Faces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdade
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNIOESTE |
Texto Completo: | http://tede.unioeste.br/handle/tede/3573 |
Resumo: | This research presents an analysis of the cinematographic work The Unbearable Lightness of Being (1987) directed by Philip Kaufman, a movie based on the homonymous literary work of the Czech writer Milan Kundera. Based on their main characters – Tereza, Tomaz, Sabina and Franz –, the preponderant characteristics of these characters were pointed out, aiming at comparing them in terms of the perception of freedom that each presents, as well as the inherent aspects of the poetry cinema present in this production which help in the construction of the imaginary and literary senses. For such an approach, it was necessary as theoretical reference, the authors found in the philosophy that conceptualize and treat the theme of freedom as Jean-Paul Sartre and Simone de Beauvoir, philosophers considered referential about the main existentialist current guiding the term concept. Aiming at the confluence between literature, cinema and philosophy, this study proposes, above all, the poetic interpretation of a cinematographic work, the amplification of meanings through the lyrical elements and also, corroborate so that the characteristic aspects to the cinema of poetry, proposed by Pier Paolo Pasolini, are identified and recognized even in postmodern works, produced long after the filmmaker, such as Lavoura Arcaica (2001) by Luiz Fernando Carvalho or the films of Peter Greenway, whose ideas depart from the images to the text and not the other way around. In addition to Pasolini (1981), Carlos Melo Ferreira (2004) and Andrei Tarkovski (1998) were consulted to give subsidies in order to understand how the field of poetry is constructed within cinematographic works. |
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Silva , Acir Dias dacnpq.br/6902191554348937Silva , Acir Dias dacnpq.br/6902191554348937Cruz , Antonio Donizete dahttp://lattes.cnpq.br/7817838643953039Silva , Marisa Corrêahttp://lattes.cnpq.br/9920083943675526http://lattes.cnpq.br/4170005695361593Pedrolo, Fabiana Maceno Domingos2018-04-25T14:04:59Z2018-02-26PEDROLO, Fabiana Maceno Domingos. Faces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdade. 2018. 85 f. Dissertação( Mestrado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel, 2018.http://tede.unioeste.br/handle/tede/3573This research presents an analysis of the cinematographic work The Unbearable Lightness of Being (1987) directed by Philip Kaufman, a movie based on the homonymous literary work of the Czech writer Milan Kundera. Based on their main characters – Tereza, Tomaz, Sabina and Franz –, the preponderant characteristics of these characters were pointed out, aiming at comparing them in terms of the perception of freedom that each presents, as well as the inherent aspects of the poetry cinema present in this production which help in the construction of the imaginary and literary senses. For such an approach, it was necessary as theoretical reference, the authors found in the philosophy that conceptualize and treat the theme of freedom as Jean-Paul Sartre and Simone de Beauvoir, philosophers considered referential about the main existentialist current guiding the term concept. Aiming at the confluence between literature, cinema and philosophy, this study proposes, above all, the poetic interpretation of a cinematographic work, the amplification of meanings through the lyrical elements and also, corroborate so that the characteristic aspects to the cinema of poetry, proposed by Pier Paolo Pasolini, are identified and recognized even in postmodern works, produced long after the filmmaker, such as Lavoura Arcaica (2001) by Luiz Fernando Carvalho or the films of Peter Greenway, whose ideas depart from the images to the text and not the other way around. In addition to Pasolini (1981), Carlos Melo Ferreira (2004) and Andrei Tarkovski (1998) were consulted to give subsidies in order to understand how the field of poetry is constructed within cinematographic works.A presente pesquisa apresenta uma análise da obra cinematográfica A Insustentável Leveza do Ser (1987), direção de Philip Kaufman, filme baseado na obra literária homônima, do escritor tcheco Milan Kundera. Partindo de suas personagens principais – Tereza, Tomaz, Sabina e Franz –, foram elencadas as características preponderantes dessas personagens visando um comparativo entre elas no que tange à percepção de liberdade que cada uma apresenta, bem como aos aspectos inerentes ao cinema de poesia presentes nessa produção que auxiliam na construção dos sentidos imagéticos e literários. Para tal abordagem, mostrou-se necessário que se fizessem presentes, no referencial teórico, os autores encontrados na filosofia que conceituam e tratam do tema da liberdade, como Jean-Paul Sartre e Simone de Beauvoir, filósofos considerados referenciais no que diz respeito à corrente existencialista, principal norteadora do conceito do termo. Visando verificar a confluência entre literatura, cinema e filosofia, este estudo propõe, sobretudo, a interpretação poética de uma obra cinematográfica, a ampliação dos significados através dos elementos líricos e, ainda, corroborar o entendimento de que os aspectos característicos ao cinema de poesia, tal como propostos por Pier Paolo Pasolini, sejam identificados e reconhecidos mesmo em obras pós-modernas, produzidas muito tempo depois do cineasta, como Lavoura Arcaica (2001), de Luiz Fernando Carvalho ou os filmes de Peter Greenway, cujas ideias partem das imagens para o texto e não o contrário. Além de Pasolini (1981), Carlos Melo Ferreira (2004) e Andrei Tarkovski (1998) foram consultados para dar subsídios visando compreender como o campo da poética se constrói dentro das obras cinematográficas.Submitted by Edineia Teixeira (edineia.teixeira@unioeste.br) on 2018-04-25T14:04:59Z No. of bitstreams: 2 Fabiana _Pedrolo2018.pdf: 2091792 bytes, checksum: 2e772c59d55f813a720a04f28bd36146 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-04-25T14:04:59Z (GMT). No. of bitstreams: 2 Fabiana _Pedrolo2018.pdf: 2091792 bytes, checksum: 2e772c59d55f813a720a04f28bd36146 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-02-26application/pdfpor6588633818200016417500Universidade Estadual do Oeste do ParanáCascavelPrograma de Pós-Graduação em LetrasUNIOESTEBrasilCentro de Educação, Comunicação e Arteshttp://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessCinemaPersonagensCinema de PoesiaLíricaCinemaCharactersCinema of PoetryLyricLINGUISTICA, LETRAS E ARTESFaces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdadeFaces and interfaces of cinema of poetry - The unbearable lightness of being and the lyrical way of narrating freedominfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis844734507073632156960060060066780664527621773664828026023044017992reponame:Biblioteca Digital de Teses e Dissertações do UNIOESTEinstname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:UNIOESTEORIGINALFabiana _Pedrolo2018.pdfFabiana _Pedrolo2018.pdfapplication/pdf2091792http://tede.unioeste.br:8080/tede/bitstream/tede/3573/5/Fabiana+_Pedrolo2018.pdf2e772c59d55f813a720a04f28bd36146MD55CC-LICENSElicense_urllicense_urltext/plain; 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dc.title.por.fl_str_mv |
Faces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdade |
dc.title.alternative.eng.fl_str_mv |
Faces and interfaces of cinema of poetry - The unbearable lightness of being and the lyrical way of narrating freedom |
title |
Faces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdade |
spellingShingle |
Faces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdade Pedrolo, Fabiana Maceno Domingos Cinema Personagens Cinema de Poesia Lírica Cinema Characters Cinema of Poetry Lyric LINGUISTICA, LETRAS E ARTES |
title_short |
Faces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdade |
title_full |
Faces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdade |
title_fullStr |
Faces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdade |
title_full_unstemmed |
Faces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdade |
title_sort |
Faces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdade |
author |
Pedrolo, Fabiana Maceno Domingos |
author_facet |
Pedrolo, Fabiana Maceno Domingos |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Silva , Acir Dias da |
dc.contributor.advisor1Lattes.fl_str_mv |
cnpq.br/6902191554348937 |
dc.contributor.referee1.fl_str_mv |
Silva , Acir Dias da |
dc.contributor.referee1Lattes.fl_str_mv |
cnpq.br/6902191554348937 |
dc.contributor.referee2.fl_str_mv |
Cruz , Antonio Donizete da |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/7817838643953039 |
dc.contributor.referee3.fl_str_mv |
Silva , Marisa Corrêa |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/9920083943675526 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4170005695361593 |
dc.contributor.author.fl_str_mv |
Pedrolo, Fabiana Maceno Domingos |
contributor_str_mv |
Silva , Acir Dias da Silva , Acir Dias da Cruz , Antonio Donizete da Silva , Marisa Corrêa |
dc.subject.por.fl_str_mv |
Cinema Personagens Cinema de Poesia Lírica |
topic |
Cinema Personagens Cinema de Poesia Lírica Cinema Characters Cinema of Poetry Lyric LINGUISTICA, LETRAS E ARTES |
dc.subject.eng.fl_str_mv |
Cinema Characters Cinema of Poetry Lyric |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES |
description |
This research presents an analysis of the cinematographic work The Unbearable Lightness of Being (1987) directed by Philip Kaufman, a movie based on the homonymous literary work of the Czech writer Milan Kundera. Based on their main characters – Tereza, Tomaz, Sabina and Franz –, the preponderant characteristics of these characters were pointed out, aiming at comparing them in terms of the perception of freedom that each presents, as well as the inherent aspects of the poetry cinema present in this production which help in the construction of the imaginary and literary senses. For such an approach, it was necessary as theoretical reference, the authors found in the philosophy that conceptualize and treat the theme of freedom as Jean-Paul Sartre and Simone de Beauvoir, philosophers considered referential about the main existentialist current guiding the term concept. Aiming at the confluence between literature, cinema and philosophy, this study proposes, above all, the poetic interpretation of a cinematographic work, the amplification of meanings through the lyrical elements and also, corroborate so that the characteristic aspects to the cinema of poetry, proposed by Pier Paolo Pasolini, are identified and recognized even in postmodern works, produced long after the filmmaker, such as Lavoura Arcaica (2001) by Luiz Fernando Carvalho or the films of Peter Greenway, whose ideas depart from the images to the text and not the other way around. In addition to Pasolini (1981), Carlos Melo Ferreira (2004) and Andrei Tarkovski (1998) were consulted to give subsidies in order to understand how the field of poetry is constructed within cinematographic works. |
publishDate |
2018 |
dc.date.accessioned.fl_str_mv |
2018-04-25T14:04:59Z |
dc.date.issued.fl_str_mv |
2018-02-26 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
PEDROLO, Fabiana Maceno Domingos. Faces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdade. 2018. 85 f. Dissertação( Mestrado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel, 2018. |
dc.identifier.uri.fl_str_mv |
http://tede.unioeste.br/handle/tede/3573 |
identifier_str_mv |
PEDROLO, Fabiana Maceno Domingos. Faces e interfaces do cinema de poesia – A insustentável leveza do ser e a forma lírica de narrar a liberdade. 2018. 85 f. Dissertação( Mestrado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel, 2018. |
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http://tede.unioeste.br/handle/tede/3573 |
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