The modernization process of the brazilian theater and the artistic proposal of Luigi Pirandello: exchanges between Brazil and Italy

Detalhes bibliográficos
Autor(a) principal: Costa, Rodrigo de Freitas
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Mouseion (Canoas)
Texto Completo: https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1343
Resumo: This article has as assumption to address some common questionings about the process of receiving the Italian playwright Luigi Pirandello in Brazil. Therefore, we focus on the period of the first professional scenarios of texts by the playwright in Brazil, in order to reflect how the first interpretations on Pirandello among us were built. In this context, we highlight the academic and artistic discussions about the modernization of Brazilian arts. In the case of theatre, this action takes nothing despicable and influences strongly the reading and the staging of foreign dramatists, including Pirandello. In light of these issues, we will reflect on the convergences between the Brazilian and the Italian theater.
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spelling The modernization process of the brazilian theater and the artistic proposal of Luigi Pirandello: exchanges between Brazil and ItalyO processo de modernização do teatro brasileiro e as propostas artísticas de Luigi Pirandello: intercâmbios entre Brasil e ItáliaLuigi PirandelloModernizationReceptionLuigi PirandelloModernizaçãoRecepçãoHistória e TeatroThis article has as assumption to address some common questionings about the process of receiving the Italian playwright Luigi Pirandello in Brazil. Therefore, we focus on the period of the first professional scenarios of texts by the playwright in Brazil, in order to reflect how the first interpretations on Pirandello among us were built. In this context, we highlight the academic and artistic discussions about the modernization of Brazilian arts. In the case of theatre, this action takes nothing despicable and influences strongly the reading and the staging of foreign dramatists, including Pirandello. In light of these issues, we will reflect on the convergences between the Brazilian and the Italian theater.Este artigo tem por pressuposto apontar alguns questionamentos sobre o processo de recepção do dramaturgo italiano Luigi Pirandello no Brasil. Para tanto, focamos o período das primeiras encenações profissionais de textos do dramaturgo no Brasil, buscando refletir sobre a forma como foram construídas as primeiras interpretações sobre Pirandello entre nós. Nesse contexto, destacam-se no meio acadêmico e artístico as discussões em torno da modernização das artes brasileiras. No caso do teatro, essa ação toma proporções nada desprezíveis e que influenciam fortemente a leitura e encenação de dramaturgos estrangeiros, entre eles Pirandello. À luz dessas questões, buscamos refletir sobre as convergências entre os teatros brasileiro e italiano.Universidade LaSalle - Unilasalle Canoas2013-12-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa Históricaapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/134310.18316/1343Mouseion; No. 16 (2013); p. 27-35Revista Mouseion; n. 16 (2013); p. 27-351981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1343/1001Costa, Rodrigo de Freitasinfo:eu-repo/semantics/openAccess2022-05-31T11:58:07Zoai:ojs.revistas.unilasalle.edu.br:article/1343Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-31T11:58:07Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false
dc.title.none.fl_str_mv The modernization process of the brazilian theater and the artistic proposal of Luigi Pirandello: exchanges between Brazil and Italy
O processo de modernização do teatro brasileiro e as propostas artísticas de Luigi Pirandello: intercâmbios entre Brasil e Itália
title The modernization process of the brazilian theater and the artistic proposal of Luigi Pirandello: exchanges between Brazil and Italy
spellingShingle The modernization process of the brazilian theater and the artistic proposal of Luigi Pirandello: exchanges between Brazil and Italy
Costa, Rodrigo de Freitas
Luigi Pirandello
Modernization
Reception
Luigi Pirandello
Modernização
Recepção
História e Teatro
title_short The modernization process of the brazilian theater and the artistic proposal of Luigi Pirandello: exchanges between Brazil and Italy
title_full The modernization process of the brazilian theater and the artistic proposal of Luigi Pirandello: exchanges between Brazil and Italy
title_fullStr The modernization process of the brazilian theater and the artistic proposal of Luigi Pirandello: exchanges between Brazil and Italy
title_full_unstemmed The modernization process of the brazilian theater and the artistic proposal of Luigi Pirandello: exchanges between Brazil and Italy
title_sort The modernization process of the brazilian theater and the artistic proposal of Luigi Pirandello: exchanges between Brazil and Italy
author Costa, Rodrigo de Freitas
author_facet Costa, Rodrigo de Freitas
author_role author
dc.contributor.author.fl_str_mv Costa, Rodrigo de Freitas
dc.subject.por.fl_str_mv Luigi Pirandello
Modernization
Reception
Luigi Pirandello
Modernização
Recepção
História e Teatro
topic Luigi Pirandello
Modernization
Reception
Luigi Pirandello
Modernização
Recepção
História e Teatro
description This article has as assumption to address some common questionings about the process of receiving the Italian playwright Luigi Pirandello in Brazil. Therefore, we focus on the period of the first professional scenarios of texts by the playwright in Brazil, in order to reflect how the first interpretations on Pirandello among us were built. In this context, we highlight the academic and artistic discussions about the modernization of Brazilian arts. In the case of theatre, this action takes nothing despicable and influences strongly the reading and the staging of foreign dramatists, including Pirandello. In light of these issues, we will reflect on the convergences between the Brazilian and the Italian theater.
publishDate 2013
dc.date.none.fl_str_mv 2013-12-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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Pesquisa Histórica
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dc.identifier.uri.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1343
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url https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1343
identifier_str_mv 10.18316/1343
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1343/1001
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
dc.source.none.fl_str_mv Mouseion; No. 16 (2013); p. 27-35
Revista Mouseion; n. 16 (2013); p. 27-35
1981-7207
reponame:Mouseion (Canoas)
instname:Centro Universitário La Salle (Unilasalle)
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institution UNILASALLE
reponame_str Mouseion (Canoas)
collection Mouseion (Canoas)
repository.name.fl_str_mv Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)
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