Poéticas de tempo-espaço: imagens em Nadja e La invención de Morel
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNIOESTE |
Texto Completo: | http://tede.unioeste.br/handle/tede/3432 |
Resumo: | Who am I? The initial question from the novel, set in Paris, Nadja (1928) express well one of the main concerns of the following work, that sets in relationship the novel from the surrealist Andre Breton and La invención de Morel (1940) by Adolfo Bioy Casares, a narrative that takes place on an island. A connection that is done primarily by the observation of a series of interweaving between male and female, the triggers set by one when in touch with the other: by one side Nadja and Breton – character from the novel; from the other side, Faustine and the anonymous island inhabitant. Therefore, the following directions includes a brief contextualization about the novels century, pointing out some important aspects for the understanding of the novels as a result of a certain specific time in history that do not limit them, but with which the works dialogue; a study of the theories that sustain the present analysis and, ultimately, the intersection of the novels in the perspective of comparative studies, observing aspects of similarity and difference. For doing it, some authors and sources were fundamental, such as Jozef (1974, 2005); Komosinski (2001); Fuentes (1976); Breton (1924, 2007); Gombrich (1988); Deleuse & Guattari (1995-1997); Bachelard (1978-1998); Batchelor (1998), Fer (1998), Nichols (2001), Jung (1964-2008), Willer (2007-2016), Freitas (2006), Lispector (1998), Jaffé (1964), Franz (1964), Nietzsche (2002), Willer (2007-2016), Durand (2012) and Zourabichvili (2004). |
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Martins, Zeloi Aparecidahttp://lattes.cnpq.br/4062798556830780Demétrio, Silvio Ricardohttp://lattes.cnpq.br/3745952640622234Cruz, Antonio Donizeti dahttp://lattes.cnpq.br/9408709557013563Kuiava, Joséhttp://lattes.cnpq.br/5505095957366212http://lattes.cnpq.br/5090911761495661Witzel, Ludmilla Kujat2018-02-26T20:00:32Z2017-09-01WITZEL, Ludmilla Kujat. Poéticas de tempo-espaço: imagens em Nadja e La invención de Morel. 2017. 143 f. Dissertação (Mestrado - Programa de Pós-Graduação em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel, 2017.http://tede.unioeste.br/handle/tede/3432Who am I? The initial question from the novel, set in Paris, Nadja (1928) express well one of the main concerns of the following work, that sets in relationship the novel from the surrealist Andre Breton and La invención de Morel (1940) by Adolfo Bioy Casares, a narrative that takes place on an island. A connection that is done primarily by the observation of a series of interweaving between male and female, the triggers set by one when in touch with the other: by one side Nadja and Breton – character from the novel; from the other side, Faustine and the anonymous island inhabitant. Therefore, the following directions includes a brief contextualization about the novels century, pointing out some important aspects for the understanding of the novels as a result of a certain specific time in history that do not limit them, but with which the works dialogue; a study of the theories that sustain the present analysis and, ultimately, the intersection of the novels in the perspective of comparative studies, observing aspects of similarity and difference. For doing it, some authors and sources were fundamental, such as Jozef (1974, 2005); Komosinski (2001); Fuentes (1976); Breton (1924, 2007); Gombrich (1988); Deleuse & Guattari (1995-1997); Bachelard (1978-1998); Batchelor (1998), Fer (1998), Nichols (2001), Jung (1964-2008), Willer (2007-2016), Freitas (2006), Lispector (1998), Jaffé (1964), Franz (1964), Nietzsche (2002), Willer (2007-2016), Durand (2012) and Zourabichvili (2004).Quem sou? O questionamento inaugural do romance, cujo cenário é a cidade de Paris, Nadja (1928) expressa bem uma das principais preocupações do trabalho realizado a seguir que tem como base a relação entre essa obra do surrealista Andre Breton e La invención de Morel (1940) de Adolfo Bioy Casares, a qual tem como cenário uma ilha. Conexão que se forja principalmente a partir da observação dos imbricamentos entre masculino e feminino, os gatilhos acionados por este quando do encontro com aquele: De um lado Nadja e Breton – personagem do romance; de outro, Faustine e o anônimo habitante da ilha. Para tanto, as direções seguidas compreendem uma breve contextualização do século no qual as obras se inserem apontando questões relevantes para sua compreensão enquanto resultado de um momento histórico específico que não as limita, mas com o qual elas dialogam; um estudo das teorias que amparam a análise e por fim, a interlocução na perspectiva comparada entre os romances, observando proximidades e distanciamentos. Para tanto, foram fundamentais os autores a seguir: Jozef (1974, 2005); Komosinski (2001); Fuentes (1976); Breton (1924, 2007); Gombrich (1988); Deleuse & Guattari (1995-1997); Bachelard (1978-1998); Batchelor (1998), Fer (1998), Nichols (2001), Jung (1964-2008), Willer (2007-2016), Freitas (2006), Lispector (1998), Jaffé (1964), Franz (1964), Nietzsche (2002), Willer (2007-2016), Durand (2012), e por fim, Zourabichvili (2004).Submitted by Neusa Fagundes (neusa.fagundes@unioeste.br) on 2018-02-26T20:00:32Z No. of bitstreams: 2 Ludmilla_Witzel2017.pdf: 2931742 bytes, checksum: ca03cfe2a26a94c407a3428a013ade62 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-02-26T20:00:32Z (GMT). No. of bitstreams: 2 Ludmilla_Witzel2017.pdf: 2931742 bytes, checksum: ca03cfe2a26a94c407a3428a013ade62 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-09-01Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfpor6588633818200016417500Universidade Estadual do Oeste do ParanáCascavelPrograma de Pós-Graduação em LetrasUNIOESTEBrasilCentro de Educação, Comunicação e Arteshttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessPersonagensSimbólicoTarôIndividuaçãoDevirCharactersSimbolicTarotIndividuationBecomingLINGUISTICA::FISIOLOGIA DA LINGUAGEMPoéticas de tempo-espaço: imagens em Nadja e La invención de MorelThe poetics of space-time: Nadja and La invención de Morel imagesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis84473450707363215696006006006006678066452762177366-2650273803474695122075167498588264571reponame:Biblioteca Digital de Teses e Dissertações do UNIOESTEinstname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:UNIOESTEORIGINALLudmilla_Witzel2017.pdfLudmilla_Witzel2017.pdfapplication/pdf2931742http://tede.unioeste.br:8080/tede/bitstream/tede/3432/5/Ludmilla_Witzel2017.pdfca03cfe2a26a94c407a3428a013ade62MD55CC-LICENSElicense_urllicense_urltext/plain; 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dc.title.por.fl_str_mv |
Poéticas de tempo-espaço: imagens em Nadja e La invención de Morel |
dc.title.alternative.eng.fl_str_mv |
The poetics of space-time: Nadja and La invención de Morel images |
title |
Poéticas de tempo-espaço: imagens em Nadja e La invención de Morel |
spellingShingle |
Poéticas de tempo-espaço: imagens em Nadja e La invención de Morel Witzel, Ludmilla Kujat Personagens Simbólico Tarô Individuação Devir Characters Simbolic Tarot Individuation Becoming LINGUISTICA::FISIOLOGIA DA LINGUAGEM |
title_short |
Poéticas de tempo-espaço: imagens em Nadja e La invención de Morel |
title_full |
Poéticas de tempo-espaço: imagens em Nadja e La invención de Morel |
title_fullStr |
Poéticas de tempo-espaço: imagens em Nadja e La invención de Morel |
title_full_unstemmed |
Poéticas de tempo-espaço: imagens em Nadja e La invención de Morel |
title_sort |
Poéticas de tempo-espaço: imagens em Nadja e La invención de Morel |
author |
Witzel, Ludmilla Kujat |
author_facet |
Witzel, Ludmilla Kujat |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Martins, Zeloi Aparecida |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4062798556830780 |
dc.contributor.referee1.fl_str_mv |
Demétrio, Silvio Ricardo |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/3745952640622234 |
dc.contributor.referee2.fl_str_mv |
Cruz, Antonio Donizeti da |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/9408709557013563 |
dc.contributor.referee3.fl_str_mv |
Kuiava, José |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/5505095957366212 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5090911761495661 |
dc.contributor.author.fl_str_mv |
Witzel, Ludmilla Kujat |
contributor_str_mv |
Martins, Zeloi Aparecida Demétrio, Silvio Ricardo Cruz, Antonio Donizeti da Kuiava, José |
dc.subject.por.fl_str_mv |
Personagens Simbólico Tarô Individuação Devir |
topic |
Personagens Simbólico Tarô Individuação Devir Characters Simbolic Tarot Individuation Becoming LINGUISTICA::FISIOLOGIA DA LINGUAGEM |
dc.subject.eng.fl_str_mv |
Characters Simbolic Tarot Individuation Becoming |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA::FISIOLOGIA DA LINGUAGEM |
description |
Who am I? The initial question from the novel, set in Paris, Nadja (1928) express well one of the main concerns of the following work, that sets in relationship the novel from the surrealist Andre Breton and La invención de Morel (1940) by Adolfo Bioy Casares, a narrative that takes place on an island. A connection that is done primarily by the observation of a series of interweaving between male and female, the triggers set by one when in touch with the other: by one side Nadja and Breton – character from the novel; from the other side, Faustine and the anonymous island inhabitant. Therefore, the following directions includes a brief contextualization about the novels century, pointing out some important aspects for the understanding of the novels as a result of a certain specific time in history that do not limit them, but with which the works dialogue; a study of the theories that sustain the present analysis and, ultimately, the intersection of the novels in the perspective of comparative studies, observing aspects of similarity and difference. For doing it, some authors and sources were fundamental, such as Jozef (1974, 2005); Komosinski (2001); Fuentes (1976); Breton (1924, 2007); Gombrich (1988); Deleuse & Guattari (1995-1997); Bachelard (1978-1998); Batchelor (1998), Fer (1998), Nichols (2001), Jung (1964-2008), Willer (2007-2016), Freitas (2006), Lispector (1998), Jaffé (1964), Franz (1964), Nietzsche (2002), Willer (2007-2016), Durand (2012) and Zourabichvili (2004). |
publishDate |
2017 |
dc.date.issued.fl_str_mv |
2017-09-01 |
dc.date.accessioned.fl_str_mv |
2018-02-26T20:00:32Z |
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info:eu-repo/semantics/masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
WITZEL, Ludmilla Kujat. Poéticas de tempo-espaço: imagens em Nadja e La invención de Morel. 2017. 143 f. Dissertação (Mestrado - Programa de Pós-Graduação em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel, 2017. |
dc.identifier.uri.fl_str_mv |
http://tede.unioeste.br/handle/tede/3432 |
identifier_str_mv |
WITZEL, Ludmilla Kujat. Poéticas de tempo-espaço: imagens em Nadja e La invención de Morel. 2017. 143 f. Dissertação (Mestrado - Programa de Pós-Graduação em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel, 2017. |
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Universidade Estadual do Oeste do Paraná Cascavel |
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