Museums visits and photographic practices. The example of the Rodin Museum in Paris

Detalhes bibliográficos
Autor(a) principal: Conord, Sylvaine
Data de Publicação: 2012
Outros Autores: Jonas, Irène
Tipo de documento: Artigo
Idioma: fra
Título da fonte: Mouseion (Canoas)
Texto Completo: https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/739
Resumo: This article aims to report on photographic practices in a museum visitors and especially behaviors related to famous works of the Musée Rodin in Paris (The Thinker, The Burghers of Calais, The Gates of Hell, etc.).. The photograph is an inherent part of any visit, it is a question of keeping a visual narrative of travel, to create its own memory. In this perspective all the technical options such as choice of equipment (SLR cameras, compact phones, I pad), the choice of framing original and personal stagings (as imitation of the posture represented in sculptures) have their importance. The image will value attestation of presence on the site and mark the entry of tourists in the process of appropriation art. It is through this object, photography, and practices associated with them to understand the meaning of the museum visit.
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spelling Museums visits and photographic practices. The example of the Rodin Museum in ParisVisite muséale et pratiques photographiques L’exemple du musée Rodin à ParisVisitas a museus e práticas fotográficas. O exemplo do Museu Rodin em ParisPhotographyMuseumRodinTourismImageParisPhotographieMuséeRodinTourismeImageParisFotografiaMuseuRodinTurismoImagemParisThis article aims to report on photographic practices in a museum visitors and especially behaviors related to famous works of the Musée Rodin in Paris (The Thinker, The Burghers of Calais, The Gates of Hell, etc.).. The photograph is an inherent part of any visit, it is a question of keeping a visual narrative of travel, to create its own memory. In this perspective all the technical options such as choice of equipment (SLR cameras, compact phones, I pad), the choice of framing original and personal stagings (as imitation of the posture represented in sculptures) have their importance. The image will value attestation of presence on the site and mark the entry of tourists in the process of appropriation art. It is through this object, photography, and practices associated with them to understand the meaning of the museum visit.Cet article vise à rendre compte des pratiques photographiques des visiteurs à l'intérieur d'un musée et, plus particulièrement, du comportement vis-à-vis des œuvres célèbres du musée Rodin à Paris (Le penseur, Les bourgeois de Calais, La porte de l'enfer, etc. .). La photographie est inhérente à toute visite touristique, s'agissant de conserver un récit visuel de voyage, de constituer sa propre mémoire. Dans cette perspective, toutes les options techniques comme le choix du matériel (caméras, compacts, téléphones, IPad), le choix des cadrages originaux et personnels, les mises en scène (comme l'imitation de la posture représentée dans la sculpture) ont leur importance. L'image aura valeur d'attester de la présence sur les lieux et marquera l'inscription du touriste dans le processus d'appropriation des oeuvres d'art. Il s'agit de comprendre, à travers cet objet, la photographie, et les pratiques associées, le sens même de la visite muséale.Este artigo visa dar conta das práticas fotográficas de visitantes dentro de um museu e mais particularmente dos comportamentos face aos célebres obras do Museu Rodin de Paris (Le penseur, Les bourgeois de Calais, La porte de l’enfer, etc.). A fotografia é parte inerente de toda visita turística, sendo questão de conservar uma narrativa visual de viagem, de constituir sua prórpia memória. Nesta perspectiva todas as opções técnicas como a escolha de material (câmeras, compactos, telefones, I Pad), a escolha de enquadramentos originais e pessoais, as mises en scène (como a imitação da postura representada na escultura) têm sua importância. A imagem terá valor de atestação da presença sobre os lugares e marcará a inscrição do turista no processo de apropriação das obras de arte. Trata-se de compreender, através deste objeto, a fotografia, e das práticas que estão associadas, o próprio sentido da visita museal.Universidade LaSalle - Unilasalle Canoas2012-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/73910.18316/739Mouseion; No. 13 (2012); p. 27-51Revista Mouseion; n. 13 (2012); p. 27-511981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEfrahttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/739/751Conord, SylvaineJonas, Irèneinfo:eu-repo/semantics/openAccess2022-05-31T13:53:22Zoai:ojs.revistas.unilasalle.edu.br:article/739Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-31T13:53:22Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false
dc.title.none.fl_str_mv Museums visits and photographic practices. The example of the Rodin Museum in Paris
Visite muséale et pratiques photographiques L’exemple du musée Rodin à Paris
Visitas a museus e práticas fotográficas. O exemplo do Museu Rodin em Paris
title Museums visits and photographic practices. The example of the Rodin Museum in Paris
spellingShingle Museums visits and photographic practices. The example of the Rodin Museum in Paris
Conord, Sylvaine
Photography
Museum
Rodin
Tourism
Image
Paris
Photographie
Musée
Rodin
Tourisme
Image
Paris
Fotografia
Museu
Rodin
Turismo
Imagem
Paris
title_short Museums visits and photographic practices. The example of the Rodin Museum in Paris
title_full Museums visits and photographic practices. The example of the Rodin Museum in Paris
title_fullStr Museums visits and photographic practices. The example of the Rodin Museum in Paris
title_full_unstemmed Museums visits and photographic practices. The example of the Rodin Museum in Paris
title_sort Museums visits and photographic practices. The example of the Rodin Museum in Paris
author Conord, Sylvaine
author_facet Conord, Sylvaine
Jonas, Irène
author_role author
author2 Jonas, Irène
author2_role author
dc.contributor.author.fl_str_mv Conord, Sylvaine
Jonas, Irène
dc.subject.por.fl_str_mv Photography
Museum
Rodin
Tourism
Image
Paris
Photographie
Musée
Rodin
Tourisme
Image
Paris
Fotografia
Museu
Rodin
Turismo
Imagem
Paris
topic Photography
Museum
Rodin
Tourism
Image
Paris
Photographie
Musée
Rodin
Tourisme
Image
Paris
Fotografia
Museu
Rodin
Turismo
Imagem
Paris
description This article aims to report on photographic practices in a museum visitors and especially behaviors related to famous works of the Musée Rodin in Paris (The Thinker, The Burghers of Calais, The Gates of Hell, etc.).. The photograph is an inherent part of any visit, it is a question of keeping a visual narrative of travel, to create its own memory. In this perspective all the technical options such as choice of equipment (SLR cameras, compact phones, I pad), the choice of framing original and personal stagings (as imitation of the posture represented in sculptures) have their importance. The image will value attestation of presence on the site and mark the entry of tourists in the process of appropriation art. It is through this object, photography, and practices associated with them to understand the meaning of the museum visit.
publishDate 2012
dc.date.none.fl_str_mv 2012-12-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/739
10.18316/739
url https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/739
identifier_str_mv 10.18316/739
dc.language.iso.fl_str_mv fra
language fra
dc.relation.none.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/739/751
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
dc.source.none.fl_str_mv Mouseion; No. 13 (2012); p. 27-51
Revista Mouseion; n. 13 (2012); p. 27-51
1981-7207
reponame:Mouseion (Canoas)
instname:Centro Universitário La Salle (Unilasalle)
instacron:UNILASALLE
instname_str Centro Universitário La Salle (Unilasalle)
instacron_str UNILASALLE
institution UNILASALLE
reponame_str Mouseion (Canoas)
collection Mouseion (Canoas)
repository.name.fl_str_mv Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)
repository.mail.fl_str_mv ||revista.mouseion@unilasalle.edu.br
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