Avalovara, dizziness and technological mediations

• Autor(a) principal: Marisco, Nelson Nemo Franchini
• Data de Publicação: 2012
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Signo (Santa Cruz do Sul. Online)
• Texto Completo: https://online.unisc.br/seer/index.php/signo/article/view/2858

The article examines the work Avalovara, Osman Lins, under the influence of technological mediation, as an interface using the work of Leny André da Silva Gomes and Luis M. da Silveira, entitled NETWORK IN THE AIR - The invisible threads of oppression in Avalovara. The work, published in 1973, is an adventure semiotics of language. In hypertext Leny and Andrew Silveira Gomes could envisage a mixture of signs from different backgrounds, like the newspaper, the written word, photographs and different diagramming as it portrays the phrase canon of work under review: AREPO tenet opera sator routes. About the influence of concepts such as language, mediation, interface and post-modern subject, uses the work of Lucia Santaella to explain the possible forms of mediation and possible hybridization in postmodernity. The 'face' text that reading the work of Osman Lins, Avalovara, which provides Lucia Pereira called "Vertigo Effect" found (her) in the short stories of Machado de Assis. Clearly the "desacomodação" Which brings us to read Avalovara. The question that we must ask is: how can we insert Cecilia, Abel, Roos, characters of the work, the 'technological revolution' we're currently experiencing? Avalovara may be an example of 'techno'?