. Next, the development of the University’s Artistic Collection is explained, with the proposition of hypotheses in dialogue with the listed researchers, especially regarding the processes of Musealization and Patrimonialization, in addition to Adriana Almeida, Ana Panisset and Letícia Julião, references regarding the study of collections and university art museums in Brazil.
publishDate 2022
dc.date.none.fl_str_mv 2022-05-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/9420
10.18316/mouseion.v0i41.9420
url https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/9420
identifier_str_mv 10.18316/mouseion.v0i41.9420
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/9420/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2022 Mouseion
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Mouseion
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
dc.source.none.fl_str_mv Mouseion; No. 41 (2022)
Revista Mouseion; n. 41 (2022)
1981-7207
reponame:Mouseion (Canoas)
instname:Centro Universitário La Salle (Unilasalle)
instacron:UNILASALLE
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institution UNILASALLE
reponame_str Mouseion (Canoas)
collection Mouseion (Canoas)
repository.name.fl_str_mv Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)
repository.mail.fl_str_mv ||revista.mouseion@unilasalle.edu.br
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