UM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAID
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNIOESTE |
Texto Completo: | https://tede.unioeste.br/handle/tede/7264 |
Resumo: | Understanding the significance of contemporary literary studies and their ethical and aesthetic dimensions, this research first highlights the path traced by decolonial feminism in the literary context, shedding light on how the role of women has been shaped under the shadow of oppressions stemming from colonization in Caribbean lands. In a second moment, as the main corpus for discussion, it examines the findings in The autobiography of my mother by Caribbean author Jamaica Kincaid (2020), and reflects on the portrayal of the main character, Xuela Claudette Richardson. This process occurs in the context of European colonial oppression, serving as a social and political critique of the historical silencing of colonial power present in the work. In this regard, we are interested in studies on feminist discussions, based on decolonial feminism and post colonialism, such as those by Françoise Vergès (2021), Djamila Ribeiro (2018), Lélia Gonzalez (2020), Heloisa Buarque de Hollanda (2021), Zilá Bernd (2018), Frantz Fanon (2008), Aimé Césaire (2020), among others, which shed light on the literary analysis of Jamaica Kincaid's work, allowing us to explore beyond Caribbean boundaries. Elements of transculturality, hybridization, alterity, and reactive othering constitute the literary texture of The autobiography of my mother (2020). These elements perform the ethical and poetic literature of the author. They are features found in a significant part of contemporary literature authored by women in the Americas and the Caribbean, as exemplified by Conceição Evaristo, Ana Maria Gonçalves, Djamila Ribeiro, Jarid Arraes, Glória Anzaldua, Maryse Condé, among many others. This research focuses on the process of retaliation narrated in the diegesis and reflects on how the female character is represented, highlighting alternative ways of survival for the Black feminine within the patriarchal system. Contemporary literature and essay production authored by Black women engage in dialogue with the struggles of these women, who face subjugation, particularly due to gender, race, and sexuality issues. In this sense, they represent women as agents of their own history, as they write literature and postcolonial theory. In the reflections and analyses of The autobiography of my mother, we emphasize the aesthetic resources employed by Jamaica Kincaid in the language of the text, which reveal the character Xuela Claudette Richardson, breaking away from a predetermined narrative that portrays her as a passive, submissive, and objectified woman, and showcasing the ethical and aesthetic project of the writer. Finally, this thesis is justified as a study that seeks to understand, analyze, and corroborate with the poetic writing of Jamaica Kincaid within the realm of Caribbean authors who produce their literary narratives in light of the stories of their ancestors and peoples during the period of Caribbean colonization, as exemplified by Dominica, where the studied diegesis unfolds. |
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Alves, Lourdes KaminskiBarzotto, Leoné AstrideCoqueiro, Wilma dos SantosOliveira, Geovana QuinalhaCruz, Antonio Donizeti daLangaro, Cleiser Schenattohttp://lattes.cnpq.br/1191274764237349Souza, Rafael Francisco Neves de2024-06-21T14:35:16Z2024-03-15Souza, Rafael Francisco Neves de. UM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAID. 2024. 155 f. Tese(Doutorado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel.https://tede.unioeste.br/handle/tede/7264Understanding the significance of contemporary literary studies and their ethical and aesthetic dimensions, this research first highlights the path traced by decolonial feminism in the literary context, shedding light on how the role of women has been shaped under the shadow of oppressions stemming from colonization in Caribbean lands. In a second moment, as the main corpus for discussion, it examines the findings in The autobiography of my mother by Caribbean author Jamaica Kincaid (2020), and reflects on the portrayal of the main character, Xuela Claudette Richardson. This process occurs in the context of European colonial oppression, serving as a social and political critique of the historical silencing of colonial power present in the work. In this regard, we are interested in studies on feminist discussions, based on decolonial feminism and post colonialism, such as those by Françoise Vergès (2021), Djamila Ribeiro (2018), Lélia Gonzalez (2020), Heloisa Buarque de Hollanda (2021), Zilá Bernd (2018), Frantz Fanon (2008), Aimé Césaire (2020), among others, which shed light on the literary analysis of Jamaica Kincaid's work, allowing us to explore beyond Caribbean boundaries. Elements of transculturality, hybridization, alterity, and reactive othering constitute the literary texture of The autobiography of my mother (2020). These elements perform the ethical and poetic literature of the author. They are features found in a significant part of contemporary literature authored by women in the Americas and the Caribbean, as exemplified by Conceição Evaristo, Ana Maria Gonçalves, Djamila Ribeiro, Jarid Arraes, Glória Anzaldua, Maryse Condé, among many others. This research focuses on the process of retaliation narrated in the diegesis and reflects on how the female character is represented, highlighting alternative ways of survival for the Black feminine within the patriarchal system. Contemporary literature and essay production authored by Black women engage in dialogue with the struggles of these women, who face subjugation, particularly due to gender, race, and sexuality issues. In this sense, they represent women as agents of their own history, as they write literature and postcolonial theory. In the reflections and analyses of The autobiography of my mother, we emphasize the aesthetic resources employed by Jamaica Kincaid in the language of the text, which reveal the character Xuela Claudette Richardson, breaking away from a predetermined narrative that portrays her as a passive, submissive, and objectified woman, and showcasing the ethical and aesthetic project of the writer. Finally, this thesis is justified as a study that seeks to understand, analyze, and corroborate with the poetic writing of Jamaica Kincaid within the realm of Caribbean authors who produce their literary narratives in light of the stories of their ancestors and peoples during the period of Caribbean colonization, as exemplified by Dominica, where the studied diegesis unfolds.Ao compreender a importância dos estudos literários contemporâneos e suas dimensões éticas e estéticas, esta pesquisa aponta, num primeiro momento, o caminho traçado pelo feminismo decolonial no âmbito literário e como o papel da mulher tem sido moldado à sombra das opressões oriundas da colonização em terras caribenhas. Dito isso, em um segundo momento, como corpus principal para discussão, aponta os achados em A autobiografia da minha mãe da caribenha Jamaica Kincaid (2020), e reflete sobre o modo como a personagem principal da obra, Xuela Claudette Richardson, é representada pela autora. Esse processo se dá à luz da opressão colonizadora europeia, como uma crítica social e política ao silenciamento histórico da colonialidade de poder presente na obra. Nesse sentido, interessam-nos estudos sobre os movimentos acerca da discussão feminista, tendo como base o feminismo decolonial e o pós-colonialismo a exemplo de: Françoise Vergès (2021), Djamila Ribeiro (2018), Lélia Gonzalez (2020), Heloisa Buarque de Hollanda (2021), Zilá Bernd (2018), Frantz Fanon (2008), Aimé Césare (2020), dentre outras/os autoras/es que iluminam a análise literária da obra de Jamaica Kincaid, permitindo-nos uma leitura que ultrapassa as fronteiras caribenhas. Elementos de transculturalidade, hibridizações, alteridade e outrização reativa configuram a tessitura literária de A autobiografia da minha mãe (2020). Esses elementos performam a literatura ética e poética da autora. São traços encontrados em grande parte da literatura contemporânea de autoria feminina nas Américas e no Caribe, a exemplo de Conceição Evaristo, Ana Maria Gonçalves, Djamila Ribeiro, Jarid Arraes, Glória Anzaldua, Maryse Condé, dentre tantas outras. Esta pesquisa se volta para o processo de revide narrado na diegese e reflete como a personagem feminina é representada, evidenciando alternativas de sobrevivência do feminino negro diante do sistema patriarcal. A literatura contemporânea e a produção ensaística de autoria feminina negra dialogam com as lutas dessas mulheres que se encontram em uma esfera de subjugação, principalmente, por questões de gênero, raça e sexualidade. Neste sentido, representam a mulher enquanto agente da sua própria história, na medida em que estas escrevem literatura e teoria pós-colonial. Nas reflexões e análises de A autobiografia da minha mãe, destacamos os recursos estéticos empregados por Jamaica Kincaid no plano da linguagem do texto que evidenciam a personagem Xuela Claudette Richardson, rompendo com uma narrativa predestinada a ela, como uma mulher passiva, submissa e objetificada e demonstram o projeto ético e estético da escritora. Por fim, esta tese se justifica como um estudo que busca compreender, analisar e corroborar com a escrita poética de Jamaica Kincaid dentro do hall de autoras caribenhas que produzem suas narrativas literárias à luz das histórias de seus ancestrais e dos povos durante o período de colonização caribenha a exemplo de Dominica, onde se constrói a diegese aqui estudada.Submitted by Edineia Teixeira (edineia.teixeira@unioeste.br) on 2024-06-21T14:35:16Z No. of bitstreams: 1 RAFAEL FRANCISCO NEVES DE SOUZA.pdf: 2622173 bytes, checksum: 8ba29a23b213d72483b238187f639ea5 (MD5)Made available in DSpace on 2024-06-21T14:35:16Z (GMT). No. of bitstreams: 1 RAFAEL FRANCISCO NEVES DE SOUZA.pdf: 2622173 bytes, checksum: 8ba29a23b213d72483b238187f639ea5 (MD5) Previous issue date: 2024-03-15application/pdfpor6588633818200016417500Universidade Estadual do Oeste do ParanáCascavelPrograma de Pós-Graduação em LetrasUNIOESTEBrasilCentro de Educação, Comunicação e Arteshttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessPersonagem femininaPós-colonialismoQuestões de gêneroJamaica KincaidA autobiografia da minha mãeFemale CharacterPost-colonialismJamaica KincaidGender issuesThe autobiography of my mother.EDUCAÇÃOUM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAIDBODY, FROM THE SEA TO THE MOUNTAINS: GENDER ISSUES IN THE AUTOBIOGRAPHY OF MY MOTHER BY JAMAICA KINCAIDinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis84473450707363215696006006678066452762177366reponame:Biblioteca Digital de Teses e Dissertações do UNIOESTEinstname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:UNIOESTEORIGINALRAFAEL FRANCISCO NEVES DE SOUZA.pdfRAFAEL FRANCISCO NEVES DE SOUZA.pdfapplication/pdf2622173http://tede.unioeste.br:8080/tede/bitstream/tede/7264/2/RAFAEL+FRANCISCO+NEVES+DE+SOUZA.pdf8ba29a23b213d72483b238187f639ea5MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://tede.unioeste.br:8080/tede/bitstream/tede/7264/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51tede/72642024-06-21 11:35:16.165oai:tede.unioeste.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede.unioeste.br/PUBhttp://tede.unioeste.br/oai/requestbiblioteca.repositorio@unioeste.bropendoar:2024-06-21T14:35:16Biblioteca Digital de Teses e Dissertações do UNIOESTE - Universidade Estadual do Oeste do Paraná (UNIOESTE)false |
dc.title.por.fl_str_mv |
UM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAID |
dc.title.alternative.eng.fl_str_mv |
BODY, FROM THE SEA TO THE MOUNTAINS: GENDER ISSUES IN THE AUTOBIOGRAPHY OF MY MOTHER BY JAMAICA KINCAID |
title |
UM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAID |
spellingShingle |
UM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAID Souza, Rafael Francisco Neves de Personagem feminina Pós-colonialismo Questões de gênero Jamaica Kincaid A autobiografia da minha mãe Female Character Post-colonialism Jamaica Kincaid Gender issues The autobiography of my mother. EDUCAÇÃO |
title_short |
UM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAID |
title_full |
UM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAID |
title_fullStr |
UM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAID |
title_full_unstemmed |
UM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAID |
title_sort |
UM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAID |
author |
Souza, Rafael Francisco Neves de |
author_facet |
Souza, Rafael Francisco Neves de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Alves, Lourdes Kaminski |
dc.contributor.advisor-co1.fl_str_mv |
Barzotto, Leoné Astride |
dc.contributor.referee1.fl_str_mv |
Coqueiro, Wilma dos Santos |
dc.contributor.referee2.fl_str_mv |
Oliveira, Geovana Quinalha |
dc.contributor.referee3.fl_str_mv |
Cruz, Antonio Donizeti da |
dc.contributor.referee4.fl_str_mv |
Langaro, Cleiser Schenatto |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1191274764237349 |
dc.contributor.author.fl_str_mv |
Souza, Rafael Francisco Neves de |
contributor_str_mv |
Alves, Lourdes Kaminski Barzotto, Leoné Astride Coqueiro, Wilma dos Santos Oliveira, Geovana Quinalha Cruz, Antonio Donizeti da Langaro, Cleiser Schenatto |
dc.subject.por.fl_str_mv |
Personagem feminina Pós-colonialismo Questões de gênero Jamaica Kincaid A autobiografia da minha mãe |
topic |
Personagem feminina Pós-colonialismo Questões de gênero Jamaica Kincaid A autobiografia da minha mãe Female Character Post-colonialism Jamaica Kincaid Gender issues The autobiography of my mother. EDUCAÇÃO |
dc.subject.eng.fl_str_mv |
Female Character Post-colonialism Jamaica Kincaid Gender issues The autobiography of my mother. |
dc.subject.cnpq.fl_str_mv |
EDUCAÇÃO |
description |
Understanding the significance of contemporary literary studies and their ethical and aesthetic dimensions, this research first highlights the path traced by decolonial feminism in the literary context, shedding light on how the role of women has been shaped under the shadow of oppressions stemming from colonization in Caribbean lands. In a second moment, as the main corpus for discussion, it examines the findings in The autobiography of my mother by Caribbean author Jamaica Kincaid (2020), and reflects on the portrayal of the main character, Xuela Claudette Richardson. This process occurs in the context of European colonial oppression, serving as a social and political critique of the historical silencing of colonial power present in the work. In this regard, we are interested in studies on feminist discussions, based on decolonial feminism and post colonialism, such as those by Françoise Vergès (2021), Djamila Ribeiro (2018), Lélia Gonzalez (2020), Heloisa Buarque de Hollanda (2021), Zilá Bernd (2018), Frantz Fanon (2008), Aimé Césaire (2020), among others, which shed light on the literary analysis of Jamaica Kincaid's work, allowing us to explore beyond Caribbean boundaries. Elements of transculturality, hybridization, alterity, and reactive othering constitute the literary texture of The autobiography of my mother (2020). These elements perform the ethical and poetic literature of the author. They are features found in a significant part of contemporary literature authored by women in the Americas and the Caribbean, as exemplified by Conceição Evaristo, Ana Maria Gonçalves, Djamila Ribeiro, Jarid Arraes, Glória Anzaldua, Maryse Condé, among many others. This research focuses on the process of retaliation narrated in the diegesis and reflects on how the female character is represented, highlighting alternative ways of survival for the Black feminine within the patriarchal system. Contemporary literature and essay production authored by Black women engage in dialogue with the struggles of these women, who face subjugation, particularly due to gender, race, and sexuality issues. In this sense, they represent women as agents of their own history, as they write literature and postcolonial theory. In the reflections and analyses of The autobiography of my mother, we emphasize the aesthetic resources employed by Jamaica Kincaid in the language of the text, which reveal the character Xuela Claudette Richardson, breaking away from a predetermined narrative that portrays her as a passive, submissive, and objectified woman, and showcasing the ethical and aesthetic project of the writer. Finally, this thesis is justified as a study that seeks to understand, analyze, and corroborate with the poetic writing of Jamaica Kincaid within the realm of Caribbean authors who produce their literary narratives in light of the stories of their ancestors and peoples during the period of Caribbean colonization, as exemplified by Dominica, where the studied diegesis unfolds. |
publishDate |
2024 |
dc.date.accessioned.fl_str_mv |
2024-06-21T14:35:16Z |
dc.date.issued.fl_str_mv |
2024-03-15 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Souza, Rafael Francisco Neves de. UM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAID. 2024. 155 f. Tese(Doutorado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel. |
dc.identifier.uri.fl_str_mv |
https://tede.unioeste.br/handle/tede/7264 |
identifier_str_mv |
Souza, Rafael Francisco Neves de. UM CORPO, DO MAR ÀS MONTANHAS: QUESTÕES DE GÊNERO EM A AUTOBIOGRAFIA DA MINHA MÃE, DE JAMAICA KINCAID. 2024. 155 f. Tese(Doutorado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel. |
url |
https://tede.unioeste.br/handle/tede/7264 |
dc.language.iso.fl_str_mv |
por |
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por |
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8447345070736321569 |
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600 600 |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual do Oeste do Paraná Cascavel |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação em Letras |
dc.publisher.initials.fl_str_mv |
UNIOESTE |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Centro de Educação, Comunicação e Artes |
publisher.none.fl_str_mv |
Universidade Estadual do Oeste do Paraná Cascavel |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações do UNIOESTE instname:Universidade Estadual do Oeste do Paraná (UNIOESTE) instacron:UNIOESTE |
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Universidade Estadual do Oeste do Paraná (UNIOESTE) |
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UNIOESTE |
institution |
UNIOESTE |
reponame_str |
Biblioteca Digital de Teses e Dissertações do UNIOESTE |
collection |
Biblioteca Digital de Teses e Dissertações do UNIOESTE |
bitstream.url.fl_str_mv |
http://tede.unioeste.br:8080/tede/bitstream/tede/7264/2/RAFAEL+FRANCISCO+NEVES+DE+SOUZA.pdf http://tede.unioeste.br:8080/tede/bitstream/tede/7264/1/license.txt |
bitstream.checksum.fl_str_mv |
8ba29a23b213d72483b238187f639ea5 bd3efa91386c1718a7f26a329fdcb468 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações do UNIOESTE - Universidade Estadual do Oeste do Paraná (UNIOESTE) |
repository.mail.fl_str_mv |
biblioteca.repositorio@unioeste.br |
_version_ |
1811723323812347904 |