Cultural hibrity on urban space: the São Paulo of Luiz Ruffato

• Autor(a) principal: Zamberlan, Lucas da Cunha
• Data de Publicação: 2015
• Outros Autores: Vieira, André Soares
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Signo (Santa Cruz do Sul. Online)
• Texto Completo: https://online.unisc.br/seer/index.php/signo/article/view/5924
• topic: Hibridismo. São Paulo. Luiz Ruffato. Eles eram muitos cavalos.; Hybridity. São Paulo. Luiz Ruffato. Eles eram muitos cavalos.

This article aims to reflect about the discursive mechanisms of the novel Eleserammuitoscavalos, by Luiz Ruffato, showing the sociocultural phenomenon of hybridity as a key element in the composition of urban space of São Paulo.In order to reach our goal, we suited the study to the following methodological parameters: a) accurate analysis of aesthetic resources manipulated by the author in order to understand how certain themes so relevant to debate the social weltgefuehl of Latin-America, are consolidated to framework of the novel; b) comprehension of hybridity as a key concept in the configuration of both interpersonal relationships between inhabitants of metropolis, and the organization of fragments, giving unity to the narrative; c) literary criticism from literature theory and sociology in attempt to promote dialogue of the spheres of knowledge that support this scientific research.To achieve our hypotheses, findings and questions, we constructed a theoretical framework that Canclini (2013), Calvino (2010), Bauman (2001), (2009), Canevacci (1996), Bakhtin (2012), Giddens (2008), Landowski (2002), among others. From analyzed constituents, we conclude that socio-cultural hybridity that compose the setting of large Latin American cities is consistent with experimentation of the novel forms, pointing a path where multiplicity and heterogeneity play a key role.