Violeta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989)
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNIOESTE |
Texto Completo: | https://tede.unioeste.br/handle/tede/7066 |
Resumo: | This thesis addresses the life and work of artists Violeta Franco (19322006) and Helena Wong (1938-1990), between the 1950s and 1980s, considering their productions from a feminist perspective, whereby female artists are considered as cultural producers. (POLLOCK, 2019. During the period in question, we had in Paraná the constitution of an art that broke with so-called “academic” values, in which artists moved fluidly between modern figurative and abstractionism, contributing to a new artistic movement, seeking to free itself from institutional systems and moral norms that do not recognize and/or value female participation in public life and the arts. The objective of this work was to understand how artists Violeta Franco and Helena Wong used used their pictorial productions to negotiate with dominant power regimes, performing the genre in different ways, in which these compositions functioned as practices of freedom, criticizing social frameworks and the canons of art history. To this end, the problems were observed of gender present in this time and space, the processes of subjectivation, the forms of action/performances present in the artists' compositions, as well as the questions and/or negotiations they made with this reality, occupying places previously restricted to male subjects. The analysis is anchored in the feminist perspective on the History of Art by Griselda Pollock (2019) and in the problematizations suggested by Michel Foucault (1979; 1985; 2004; 2010) when thinking about history in a genealogical way, valuing the experiences and processes of subjectivation in search of a more ethical and fulfilling life, developing what he calls the aesthetics of existence. |
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Wadi, Yonissa Marmitthttp://lattes.cnpq.br/8470729900371454Wadi, Yonissa Marmitthttp://lattes.cnpq.br/8470729900371454Freitas, Artur Correia dehttp://lattes.cnpq.br/7705592106667807Leandro, José Augustohttp://lattes.cnpq.br/5860607614724491Oliveira, Beatriz Salgado Cardoso dehttp://lattes.cnpq.br/6786857474279273Schneider, Claércio Ivanhttp://lattes.cnpq.br/6497095485674185http://lattes.cnpq.br/7371804553836871Lima, Mauricio Marcelino de2024-03-08T00:43:19Z2023-11-01LIMA, Mauricio Marcelino de. Violeta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989). 2023.432 f. Tese (Doutorado em História) - Universidade Estadual do Oeste do Paraná, Marechal Cândido Rondon, 2023.https://tede.unioeste.br/handle/tede/7066This thesis addresses the life and work of artists Violeta Franco (19322006) and Helena Wong (1938-1990), between the 1950s and 1980s, considering their productions from a feminist perspective, whereby female artists are considered as cultural producers. (POLLOCK, 2019. During the period in question, we had in Paraná the constitution of an art that broke with so-called “academic” values, in which artists moved fluidly between modern figurative and abstractionism, contributing to a new artistic movement, seeking to free itself from institutional systems and moral norms that do not recognize and/or value female participation in public life and the arts. The objective of this work was to understand how artists Violeta Franco and Helena Wong used used their pictorial productions to negotiate with dominant power regimes, performing the genre in different ways, in which these compositions functioned as practices of freedom, criticizing social frameworks and the canons of art history. To this end, the problems were observed of gender present in this time and space, the processes of subjectivation, the forms of action/performances present in the artists' compositions, as well as the questions and/or negotiations they made with this reality, occupying places previously restricted to male subjects. The analysis is anchored in the feminist perspective on the History of Art by Griselda Pollock (2019) and in the problematizations suggested by Michel Foucault (1979; 1985; 2004; 2010) when thinking about history in a genealogical way, valuing the experiences and processes of subjectivation in search of a more ethical and fulfilling life, developing what he calls the aesthetics of existence.Esta tese aborda a vida e obra das artistas Violeta Franco (1932-2006) e Helena Wong (1938-1990), entre as décadas de 1950 e 1980, considerando suas produções a partir de uma perspectiva feminista, pela qual as artistas mulheres são consideradas como produtoras culturais. (POLLOCK, 2019). Durante o período recortado, tivemos no Paraná a constituição de uma arte de ruptura com os valores ditos “acadêmicos”, na qual as artistas transitam de maneira fluida, entre o moderno figurativo e o abstracionismo, contribuindo para um novo movimento artístico, buscando se desvencilhar de sistemas institucionais e normatizações morais que não reconhecem e/ou valorizam a participação feminina na vida pública e nas artes. O objetivo deste trabalho foi compreender como as artistas Violeta Franco e Helena Wong utilizaram-se das suas produções pictóricas para negociar com os regimes de poder dominantes, performando o gênero de maneiras diferentes, nas quais essas composições funcionaram como práticas de liberdade, criticando os enquadramentos sociais e os cânones da história da arte. Para tanto, foram observados os problemas de gênero presentes nesse tempo e espaço, os processos de subjetivação, as formas de ação/performances presentes nas composições das artistas, bem como os questionamentos e/ou negociações que fizeram com essa realidade, ocupando lugares, antes restritos aos sujeitos masculinos. A análise está ancorada na perspectiva feminista sobre a História da Arte de Griselda Pollock (2019) e nas problematizações sugeridas por Michel Foucault (1979; 1985; 2004; 2010) ao pensar a história de maneira genealógica, valorizando as experiências e os processos de subjetivação em busca de uma vida mais ética e plena, elaborando o que ele chama de estética da existência.Submitted by Helena Bejio (helena.bejio@unioeste.br) on 2024-03-08T00:43:19Z No. of bitstreams: 1 Mauricio_Lima_2023.pdf: 9245031 bytes, checksum: dbdabcc9984b78660da6c292c4cc71d7 (MD5)Made available in DSpace on 2024-03-08T00:43:19Z (GMT). No. of bitstreams: 1 Mauricio_Lima_2023.pdf: 9245031 bytes, checksum: dbdabcc9984b78660da6c292c4cc71d7 (MD5) Previous issue date: 2023-11-01application/pdfpor-6392337873870130111500Universidade Estadual do Oeste do ParanáMarechal Cândido RondonPrograma de Pós-Graduação em HistóriaUNIOESTEBrasilCentro de Ciências Humanas, Educação e LetrasVioleta FrancoHelena WongPerformances de GêneroEstética da ExistênciaArte moderna no ParanáCIÊNCIAS HUMANAS:HISTÓRIAVioleta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis1740700517806534787600600-4312486114196621395info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do UNIOESTEinstname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:UNIOESTEORIGINALMauricio_Lima_2023.pdfMauricio_Lima_2023.pdfapplication/pdf9245031http://tede.unioeste.br:8080/tede/bitstream/tede/7066/2/Mauricio_Lima_2023.pdfdbdabcc9984b78660da6c292c4cc71d7MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://tede.unioeste.br:8080/tede/bitstream/tede/7066/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51tede/70662024-03-07 21:49:06.203oai:tede.unioeste.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede.unioeste.br/PUBhttp://tede.unioeste.br/oai/requestbiblioteca.repositorio@unioeste.bropendoar:2024-03-08T00:49:06Biblioteca Digital de Teses e Dissertações do UNIOESTE - Universidade Estadual do Oeste do Paraná (UNIOESTE)false |
dc.title.por.fl_str_mv |
Violeta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989) |
title |
Violeta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989) |
spellingShingle |
Violeta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989) Lima, Mauricio Marcelino de Violeta Franco Helena Wong Performances de Gênero Estética da Existência Arte moderna no Paraná CIÊNCIAS HUMANAS:HISTÓRIA |
title_short |
Violeta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989) |
title_full |
Violeta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989) |
title_fullStr |
Violeta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989) |
title_full_unstemmed |
Violeta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989) |
title_sort |
Violeta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989) |
author |
Lima, Mauricio Marcelino de |
author_facet |
Lima, Mauricio Marcelino de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Wadi, Yonissa Marmitt |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8470729900371454 |
dc.contributor.referee1.fl_str_mv |
Wadi, Yonissa Marmitt |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/8470729900371454 |
dc.contributor.referee2.fl_str_mv |
Freitas, Artur Correia de |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/7705592106667807 |
dc.contributor.referee3.fl_str_mv |
Leandro, José Augusto |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/5860607614724491 |
dc.contributor.referee4.fl_str_mv |
Oliveira, Beatriz Salgado Cardoso de |
dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/6786857474279273 |
dc.contributor.referee5.fl_str_mv |
Schneider, Claércio Ivan |
dc.contributor.referee5Lattes.fl_str_mv |
http://lattes.cnpq.br/6497095485674185 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7371804553836871 |
dc.contributor.author.fl_str_mv |
Lima, Mauricio Marcelino de |
contributor_str_mv |
Wadi, Yonissa Marmitt Wadi, Yonissa Marmitt Freitas, Artur Correia de Leandro, José Augusto Oliveira, Beatriz Salgado Cardoso de Schneider, Claércio Ivan |
dc.subject.por.fl_str_mv |
Violeta Franco Helena Wong Performances de Gênero Estética da Existência Arte moderna no Paraná |
topic |
Violeta Franco Helena Wong Performances de Gênero Estética da Existência Arte moderna no Paraná CIÊNCIAS HUMANAS:HISTÓRIA |
dc.subject.cnpq.fl_str_mv |
CIÊNCIAS HUMANAS:HISTÓRIA |
description |
This thesis addresses the life and work of artists Violeta Franco (19322006) and Helena Wong (1938-1990), between the 1950s and 1980s, considering their productions from a feminist perspective, whereby female artists are considered as cultural producers. (POLLOCK, 2019. During the period in question, we had in Paraná the constitution of an art that broke with so-called “academic” values, in which artists moved fluidly between modern figurative and abstractionism, contributing to a new artistic movement, seeking to free itself from institutional systems and moral norms that do not recognize and/or value female participation in public life and the arts. The objective of this work was to understand how artists Violeta Franco and Helena Wong used used their pictorial productions to negotiate with dominant power regimes, performing the genre in different ways, in which these compositions functioned as practices of freedom, criticizing social frameworks and the canons of art history. To this end, the problems were observed of gender present in this time and space, the processes of subjectivation, the forms of action/performances present in the artists' compositions, as well as the questions and/or negotiations they made with this reality, occupying places previously restricted to male subjects. The analysis is anchored in the feminist perspective on the History of Art by Griselda Pollock (2019) and in the problematizations suggested by Michel Foucault (1979; 1985; 2004; 2010) when thinking about history in a genealogical way, valuing the experiences and processes of subjectivation in search of a more ethical and fulfilling life, developing what he calls the aesthetics of existence. |
publishDate |
2023 |
dc.date.issued.fl_str_mv |
2023-11-01 |
dc.date.accessioned.fl_str_mv |
2024-03-08T00:43:19Z |
dc.type.status.fl_str_mv |
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info:eu-repo/semantics/doctoralThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
LIMA, Mauricio Marcelino de. Violeta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989). 2023.432 f. Tese (Doutorado em História) - Universidade Estadual do Oeste do Paraná, Marechal Cândido Rondon, 2023. |
dc.identifier.uri.fl_str_mv |
https://tede.unioeste.br/handle/tede/7066 |
identifier_str_mv |
LIMA, Mauricio Marcelino de. Violeta Franco e Helena Wong:performances de gênero e liberdade na arte moderna no Paraná (1950-1989). 2023.432 f. Tese (Doutorado em História) - Universidade Estadual do Oeste do Paraná, Marechal Cândido Rondon, 2023. |
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https://tede.unioeste.br/handle/tede/7066 |
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Universidade Estadual do Oeste do Paraná Marechal Cândido Rondon |
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UNIOESTE |
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Universidade Estadual do Oeste do Paraná Marechal Cândido Rondon |
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