Between tears and blood traces: the pains and anguishes represented for violence against women in olhos d’água of Conceição Evaristo

Detalhes bibliográficos
Autor(a) principal: Paim, Luciane de Lima
Data de Publicação: 2020
Outros Autores: Ferreira, Patrini Viero, Umbach, Rosani Úrsula Ketzer
Tipo de documento: Artigo
Idioma: por
Título da fonte: Signo (Santa Cruz do Sul. Online)
Texto Completo: https://online.unisc.br/seer/index.php/signo/article/view/14360
Resumo: According to the sources current media such as newspapers and social networks on the three days of February 2019, 109 cases of femicide had already been reported in Brazil. Therefore, if patriarchy were still a matter of discussion and doubt for society, with such situations are evident that women are still a group that sees and materializes a woman as an object, never as a subject, thus making us part of minorities excluded by patriarchy. Brazil becomes a way of resistance. This way is capable of taking for all spaces and for all social groups the voice and stories of women who had their lives marked by pain, violence and suffering. Conceição Evaristo, for the most part of his literary collection, makes a point of representing, through her characters, the stories of these women. Thus, the purpose of this study is to identify by what types of physical violence pass the characters presented in Olhos d’agua (2014). Methodologically, excerpts from the narrative were analyzed that reinforce what has already been mentioned by Beauvoir, Butler, Spivak, Bourdie, Scott, Freyre, Tiburi, among others, about violence against women, gender inequality, racial discrimination and patriarchalism, since there is no way to disconnect such purposes from the central purpose. Finally, it is concluded that as in this research the woman is seen as a victim, it is stated that of the characters presented by the author and selected for the study, all suffer some kind of violence
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spelling Between tears and blood traces: the pains and anguishes represented for violence against women in olhos d’água of Conceição EvaristoPor entre lágrimas e rastros de sangue: as dores e angústias representadas pela violência contra a mulher em olhos d’água, de Conceição EvaristoViolence against women. Olhos d’agua. Conceição Evaristo. Brazilian literature.Violência contra a mulher. Olhos d’água. Conceição Evaristo. Contos brasileiros.According to the sources current media such as newspapers and social networks on the three days of February 2019, 109 cases of femicide had already been reported in Brazil. Therefore, if patriarchy were still a matter of discussion and doubt for society, with such situations are evident that women are still a group that sees and materializes a woman as an object, never as a subject, thus making us part of minorities excluded by patriarchy. Brazil becomes a way of resistance. This way is capable of taking for all spaces and for all social groups the voice and stories of women who had their lives marked by pain, violence and suffering. Conceição Evaristo, for the most part of his literary collection, makes a point of representing, through her characters, the stories of these women. Thus, the purpose of this study is to identify by what types of physical violence pass the characters presented in Olhos d’agua (2014). Methodologically, excerpts from the narrative were analyzed that reinforce what has already been mentioned by Beauvoir, Butler, Spivak, Bourdie, Scott, Freyre, Tiburi, among others, about violence against women, gender inequality, racial discrimination and patriarchalism, since there is no way to disconnect such purposes from the central purpose. Finally, it is concluded that as in this research the woman is seen as a victim, it is stated that of the characters presented by the author and selected for the study, all suffer some kind of violenceSegundo as fontes midiáticas atuais, como jornais e redes sociais, aos três dias do mês de fevereiro de 2019, já haviam sido contabilizados 109 casos de feminicídios no Brasil. Nesse sentido, se as mazelas do patriarcado ainda eram motivo de discussões e dúvidas para a sociedade, com tais situações fica evidente que nós mulheres ainda somos reféns de um grupo que vê e materializa a mulher como um objeto, jamais como um sujeito, nos tornando, assim, parte das minorias excluídas pelo patriarcado. Para tanto, relacionar esse tema com a literatura brasileira torna-se uma ferramenta de resistência. Ferramenta essa que é capaz de levar para todos os espaços e para todos os grupos sociais a voz e as histórias de mulheres que tiveram a vida marcada por dor, violência e sofrimento. Conceição Evaristo, em grande parte do seu acervo literário, faz questão de representar, através de suas personagens, as histórias dessas mulheres. Assim, o objetivo desse estudo é identificar por quais tipos de violência física passam as personagens apresentadas em Olhos d’água (2014). Metodologicamente, foram analisados excertos da narrativa que reforçam o que já foi mencionado por Beauvoir, Butler, Spivak, Bourdie, Scott, Freyre, Tiburi, entre outros, sobre violência contra mulher, desigualdade de gênero, discriminações raciais e patriarcalismo, visto que não há como desvincular tais temáticas do tema central. Por fim, conclui-se que como nessa pesquisa a mulher é vista como vítima, afirma-se que das personagens apresentadas pela autora e selecionadas para o estudo, todas sofrem algum tipo de violência.Edunisc2020-01-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://online.unisc.br/seer/index.php/signo/article/view/1436010.17058/signo.v45i82.14360Signo; v. 45 n. 82 (2020); 89-1001982-2014reponame:Signo (Santa Cruz do Sul. Online)instname:Universidade de Santa Cruz do Sul (UNISC)instacron:UNISCporhttps://online.unisc.br/seer/index.php/signo/article/view/14360/pdfCopyright (c) 2020 Signoinfo:eu-repo/semantics/openAccessPaim, Luciane de LimaFerreira, Patrini VieroUmbach, Rosani Úrsula Ketzer2020-04-30T19:04:39Zoai:ojs.online.unisc.br:article/14360Revistahttp://online.unisc.br/seer/index.php/signohttp://online.unisc.br/seer/index.php/signo/oairgabriel@unisc.br||revistasigno.unisc@gmail.com1982-20140101-1812opendoar:2020-04-30T19:04:39Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC)false
dc.title.none.fl_str_mv Between tears and blood traces: the pains and anguishes represented for violence against women in olhos d’água of Conceição Evaristo
Por entre lágrimas e rastros de sangue: as dores e angústias representadas pela violência contra a mulher em olhos d’água, de Conceição Evaristo
title Between tears and blood traces: the pains and anguishes represented for violence against women in olhos d’água of Conceição Evaristo
spellingShingle Between tears and blood traces: the pains and anguishes represented for violence against women in olhos d’água of Conceição Evaristo
Paim, Luciane de Lima
Violence against women. Olhos d’agua. Conceição Evaristo. Brazilian literature.
Violência contra a mulher. Olhos d’água. Conceição Evaristo. Contos brasileiros.
title_short Between tears and blood traces: the pains and anguishes represented for violence against women in olhos d’água of Conceição Evaristo
title_full Between tears and blood traces: the pains and anguishes represented for violence against women in olhos d’água of Conceição Evaristo
title_fullStr Between tears and blood traces: the pains and anguishes represented for violence against women in olhos d’água of Conceição Evaristo
title_full_unstemmed Between tears and blood traces: the pains and anguishes represented for violence against women in olhos d’água of Conceição Evaristo
title_sort Between tears and blood traces: the pains and anguishes represented for violence against women in olhos d’água of Conceição Evaristo
author Paim, Luciane de Lima
author_facet Paim, Luciane de Lima
Ferreira, Patrini Viero
Umbach, Rosani Úrsula Ketzer
author_role author
author2 Ferreira, Patrini Viero
Umbach, Rosani Úrsula Ketzer
author2_role author
author
dc.contributor.author.fl_str_mv Paim, Luciane de Lima
Ferreira, Patrini Viero
Umbach, Rosani Úrsula Ketzer
dc.subject.por.fl_str_mv Violence against women. Olhos d’agua. Conceição Evaristo. Brazilian literature.
Violência contra a mulher. Olhos d’água. Conceição Evaristo. Contos brasileiros.
topic Violence against women. Olhos d’agua. Conceição Evaristo. Brazilian literature.
Violência contra a mulher. Olhos d’água. Conceição Evaristo. Contos brasileiros.
description According to the sources current media such as newspapers and social networks on the three days of February 2019, 109 cases of femicide had already been reported in Brazil. Therefore, if patriarchy were still a matter of discussion and doubt for society, with such situations are evident that women are still a group that sees and materializes a woman as an object, never as a subject, thus making us part of minorities excluded by patriarchy. Brazil becomes a way of resistance. This way is capable of taking for all spaces and for all social groups the voice and stories of women who had their lives marked by pain, violence and suffering. Conceição Evaristo, for the most part of his literary collection, makes a point of representing, through her characters, the stories of these women. Thus, the purpose of this study is to identify by what types of physical violence pass the characters presented in Olhos d’agua (2014). Methodologically, excerpts from the narrative were analyzed that reinforce what has already been mentioned by Beauvoir, Butler, Spivak, Bourdie, Scott, Freyre, Tiburi, among others, about violence against women, gender inequality, racial discrimination and patriarchalism, since there is no way to disconnect such purposes from the central purpose. Finally, it is concluded that as in this research the woman is seen as a victim, it is stated that of the characters presented by the author and selected for the study, all suffer some kind of violence
publishDate 2020
dc.date.none.fl_str_mv 2020-01-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv https://online.unisc.br/seer/index.php/signo/article/view/14360
10.17058/signo.v45i82.14360
url https://online.unisc.br/seer/index.php/signo/article/view/14360
identifier_str_mv 10.17058/signo.v45i82.14360
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://online.unisc.br/seer/index.php/signo/article/view/14360/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2020 Signo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Signo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Edunisc
publisher.none.fl_str_mv Edunisc
dc.source.none.fl_str_mv Signo; v. 45 n. 82 (2020); 89-100
1982-2014
reponame:Signo (Santa Cruz do Sul. Online)
instname:Universidade de Santa Cruz do Sul (UNISC)
instacron:UNISC
instname_str Universidade de Santa Cruz do Sul (UNISC)
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reponame_str Signo (Santa Cruz do Sul. Online)
collection Signo (Santa Cruz do Sul. Online)
repository.name.fl_str_mv Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC)
repository.mail.fl_str_mv rgabriel@unisc.br||revistasigno.unisc@gmail.com
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