Room: a close into the imaginary

Detalhes bibliográficos
Autor(a) principal: Carmo, Luana Jéssica Oliveira
Data de Publicação: 2020
Outros Autores: Teixeira, Marcella Barbosa Miranda, Campos, Rita de Cássia Leal, Assis, Lilian Bambirra de
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Diálogo
Texto Completo: https://revistas.unilasalle.edu.br/index.php/Dialogo/article/view/5668
Resumo: This article aims to analyze in the light of Castoriadis (1982, 1999) how one constructs the imaginary in the film Room. For that, a notion of subject, autonomy and heteronomy, the imaginary of the being and the social imaginary are approached. The social imaginary can be recreated according to a social structure in which the subject is inserted. It is related to autonomy insofar as the subject accepts being trapped in social networks or seeks to resist them by recreating their history. From the analysis of the film it is understood that autonomy is not related to physical freedom, but to psychic freedom.
id UNILASALLE-5_7f1262c4074d351a0b9cd4cbd85378a2
oai_identifier_str oai:ojs.revistas.unilasalle.edu.br:article/5668
network_acronym_str UNILASALLE-5
network_name_str Revista Diálogo
repository_id_str
spelling Room: a close into the imaginaryO quarto de Jack: um close no imaginárioRoomautonomysocial imaginaryfilm analysisO quarto de Jackautonomiaimaginário socialanálise fílmicaThis article aims to analyze in the light of Castoriadis (1982, 1999) how one constructs the imaginary in the film Room. For that, a notion of subject, autonomy and heteronomy, the imaginary of the being and the social imaginary are approached. The social imaginary can be recreated according to a social structure in which the subject is inserted. It is related to autonomy insofar as the subject accepts being trapped in social networks or seeks to resist them by recreating their history. From the analysis of the film it is understood that autonomy is not related to physical freedom, but to psychic freedom.Este artigo visa analisar à luz de Castoriadis (1982, 1999) como se constrói o imaginário no filme O Quarto de Jack. Para tanto, aborda-se a noção de sujeito, autonomia e heteronomia, o imaginário do ser e o imaginário social. O imaginário social pode ser recriado de acordo com a estrutura social na qual o sujeito está inserido. Ele está relacionado à autonomia na medida em que o sujeito aceita ser preso nas malhas sociais ou busca resistir a elas recriando a sua história. A partir da análise do filme entende-se que a autonomia não está relacionada à liberdade física, mas sim, à psíquica.Universidade LaSalle - Unilasalle Canoas2020-04-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Dialogo/article/view/566810.18316/dialogo.v0i43.5668Diálogo; n. 43 (2020); p. 119-1312238-9024reponame:Revista Diálogoinstname:Universidade La Salle (UNILASALLE)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Dialogo/article/view/5668/pdfCopyright (c) 2020 Diálogoinfo:eu-repo/semantics/openAccessCarmo, Luana Jéssica OliveiraTeixeira, Marcella Barbosa MirandaCampos, Rita de Cássia LealAssis, Lilian Bambirra de2022-12-28T20:58:47Zoai:ojs.revistas.unilasalle.edu.br:article/5668Revistahttps://revistas.unilasalle.edu.br/index.php/DialogoONGhttps://revistas.unilasalle.edu.br/index.php/Dialogo/oairevistas@unilasalle.edu.br||dialogo@unilasalle.edu.br2238-90241519-3640opendoar:2022-12-28T20:58:47Revista Diálogo - Universidade La Salle (UNILASALLE)false
dc.title.none.fl_str_mv Room: a close into the imaginary
O quarto de Jack: um close no imaginário
title Room: a close into the imaginary
spellingShingle Room: a close into the imaginary
Carmo, Luana Jéssica Oliveira
Room
autonomy
social imaginary
film analysis
O quarto de Jack
autonomia
imaginário social
análise fílmica
title_short Room: a close into the imaginary
title_full Room: a close into the imaginary
title_fullStr Room: a close into the imaginary
title_full_unstemmed Room: a close into the imaginary
title_sort Room: a close into the imaginary
author Carmo, Luana Jéssica Oliveira
author_facet Carmo, Luana Jéssica Oliveira
Teixeira, Marcella Barbosa Miranda
Campos, Rita de Cássia Leal
Assis, Lilian Bambirra de
author_role author
author2 Teixeira, Marcella Barbosa Miranda
Campos, Rita de Cássia Leal
Assis, Lilian Bambirra de
author2_role author
author
author
dc.contributor.author.fl_str_mv Carmo, Luana Jéssica Oliveira
Teixeira, Marcella Barbosa Miranda
Campos, Rita de Cássia Leal
Assis, Lilian Bambirra de
dc.subject.por.fl_str_mv Room
autonomy
social imaginary
film analysis
O quarto de Jack
autonomia
imaginário social
análise fílmica
topic Room
autonomy
social imaginary
film analysis
O quarto de Jack
autonomia
imaginário social
análise fílmica
description This article aims to analyze in the light of Castoriadis (1982, 1999) how one constructs the imaginary in the film Room. For that, a notion of subject, autonomy and heteronomy, the imaginary of the being and the social imaginary are approached. The social imaginary can be recreated according to a social structure in which the subject is inserted. It is related to autonomy insofar as the subject accepts being trapped in social networks or seeks to resist them by recreating their history. From the analysis of the film it is understood that autonomy is not related to physical freedom, but to psychic freedom.
publishDate 2020
dc.date.none.fl_str_mv 2020-04-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Dialogo/article/view/5668
10.18316/dialogo.v0i43.5668
url https://revistas.unilasalle.edu.br/index.php/Dialogo/article/view/5668
identifier_str_mv 10.18316/dialogo.v0i43.5668
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Dialogo/article/view/5668/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2020 Diálogo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Diálogo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
dc.source.none.fl_str_mv Diálogo; n. 43 (2020); p. 119-131
2238-9024
reponame:Revista Diálogo
instname:Universidade La Salle (UNILASALLE)
instacron:UNILASALLE
instname_str Universidade La Salle (UNILASALLE)
instacron_str UNILASALLE
institution UNILASALLE
reponame_str Revista Diálogo
collection Revista Diálogo
repository.name.fl_str_mv Revista Diálogo - Universidade La Salle (UNILASALLE)
repository.mail.fl_str_mv revistas@unilasalle.edu.br||dialogo@unilasalle.edu.br
_version_ 1800217362289393664

Registros relacionados