Samba and literature: the rhythms of Ismael Silva in the novel Desde que o samba é samba (2012), by Paulo Lins
Autor(a) principal: | |
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Data de Publicação: | 2022 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Signo (Santa Cruz do Sul. Online) |
Texto Completo: | https://online.unisc.br/seer/index.php/signo/article/view/17338 |
Resumo: | This article proposes a comparative study between the novel Desde que samba é samba (2012), by Paulo Lins, and lyrics by the sambista Ismael Silva, created while the narrative takes place, mainly, in Rio de Janeiro from the early twentieth century. In this manner, a brief contextualization will be made about the history and development of samba, seeking to identify references and similarities between the fictional text and historical facts, from reading of authors such as Lira Neto (2017), Tinhorão (1998), Luiz Antonio Simas and Nei Lopes (2020). The literary project of Paulo Lins for this novel will also be investigated, taking as a starting point, theoretical perspectives by Jacques Rancière (2005) to analyze how Lins fictionalizes the real, aiming to question the official history and to give birth to issues of appreciation from African-Brazilian communities in the formation of Brazil. At last, some lyrics by Ismael Silva will be analyzed to demonstrate how Ismael's samba and Lins' novel express important themes, experiences, historical and social issues in the processes of cultural formation in Brazil. |
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Samba and literature: the rhythms of Ismael Silva in the novel Desde que o samba é samba (2012), by Paulo LinsSamba e literatura: os ritmos de Ismael Silva no romance Desde que o samba é samba (2012), de Paulo LinsLiteratureSambaPaulo LinsIsmael SilvaLiteraturaSambaPaulo LinsIsmael SilvaThis article proposes a comparative study between the novel Desde que samba é samba (2012), by Paulo Lins, and lyrics by the sambista Ismael Silva, created while the narrative takes place, mainly, in Rio de Janeiro from the early twentieth century. In this manner, a brief contextualization will be made about the history and development of samba, seeking to identify references and similarities between the fictional text and historical facts, from reading of authors such as Lira Neto (2017), Tinhorão (1998), Luiz Antonio Simas and Nei Lopes (2020). The literary project of Paulo Lins for this novel will also be investigated, taking as a starting point, theoretical perspectives by Jacques Rancière (2005) to analyze how Lins fictionalizes the real, aiming to question the official history and to give birth to issues of appreciation from African-Brazilian communities in the formation of Brazil. At last, some lyrics by Ismael Silva will be analyzed to demonstrate how Ismael's samba and Lins' novel express important themes, experiences, historical and social issues in the processes of cultural formation in Brazil.Este artigo propõe um estudo comparativo entre o romance Desde que o samba é samba (2012), de Paulo Lins, e composições do sambista Ismael Silva, criadas na mesma época em que a narrativa se ambienta, mais especificamente, no Rio de Janeiro do início do século XX. Para isso, apresenta-se uma breve contextualização sobre história e desenvolvimento do samba, buscando identificar referências e semelhanças entre texto ficcional e fatos históricos, a partir da leitura de autores como Lira Neto (2017), Tinhorão (1998), Luiz Antonio Simas e Nei Lopes (2020). Também se investiga o projeto literário de Paulo Lins para esse romance, tomando-se como ponto de partida perspectivas teóricas de Jacques Rancière (2005) para analisar como Lins ficcionaliza o real, visando a questionar a história oficial e a dar luz a questões de valorização das comunidades afro-brasileiras na formação do Brasil. Por fim, analisam-se algumas letras de Ismael Silva para demonstrar como o samba de Ismael e o romance de Lins expressam temáticas, vivências e questões histórico-sociais importantes nos processos de formação cultural do Brasil.Edunisc2022-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://online.unisc.br/seer/index.php/signo/article/view/1733810.17058/signo.v47i89.17338Signo; v. 47 n. 89 (2022): Dossiê Diálogos transdisciplinares entre literatura e música; 12-201982-2014reponame:Signo (Santa Cruz do Sul. Online)instname:Universidade de Santa Cruz do Sul (UNISC)instacron:UNISCporhttps://online.unisc.br/seer/index.php/signo/article/view/17338/10555Copyright (c) 2022 Signoinfo:eu-repo/semantics/openAccessCoelho, JoanaXavier, Joelma2022-06-30T14:17:56Zoai:ojs.online.unisc.br:article/17338Revistahttp://online.unisc.br/seer/index.php/signohttp://online.unisc.br/seer/index.php/signo/oairgabriel@unisc.br||revistasigno.unisc@gmail.com1982-20140101-1812opendoar:2022-06-30T14:17:56Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC)false |
dc.title.none.fl_str_mv |
Samba and literature: the rhythms of Ismael Silva in the novel Desde que o samba é samba (2012), by Paulo Lins Samba e literatura: os ritmos de Ismael Silva no romance Desde que o samba é samba (2012), de Paulo Lins |
title |
Samba and literature: the rhythms of Ismael Silva in the novel Desde que o samba é samba (2012), by Paulo Lins |
spellingShingle |
Samba and literature: the rhythms of Ismael Silva in the novel Desde que o samba é samba (2012), by Paulo Lins Coelho, Joana Literature Samba Paulo Lins Ismael Silva Literatura Samba Paulo Lins Ismael Silva |
title_short |
Samba and literature: the rhythms of Ismael Silva in the novel Desde que o samba é samba (2012), by Paulo Lins |
title_full |
Samba and literature: the rhythms of Ismael Silva in the novel Desde que o samba é samba (2012), by Paulo Lins |
title_fullStr |
Samba and literature: the rhythms of Ismael Silva in the novel Desde que o samba é samba (2012), by Paulo Lins |
title_full_unstemmed |
Samba and literature: the rhythms of Ismael Silva in the novel Desde que o samba é samba (2012), by Paulo Lins |
title_sort |
Samba and literature: the rhythms of Ismael Silva in the novel Desde que o samba é samba (2012), by Paulo Lins |
author |
Coelho, Joana |
author_facet |
Coelho, Joana Xavier, Joelma |
author_role |
author |
author2 |
Xavier, Joelma |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Coelho, Joana Xavier, Joelma |
dc.subject.por.fl_str_mv |
Literature Samba Paulo Lins Ismael Silva Literatura Samba Paulo Lins Ismael Silva |
topic |
Literature Samba Paulo Lins Ismael Silva Literatura Samba Paulo Lins Ismael Silva |
description |
This article proposes a comparative study between the novel Desde que samba é samba (2012), by Paulo Lins, and lyrics by the sambista Ismael Silva, created while the narrative takes place, mainly, in Rio de Janeiro from the early twentieth century. In this manner, a brief contextualization will be made about the history and development of samba, seeking to identify references and similarities between the fictional text and historical facts, from reading of authors such as Lira Neto (2017), Tinhorão (1998), Luiz Antonio Simas and Nei Lopes (2020). The literary project of Paulo Lins for this novel will also be investigated, taking as a starting point, theoretical perspectives by Jacques Rancière (2005) to analyze how Lins fictionalizes the real, aiming to question the official history and to give birth to issues of appreciation from African-Brazilian communities in the formation of Brazil. At last, some lyrics by Ismael Silva will be analyzed to demonstrate how Ismael's samba and Lins' novel express important themes, experiences, historical and social issues in the processes of cultural formation in Brazil. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-06-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://online.unisc.br/seer/index.php/signo/article/view/17338 10.17058/signo.v47i89.17338 |
url |
https://online.unisc.br/seer/index.php/signo/article/view/17338 |
identifier_str_mv |
10.17058/signo.v47i89.17338 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://online.unisc.br/seer/index.php/signo/article/view/17338/10555 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Signo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Signo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Edunisc |
publisher.none.fl_str_mv |
Edunisc |
dc.source.none.fl_str_mv |
Signo; v. 47 n. 89 (2022): Dossiê Diálogos transdisciplinares entre literatura e música; 12-20 1982-2014 reponame:Signo (Santa Cruz do Sul. Online) instname:Universidade de Santa Cruz do Sul (UNISC) instacron:UNISC |
instname_str |
Universidade de Santa Cruz do Sul (UNISC) |
instacron_str |
UNISC |
institution |
UNISC |
reponame_str |
Signo (Santa Cruz do Sul. Online) |
collection |
Signo (Santa Cruz do Sul. Online) |
repository.name.fl_str_mv |
Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC) |
repository.mail.fl_str_mv |
rgabriel@unisc.br||revistasigno.unisc@gmail.com |
_version_ |
1787894846853218304 |