Queermuseu: Discursos e Sentidos em Exposição
Autor(a) principal: | |
---|---|
Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNIOESTE |
Texto Completo: | http://tede.unioeste.br/handle/tede/4737 |
Resumo: | The present study develops Discourse Analysis on the discourses and senses that circulated in the comments produced from the Queermuseu art exhibition that was held in Porto Alegre, RS, in 2017. The works in the exhibition referred to the discourses about the sexuality and religion, thus, it generated great repercussion in the media polemicizing the issue. Then Santander Bank, sponsor of the event, decided to close the exhibition on September 10, 2017 and made an explanatory note on the social network Facebook. With this publication, the Internet users made comments about the event and, in less than two days, there were more than 1,000 comments, reaching 30,000 comments published. Thus, this research aims to verify the discursive functioning of the comments linked to the note published by Santander that communicated the closing of the exhibition Queermuseu. To delimit the analysis, the first 1000 comments, published between September 10 and 11, 2017, were observed, and the twenty that had the most likes by Facebook users were selected. The theoretical basis and methodology are based on the French Orientation Discourse Analysis developed by Michel Pêcheux. In this theoretical field, it is studied how the discourses are put into circulation and how they work generating an effect of meaning for the subject, in addition, it deals with the functioning of ideological crossings and discursive regularities inserted in the discourses. With the realization, it was noticed the mobilization of several discursive formations that interwoven in the discursivization of comments show the regularity of the discourses and the positions in relation to the Queermuseu based on constituted memories (discursive, institutionalized and metallic). In cyberspace, circulation produces constant displacements and updates for Internet users, functioning as a space of plurality of opinions and effects of meaning from a metallic memory with a multiplicity of voices. With the study, it was noticed that there are interdictions about says in favor of the Queermuseu. The comments show the subject position through social networks, mainly by conservative segments, it is observed that there is a polarization effect potentiated by cyberspace because the subject can have the impression that there is a collective taking a position based on yourself discursive formation. |
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Soares, Alexandre Sebastião Ferrarihttp://lattes.cnpq.br/2323106437650213Soares, Alexandre Sebastião Ferrarihttp://lattes.cnpq.br/2323106437650213Witzel, Denise Gabrielhttp://lattes.cnpq.br/2281147550095036Moreira, Raquel Ribeirohttp://lattes.cnpq.br/1399860481816969http://lattes.cnpq.br/5968613701937843Zanella, Fábio Lúcio2020-03-02T14:50:35Z2020-02-14ZANELLA, Fábio Lúcio. Queermuseu: Discursos e Sentidos em Exposição. 2020. 144 f. Dissertação( Mestrado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel PR.http://tede.unioeste.br/handle/tede/4737The present study develops Discourse Analysis on the discourses and senses that circulated in the comments produced from the Queermuseu art exhibition that was held in Porto Alegre, RS, in 2017. The works in the exhibition referred to the discourses about the sexuality and religion, thus, it generated great repercussion in the media polemicizing the issue. Then Santander Bank, sponsor of the event, decided to close the exhibition on September 10, 2017 and made an explanatory note on the social network Facebook. With this publication, the Internet users made comments about the event and, in less than two days, there were more than 1,000 comments, reaching 30,000 comments published. Thus, this research aims to verify the discursive functioning of the comments linked to the note published by Santander that communicated the closing of the exhibition Queermuseu. To delimit the analysis, the first 1000 comments, published between September 10 and 11, 2017, were observed, and the twenty that had the most likes by Facebook users were selected. The theoretical basis and methodology are based on the French Orientation Discourse Analysis developed by Michel Pêcheux. In this theoretical field, it is studied how the discourses are put into circulation and how they work generating an effect of meaning for the subject, in addition, it deals with the functioning of ideological crossings and discursive regularities inserted in the discourses. With the realization, it was noticed the mobilization of several discursive formations that interwoven in the discursivization of comments show the regularity of the discourses and the positions in relation to the Queermuseu based on constituted memories (discursive, institutionalized and metallic). In cyberspace, circulation produces constant displacements and updates for Internet users, functioning as a space of plurality of opinions and effects of meaning from a metallic memory with a multiplicity of voices. With the study, it was noticed that there are interdictions about says in favor of the Queermuseu. The comments show the subject position through social networks, mainly by conservative segments, it is observed that there is a polarization effect potentiated by cyberspace because the subject can have the impression that there is a collective taking a position based on yourself discursive formation.O presente estudo desenvolve a Análise do Discurso sobre os discursos e sentidos que circularam nos comentários produzidos a partir da exposição de arte Queermuseu que foi realizada em Porto Alegre, RS, em 2017. As obras da exposição faziam referência aos discursos sobre a sexualidade e sobre a religião, assim gerou grande repercussão na mídia polemizando o assunto, então, o banco Santander, patrocinador do evento, resolveu encerrar a exposição no dia 10 de setembro de 2017 e fez uma nota explicativa na rede social Facebook. Com essa publicação, os internautas realizaram comentários sobre o evento e, em menos de dois dias, havia mais de 1.000 comentários, chegando a 30.000 comentários publicados. Assim, a presente pesquisa tem como objetivo verificar o funcionamento discursivo dos comentários vinculados à nota publicada pelo Santander que comunicou o fechamento da exposição Queermuseu. Para delimitar a análise, foram observados os primeiros 1000 comentários, publicados entre os dias 10 e 11 de setembro de 2017, e foram selecionados os vinte que tiveram mais curtidas pelos usuários do Facebook. A base teórica e a metodologia são fundamentadas na Análise do Discurso de orientação francesa desenvolvida por Michel Pêcheux. Nesse campo teórico, estuda-se o modo como os discursos são postos em circulação e como funcionam gerando efeito de sentido para o sujeito, além disso, trata do funcionamento dos atravessamentos ideológicos e das regularidades discursivas inseridas nos discursos. Com a realização, percebeu-se a mobilização de diversas formações discursivas que imbricadas na discursivização dos comentários mostram a regularidade dos discursos e os posicionamentos em relação ao Queermuseu a partir de memórias constituídas (discursiva, institucionalizada e metálica). No ciberespaço, a circulação produz deslocamentos e atualizações constantes para os sujeitos internautas, funcionado como um espaço de pluralidade de opiniões e efeitos de sentido a partir de uma memória metálica com multiplicidade de vozes. Com o estudo, percebeu-se que acontecem interdições dos dizeres favoráveis ao Queermuseu, os comentários mostram a posição-sujeito por meio das redes sociais, principalmente por segmentos conservadores, observa-se que acontece um efeito de polarização potencializada pelo ciberespaço porque o sujeito pode ter a impressão que há uma coletividade tomando posição com base em sua formação discursiva.Submitted by Rosangela Silva (rosangela.silva3@unioeste.br) on 2020-03-02T14:50:35Z No. of bitstreams: 2 Fábio Lúcio Zanella - Mestrado em Letras 2020.pdf: 2570808 bytes, checksum: 13ac5de8699a41022e50460dad3d6081 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2020-03-02T14:50:35Z (GMT). No. of bitstreams: 2 Fábio Lúcio Zanella - Mestrado em Letras 2020.pdf: 2570808 bytes, checksum: 13ac5de8699a41022e50460dad3d6081 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2020-02-14application/pdfpor6588633818200016417500Universidade Estadual do Oeste do ParanáCascavelPrograma de Pós-Graduação em LetrasUNIOESTEBrasilCentro de Educação, Comunicação e Arteshttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessAnálise do Discurso francesaQueermuseuComentários e discursos digitaisFrench Discourse AnalysisQueermuseuDigital comments and discoursesCIENCIAS HUMANASQueermuseu: Discursos e Sentidos em ExposiçãoQueermuseu: Discourses and Senses in Expositioninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis844734507073632156960060060066780664527621773665653018110556964051reponame:Biblioteca Digital de Teses e Dissertações do UNIOESTEinstname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:UNIOESTEORIGINALFábio Lúcio Zanella - Mestrado em Letras 2020.pdfFábio Lúcio Zanella - Mestrado em Letras 2020.pdfapplication/pdf2570808http://tede.unioeste.br:8080/tede/bitstream/tede/4737/5/F%C3%A1bio+L%C3%BAcio+Zanella+-+Mestrado+em+Letras+2020.pdf13ac5de8699a41022e50460dad3d6081MD55CC-LICENSElicense_urllicense_urltext/plain; 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dc.title.por.fl_str_mv |
Queermuseu: Discursos e Sentidos em Exposição |
dc.title.alternative.eng.fl_str_mv |
Queermuseu: Discourses and Senses in Exposition |
title |
Queermuseu: Discursos e Sentidos em Exposição |
spellingShingle |
Queermuseu: Discursos e Sentidos em Exposição Zanella, Fábio Lúcio Análise do Discurso francesa Queermuseu Comentários e discursos digitais French Discourse Analysis Queermuseu Digital comments and discourses CIENCIAS HUMANAS |
title_short |
Queermuseu: Discursos e Sentidos em Exposição |
title_full |
Queermuseu: Discursos e Sentidos em Exposição |
title_fullStr |
Queermuseu: Discursos e Sentidos em Exposição |
title_full_unstemmed |
Queermuseu: Discursos e Sentidos em Exposição |
title_sort |
Queermuseu: Discursos e Sentidos em Exposição |
author |
Zanella, Fábio Lúcio |
author_facet |
Zanella, Fábio Lúcio |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Soares, Alexandre Sebastião Ferrari |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2323106437650213 |
dc.contributor.referee1.fl_str_mv |
Soares, Alexandre Sebastião Ferrari |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/2323106437650213 |
dc.contributor.referee2.fl_str_mv |
Witzel, Denise Gabriel |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/2281147550095036 |
dc.contributor.referee3.fl_str_mv |
Moreira, Raquel Ribeiro |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/1399860481816969 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5968613701937843 |
dc.contributor.author.fl_str_mv |
Zanella, Fábio Lúcio |
contributor_str_mv |
Soares, Alexandre Sebastião Ferrari Soares, Alexandre Sebastião Ferrari Witzel, Denise Gabriel Moreira, Raquel Ribeiro |
dc.subject.por.fl_str_mv |
Análise do Discurso francesa Queermuseu Comentários e discursos digitais |
topic |
Análise do Discurso francesa Queermuseu Comentários e discursos digitais French Discourse Analysis Queermuseu Digital comments and discourses CIENCIAS HUMANAS |
dc.subject.eng.fl_str_mv |
French Discourse Analysis Queermuseu Digital comments and discourses |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS |
description |
The present study develops Discourse Analysis on the discourses and senses that circulated in the comments produced from the Queermuseu art exhibition that was held in Porto Alegre, RS, in 2017. The works in the exhibition referred to the discourses about the sexuality and religion, thus, it generated great repercussion in the media polemicizing the issue. Then Santander Bank, sponsor of the event, decided to close the exhibition on September 10, 2017 and made an explanatory note on the social network Facebook. With this publication, the Internet users made comments about the event and, in less than two days, there were more than 1,000 comments, reaching 30,000 comments published. Thus, this research aims to verify the discursive functioning of the comments linked to the note published by Santander that communicated the closing of the exhibition Queermuseu. To delimit the analysis, the first 1000 comments, published between September 10 and 11, 2017, were observed, and the twenty that had the most likes by Facebook users were selected. The theoretical basis and methodology are based on the French Orientation Discourse Analysis developed by Michel Pêcheux. In this theoretical field, it is studied how the discourses are put into circulation and how they work generating an effect of meaning for the subject, in addition, it deals with the functioning of ideological crossings and discursive regularities inserted in the discourses. With the realization, it was noticed the mobilization of several discursive formations that interwoven in the discursivization of comments show the regularity of the discourses and the positions in relation to the Queermuseu based on constituted memories (discursive, institutionalized and metallic). In cyberspace, circulation produces constant displacements and updates for Internet users, functioning as a space of plurality of opinions and effects of meaning from a metallic memory with a multiplicity of voices. With the study, it was noticed that there are interdictions about says in favor of the Queermuseu. The comments show the subject position through social networks, mainly by conservative segments, it is observed that there is a polarization effect potentiated by cyberspace because the subject can have the impression that there is a collective taking a position based on yourself discursive formation. |
publishDate |
2020 |
dc.date.accessioned.fl_str_mv |
2020-03-02T14:50:35Z |
dc.date.issued.fl_str_mv |
2020-02-14 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
ZANELLA, Fábio Lúcio. Queermuseu: Discursos e Sentidos em Exposição. 2020. 144 f. Dissertação( Mestrado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel PR. |
dc.identifier.uri.fl_str_mv |
http://tede.unioeste.br/handle/tede/4737 |
identifier_str_mv |
ZANELLA, Fábio Lúcio. Queermuseu: Discursos e Sentidos em Exposição. 2020. 144 f. Dissertação( Mestrado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel PR. |
url |
http://tede.unioeste.br/handle/tede/4737 |
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por |
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Universidade Estadual do Oeste do Paraná Cascavel |
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UNIOESTE |
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Brasil |
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Universidade Estadual do Oeste do Paraná Cascavel |
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