“Brasil” e Vale tudo: o país da canção no Brasil da novela
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Signo (Santa Cruz do Sul. Online) |
Texto Completo: | https://online.unisc.br/seer/index.php/signo/article/view/17282 |
Resumo: | The song “Brasil” by Cazuza, released on the famous album Ideologia in 1988, had a interpretation by Gal Costa, specially prepared for the opening of the soap opera Vale tudo, by Gilberto Braga, Aguinaldo Silva and Leonor Bassères, which premiered in the same year. The song and the soap opera, that, deliberately and deeply thematized the country, established an intertextual and intermedia relationship with each other, so that Cazuza's “Brazil” started to illuminate the universe of Vale tudo and, in the same way, the country of the soap opera started to reverberate also in the senses of the song. The objective of this article is to analyze this reciprocity circuit of forms and meanings, as well as its effects for the representation of Brazilianness that they made at that moment of the country. |
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“Brasil” e Vale tudo: o país da canção no Brasil da novelaCazuzaVale tudoBrazilpopular songteledramaturgyCazuzaVale tudoBrasilcanção popularteledramaturgiaThe song “Brasil” by Cazuza, released on the famous album Ideologia in 1988, had a interpretation by Gal Costa, specially prepared for the opening of the soap opera Vale tudo, by Gilberto Braga, Aguinaldo Silva and Leonor Bassères, which premiered in the same year. The song and the soap opera, that, deliberately and deeply thematized the country, established an intertextual and intermedia relationship with each other, so that Cazuza's “Brazil” started to illuminate the universe of Vale tudo and, in the same way, the country of the soap opera started to reverberate also in the senses of the song. The objective of this article is to analyze this reciprocity circuit of forms and meanings, as well as its effects for the representation of Brazilianness that they made at that moment of the country.A canção “Brasil” de Cazuza, lançada no disco Ideologia de 1988, ganhou uma interpretação de Gal Costa, especialmente elaborada para a abertura da novela Vale tudo, de Gilberto Braga, Aguinaldo Silva e Leonor Bassères, que estreou no mesmo ano. A canção e a novela, que tematizaram, deliberada e profundamente, o país, estabeleceram entre si uma relação intertextual e intermidiática, de modo que o “Brasil” de Cazuza passou a iluminar o universo de Vale tudo e, do mesmo modo, o país da novela passou a repercutir também nos sentidos da canção. O objetivo do presente artigo é analisar esse circuito de reciprocidade de formas e sentidos, e também seus efeitos para a representação da brasilidade naquele momento do país.Edunisc2022-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://online.unisc.br/seer/index.php/signo/article/view/1728210.17058/signo.v47i89.17282Signo; v. 47 n. 89 (2022): Dossiê Diálogos transdisciplinares entre literatura e música; 122-1341982-2014reponame:Signo (Santa Cruz do Sul. Online)instname:Universidade de Santa Cruz do Sul (UNISC)instacron:UNISCporhttps://online.unisc.br/seer/index.php/signo/article/view/17282/10552Copyright (c) 2022 Signoinfo:eu-repo/semantics/openAccessJulião, Rafael BarbosaMatos, Cecilia Rebelo de Oliveira 2022-06-30T14:17:56Zoai:ojs.online.unisc.br:article/17282Revistahttp://online.unisc.br/seer/index.php/signohttp://online.unisc.br/seer/index.php/signo/oairgabriel@unisc.br||revistasigno.unisc@gmail.com1982-20140101-1812opendoar:2022-06-30T14:17:56Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC)false |
dc.title.none.fl_str_mv |
“Brasil” e Vale tudo: o país da canção no Brasil da novela |
title |
“Brasil” e Vale tudo: o país da canção no Brasil da novela |
spellingShingle |
“Brasil” e Vale tudo: o país da canção no Brasil da novela Julião, Rafael Barbosa Cazuza Vale tudo Brazil popular song teledramaturgy Cazuza Vale tudo Brasil canção popular teledramaturgia |
title_short |
“Brasil” e Vale tudo: o país da canção no Brasil da novela |
title_full |
“Brasil” e Vale tudo: o país da canção no Brasil da novela |
title_fullStr |
“Brasil” e Vale tudo: o país da canção no Brasil da novela |
title_full_unstemmed |
“Brasil” e Vale tudo: o país da canção no Brasil da novela |
title_sort |
“Brasil” e Vale tudo: o país da canção no Brasil da novela |
author |
Julião, Rafael Barbosa |
author_facet |
Julião, Rafael Barbosa Matos, Cecilia Rebelo de Oliveira |
author_role |
author |
author2 |
Matos, Cecilia Rebelo de Oliveira |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Julião, Rafael Barbosa Matos, Cecilia Rebelo de Oliveira |
dc.subject.por.fl_str_mv |
Cazuza Vale tudo Brazil popular song teledramaturgy Cazuza Vale tudo Brasil canção popular teledramaturgia |
topic |
Cazuza Vale tudo Brazil popular song teledramaturgy Cazuza Vale tudo Brasil canção popular teledramaturgia |
description |
The song “Brasil” by Cazuza, released on the famous album Ideologia in 1988, had a interpretation by Gal Costa, specially prepared for the opening of the soap opera Vale tudo, by Gilberto Braga, Aguinaldo Silva and Leonor Bassères, which premiered in the same year. The song and the soap opera, that, deliberately and deeply thematized the country, established an intertextual and intermedia relationship with each other, so that Cazuza's “Brazil” started to illuminate the universe of Vale tudo and, in the same way, the country of the soap opera started to reverberate also in the senses of the song. The objective of this article is to analyze this reciprocity circuit of forms and meanings, as well as its effects for the representation of Brazilianness that they made at that moment of the country. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-06-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://online.unisc.br/seer/index.php/signo/article/view/17282 10.17058/signo.v47i89.17282 |
url |
https://online.unisc.br/seer/index.php/signo/article/view/17282 |
identifier_str_mv |
10.17058/signo.v47i89.17282 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://online.unisc.br/seer/index.php/signo/article/view/17282/10552 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Signo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Signo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Edunisc |
publisher.none.fl_str_mv |
Edunisc |
dc.source.none.fl_str_mv |
Signo; v. 47 n. 89 (2022): Dossiê Diálogos transdisciplinares entre literatura e música; 122-134 1982-2014 reponame:Signo (Santa Cruz do Sul. Online) instname:Universidade de Santa Cruz do Sul (UNISC) instacron:UNISC |
instname_str |
Universidade de Santa Cruz do Sul (UNISC) |
instacron_str |
UNISC |
institution |
UNISC |
reponame_str |
Signo (Santa Cruz do Sul. Online) |
collection |
Signo (Santa Cruz do Sul. Online) |
repository.name.fl_str_mv |
Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC) |
repository.mail.fl_str_mv |
rgabriel@unisc.br||revistasigno.unisc@gmail.com |
_version_ |
1800218792698052608 |