Reminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele Iturbide

Detalhes bibliográficos
Autor(a) principal: Coterno, Fábio Luiz
Data de Publicação: 2023
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do UNIOESTE
Texto Completo: https://tede.unioeste.br/handle/tede/6968
Resumo: This research aims to present the spaces of memory and intermediality in Graciela Iturbide's photography in the essay El baño de Frida Kahlo, which portrays Frida Kahlo's personal objects have been kept in a bathroom as a reliquary for 50 years. Based on bibliographic studies, the photography regarding the artist's personal belongings is exhibited as a space between two women of substantial importance for art, politics, and women's emancipation in Latin America. This research is based on the assumption that a photograph becomes a new reference for the position adopted by the original work and how it can be reinterpreted by the author's memory. Walter Benjamin studied aura in photography as some divine condition, the power wielded by the image according to Roland Barthes' concept of punctum, and Georges Didi-Huberman's notion of this is, this was when he analyzes the image that returns to the spectator. These theoretical bases have helped them to understand how the photographs in this essay converge to a new meaning, full of memories as a "footprint and a scar" go along with perpetuation of live, as it was pointed out by Jeanne Marie Gagnebin. Graciela Iturbide's photos, with their reinterpreted possibilities, point us towards a new life and a new art for Frida Kahlo's memory, as guardians of a temple, as suggested by Aleida Assmann, without neglecting the idea of photography as a real time frame, proposed by Phillippe Dubois. He understood photography as a memory and history way from Boris Kossoy's perspective and discussed about photography as contemporary art according to André Rouillé's conception
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spelling Silva , Acir Dias daSilva, Acir Dias daCamargo, Hertz Wendel deCruz, Antonio Donizeti dahttp://lattes.cnpq.br/9614419249024805Coterno, Fábio Luiz2024-01-26T12:38:49Z2023-12-29Coterno, Fábio Luiz. Reminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele Iturbide. 2023. 69 f. Dissertação(Mestrado em Letras) - Universidade Estadual do Oeste do Paraná,Cascavel.https://tede.unioeste.br/handle/tede/6968This research aims to present the spaces of memory and intermediality in Graciela Iturbide's photography in the essay El baño de Frida Kahlo, which portrays Frida Kahlo's personal objects have been kept in a bathroom as a reliquary for 50 years. Based on bibliographic studies, the photography regarding the artist's personal belongings is exhibited as a space between two women of substantial importance for art, politics, and women's emancipation in Latin America. This research is based on the assumption that a photograph becomes a new reference for the position adopted by the original work and how it can be reinterpreted by the author's memory. Walter Benjamin studied aura in photography as some divine condition, the power wielded by the image according to Roland Barthes' concept of punctum, and Georges Didi-Huberman's notion of this is, this was when he analyzes the image that returns to the spectator. These theoretical bases have helped them to understand how the photographs in this essay converge to a new meaning, full of memories as a "footprint and a scar" go along with perpetuation of live, as it was pointed out by Jeanne Marie Gagnebin. Graciela Iturbide's photos, with their reinterpreted possibilities, point us towards a new life and a new art for Frida Kahlo's memory, as guardians of a temple, as suggested by Aleida Assmann, without neglecting the idea of photography as a real time frame, proposed by Phillippe Dubois. He understood photography as a memory and history way from Boris Kossoy's perspective and discussed about photography as contemporary art according to André Rouillé's conceptionEsta pesquisa tem como objetivo apresentar os espaços de memória e de intermidialidade da fotografia de Graciela Iturbide no ensaio El baño de Frida Kahlo sobre os objetos de Frida Kahlo, guardados em um banheiro, como em um relicário, por 50 anos. Através do estudo bibliográfico, exibe-se a fotografia dos objetos pessoais da artista como um espaço de entre lugar de duas mulheres com importância substancial para a arte, política e emancipação da mulher na América Latina. A pesquisa parte do pressuposto de que uma fotografia se torna um novo referencial da posição adotada pela obra original e como é capaz de ser ressignificada pela memória da autora. A partir dos estudos de Walter Benjamin, ao explorar a aura na fotografia como certa condição divina, o poder exercido pela imagem através do punctum de Roland Barthes e a condição do isto é, isto foi, nas afirmações de Georges Didi-Huberman, quando analisa a imagem que retorna ao espectador, constituem-se as bases teóricas desta pesquisa para se entender como as fotografias deste ensaio convergem para um novo sentido, carregado de memórias como um “rastro e uma cicatriz” que acompanham a perpetuação do vivo, como cita Jeanne Marie Gagnebin. Assim são as fotos de Graciela Iturbide que, através de suas possibilidades ressignificadas, nos apontam uma nova vida e uma nova arte para uma memória de Frida Kahlo, como guardiãs de um Templo, como sugere Aleida Assmann, sem não, por menos, observar a fotografia enquanto um recorte temporal do real, como propõe Phillippe Dubois, que compreende a fotografia como um meio de memória e história pela perspectiva de Boris Kossoy e debate a fotografia como arte contemporânea na concepção de André Rouillé.Submitted by Edineia Teixeira (edineia.teixeira@unioeste.br) on 2024-01-26T12:38:49Z No. of bitstreams: 1 Fabio Luiz Conterno.pdf: 2870094 bytes, checksum: c63b9cf17f938e41c55afa2563b56e4f (MD5)Made available in DSpace on 2024-01-26T12:38:49Z (GMT). No. of bitstreams: 1 Fabio Luiz Conterno.pdf: 2870094 bytes, checksum: c63b9cf17f938e41c55afa2563b56e4f (MD5) Previous issue date: 2023-12-29application/pdfpor6588633818200016417500Universidade Estadual do Oeste do ParanáCascavelPrograma de Pós-Graduação em LetrasUNIOESTEBrasilCentro de Educação, Comunicação e ArtesArte MexicanaFotografiaFotografia Latino-AmericanaFrida KahloGraciela IturbideMemóriaFrida KahloGraciela IturbideLatin American PhotographyMemoryMexican ArtPhotographySOCIEDADE E LINGUAGEMReminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele IturbideReminiscence and Memory in the Photographic Essay "Frida Kahlo's Bathroom" by Graciela Iturbideinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis84473450707363215696006006678066452762177366info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do UNIOESTEinstname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:UNIOESTEORIGINALFabio Luiz Conterno.pdfFabio Luiz Conterno.pdfapplication/pdf2870094http://tede.unioeste.br:8080/tede/bitstream/tede/6968/2/Fabio+Luiz+Conterno.pdfc63b9cf17f938e41c55afa2563b56e4fMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://tede.unioeste.br:8080/tede/bitstream/tede/6968/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51tede/69682024-02-08 10:47:18.998oai:tede.unioeste.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede.unioeste.br/PUBhttp://tede.unioeste.br/oai/requestbiblioteca.repositorio@unioeste.bropendoar:2024-02-08T13:47:18Biblioteca Digital de Teses e Dissertações do UNIOESTE - Universidade Estadual do Oeste do Paraná (UNIOESTE)false
dc.title.por.fl_str_mv Reminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele Iturbide
dc.title.alternative.eng.fl_str_mv Reminiscence and Memory in the Photographic Essay "Frida Kahlo's Bathroom" by Graciela Iturbide
title Reminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele Iturbide
spellingShingle Reminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele Iturbide
Coterno, Fábio Luiz
Arte Mexicana
Fotografia
Fotografia Latino-Americana
Frida Kahlo
Graciela Iturbide
Memória
Frida Kahlo
Graciela Iturbide
Latin American Photography
Memory
Mexican Art
Photography
SOCIEDADE E LINGUAGEM
title_short Reminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele Iturbide
title_full Reminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele Iturbide
title_fullStr Reminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele Iturbide
title_full_unstemmed Reminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele Iturbide
title_sort Reminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele Iturbide
author Coterno, Fábio Luiz
author_facet Coterno, Fábio Luiz
author_role author
dc.contributor.advisor1.fl_str_mv Silva , Acir Dias da
dc.contributor.referee1.fl_str_mv Silva, Acir Dias da
dc.contributor.referee2.fl_str_mv Camargo, Hertz Wendel de
dc.contributor.referee3.fl_str_mv Cruz, Antonio Donizeti da
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/9614419249024805
dc.contributor.author.fl_str_mv Coterno, Fábio Luiz
contributor_str_mv Silva , Acir Dias da
Silva, Acir Dias da
Camargo, Hertz Wendel de
Cruz, Antonio Donizeti da
dc.subject.por.fl_str_mv Arte Mexicana
Fotografia
Fotografia Latino-Americana
Frida Kahlo
Graciela Iturbide
Memória
topic Arte Mexicana
Fotografia
Fotografia Latino-Americana
Frida Kahlo
Graciela Iturbide
Memória
Frida Kahlo
Graciela Iturbide
Latin American Photography
Memory
Mexican Art
Photography
SOCIEDADE E LINGUAGEM
dc.subject.eng.fl_str_mv Frida Kahlo
Graciela Iturbide
Latin American Photography
Memory
Mexican Art
Photography
dc.subject.cnpq.fl_str_mv SOCIEDADE E LINGUAGEM
description This research aims to present the spaces of memory and intermediality in Graciela Iturbide's photography in the essay El baño de Frida Kahlo, which portrays Frida Kahlo's personal objects have been kept in a bathroom as a reliquary for 50 years. Based on bibliographic studies, the photography regarding the artist's personal belongings is exhibited as a space between two women of substantial importance for art, politics, and women's emancipation in Latin America. This research is based on the assumption that a photograph becomes a new reference for the position adopted by the original work and how it can be reinterpreted by the author's memory. Walter Benjamin studied aura in photography as some divine condition, the power wielded by the image according to Roland Barthes' concept of punctum, and Georges Didi-Huberman's notion of this is, this was when he analyzes the image that returns to the spectator. These theoretical bases have helped them to understand how the photographs in this essay converge to a new meaning, full of memories as a "footprint and a scar" go along with perpetuation of live, as it was pointed out by Jeanne Marie Gagnebin. Graciela Iturbide's photos, with their reinterpreted possibilities, point us towards a new life and a new art for Frida Kahlo's memory, as guardians of a temple, as suggested by Aleida Assmann, without neglecting the idea of photography as a real time frame, proposed by Phillippe Dubois. He understood photography as a memory and history way from Boris Kossoy's perspective and discussed about photography as contemporary art according to André Rouillé's conception
publishDate 2023
dc.date.issued.fl_str_mv 2023-12-29
dc.date.accessioned.fl_str_mv 2024-01-26T12:38:49Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv Coterno, Fábio Luiz. Reminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele Iturbide. 2023. 69 f. Dissertação(Mestrado em Letras) - Universidade Estadual do Oeste do Paraná,Cascavel.
dc.identifier.uri.fl_str_mv https://tede.unioeste.br/handle/tede/6968
identifier_str_mv Coterno, Fábio Luiz. Reminiscência e memória no ensaio fotográfico “Banheiro de Frida Kahlo” de Graciele Iturbide. 2023. 69 f. Dissertação(Mestrado em Letras) - Universidade Estadual do Oeste do Paraná,Cascavel.
url https://tede.unioeste.br/handle/tede/6968
dc.language.iso.fl_str_mv por
language por
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dc.relation.confidence.fl_str_mv 600
600
dc.relation.department.fl_str_mv 6678066452762177366
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade Estadual do Oeste do Paraná
Cascavel
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Letras
dc.publisher.initials.fl_str_mv UNIOESTE
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Centro de Educação, Comunicação e Artes
publisher.none.fl_str_mv Universidade Estadual do Oeste do Paraná
Cascavel
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