The musical exercise in the poetry of Manuel Bandeira

Detalhes bibliográficos
Autor(a) principal: Silva, Max Lima da
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Signo (Santa Cruz do Sul. Online)
Texto Completo: https://online.unisc.br/seer/index.php/signo/article/view/17247
Resumo: Music presents itself as a fundamental agent in the life and poetic work of Manuel Bandeira. Few authors in Brazilian literature have taken musical ambition to such dramatic consequences within the text or even projected a similar score-like interest in their writings. The cult of Euterpe breaks into the life of the author of Opus 10 in several ways: through a detailed study of musical treatises; in his attempt, without much success, to learn how to play the piano and guitar; in the acquaintanceship with great composers who have set his poems to music; through his refined activity as a music columnist, a task he performed with magnificent critical aplomb. Nevertheless, it is in his poetic texts that musical activity stands out more. The purpose of this article is to address some of these musical incursions in A Cinza das Horas, the debut book by the poet from Pernambuco. Through a formal approach to the poems "À beira d'água", "Ruço" and "Desencanto", we will show how Bandeira mobilizes language in order to allude to the musical universe.
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spelling The musical exercise in the poetry of Manuel BandeiraO exercício musical na poesia de Manuel BandeiraManuel BandeiraLiteratureMusicMelopoeticsManuel BandeiraLiteraturaMúsicaMelopoéticaMusic presents itself as a fundamental agent in the life and poetic work of Manuel Bandeira. Few authors in Brazilian literature have taken musical ambition to such dramatic consequences within the text or even projected a similar score-like interest in their writings. The cult of Euterpe breaks into the life of the author of Opus 10 in several ways: through a detailed study of musical treatises; in his attempt, without much success, to learn how to play the piano and guitar; in the acquaintanceship with great composers who have set his poems to music; through his refined activity as a music columnist, a task he performed with magnificent critical aplomb. Nevertheless, it is in his poetic texts that musical activity stands out more. The purpose of this article is to address some of these musical incursions in A Cinza das Horas, the debut book by the poet from Pernambuco. Through a formal approach to the poems "À beira d'água", "Ruço" and "Desencanto", we will show how Bandeira mobilizes language in order to allude to the musical universe.A música se apresenta como agente fundamental na vida e na obra poética de Manuel Bandeira. Poucos autores da literatura brasileira levaram a ambição musical a consequências tão dramáticas dentro do texto ou mesmo projetaram em sua escrita similar vontade partitural. O culto a Euterpe irrompe de várias maneiras na vida do autor de Opus 10: no estudo minucioso de tratados de composição musical; na tentativa, sem muito sucesso, de aprender o piano e o violão; na convivência com grandes compositores que musicaram poemas seus, no refinado exercício de cronista musical, tarefa que desempenhou com magnífica desenvoltura crítica. É nos seus textos poéticos, no entanto, que a atividade musical se sobressai com maior proeminência. O presente artigo tem por objetivo abordar algumas dessas incursões musicais em A Cinza das Horas, livro de estreia do poeta pernambucano. Através de uma abordagem formal dos poemas "À beira d'água", "Ruço" e "Desencanto", mostraremos como o Bandeira comove a linguagem para se reportar ao universo da música.   Palavras-chave: Manuel Bandeira. Literatura. Música. Melopoética.Edunisc2022-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://online.unisc.br/seer/index.php/signo/article/view/1724710.17058/signo.v47i89.17247Signo; v. 47 n. 89 (2022): Dossiê Diálogos transdisciplinares entre literatura e música; 53-611982-2014reponame:Signo (Santa Cruz do Sul. Online)instname:Universidade de Santa Cruz do Sul (UNISC)instacron:UNISCporhttps://online.unisc.br/seer/index.php/signo/article/view/17247/10549Copyright (c) 2022 Signoinfo:eu-repo/semantics/openAccessSilva, Max Lima da2022-06-30T14:17:56Zoai:ojs.online.unisc.br:article/17247Revistahttp://online.unisc.br/seer/index.php/signohttp://online.unisc.br/seer/index.php/signo/oairgabriel@unisc.br||revistasigno.unisc@gmail.com1982-20140101-1812opendoar:2022-06-30T14:17:56Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC)false
dc.title.none.fl_str_mv The musical exercise in the poetry of Manuel Bandeira
O exercício musical na poesia de Manuel Bandeira
title The musical exercise in the poetry of Manuel Bandeira
spellingShingle The musical exercise in the poetry of Manuel Bandeira
Silva, Max Lima da
Manuel Bandeira
Literature
Music
Melopoetics
Manuel Bandeira
Literatura
Música
Melopoética
title_short The musical exercise in the poetry of Manuel Bandeira
title_full The musical exercise in the poetry of Manuel Bandeira
title_fullStr The musical exercise in the poetry of Manuel Bandeira
title_full_unstemmed The musical exercise in the poetry of Manuel Bandeira
title_sort The musical exercise in the poetry of Manuel Bandeira
author Silva, Max Lima da
author_facet Silva, Max Lima da
author_role author
dc.contributor.author.fl_str_mv Silva, Max Lima da
dc.subject.por.fl_str_mv Manuel Bandeira
Literature
Music
Melopoetics
Manuel Bandeira
Literatura
Música
Melopoética
topic Manuel Bandeira
Literature
Music
Melopoetics
Manuel Bandeira
Literatura
Música
Melopoética
description Music presents itself as a fundamental agent in the life and poetic work of Manuel Bandeira. Few authors in Brazilian literature have taken musical ambition to such dramatic consequences within the text or even projected a similar score-like interest in their writings. The cult of Euterpe breaks into the life of the author of Opus 10 in several ways: through a detailed study of musical treatises; in his attempt, without much success, to learn how to play the piano and guitar; in the acquaintanceship with great composers who have set his poems to music; through his refined activity as a music columnist, a task he performed with magnificent critical aplomb. Nevertheless, it is in his poetic texts that musical activity stands out more. The purpose of this article is to address some of these musical incursions in A Cinza das Horas, the debut book by the poet from Pernambuco. Through a formal approach to the poems "À beira d'água", "Ruço" and "Desencanto", we will show how Bandeira mobilizes language in order to allude to the musical universe.
publishDate 2022
dc.date.none.fl_str_mv 2022-06-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://online.unisc.br/seer/index.php/signo/article/view/17247
10.17058/signo.v47i89.17247
url https://online.unisc.br/seer/index.php/signo/article/view/17247
identifier_str_mv 10.17058/signo.v47i89.17247
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://online.unisc.br/seer/index.php/signo/article/view/17247/10549
dc.rights.driver.fl_str_mv Copyright (c) 2022 Signo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Signo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Edunisc
publisher.none.fl_str_mv Edunisc
dc.source.none.fl_str_mv Signo; v. 47 n. 89 (2022): Dossiê Diálogos transdisciplinares entre literatura e música; 53-61
1982-2014
reponame:Signo (Santa Cruz do Sul. Online)
instname:Universidade de Santa Cruz do Sul (UNISC)
instacron:UNISC
instname_str Universidade de Santa Cruz do Sul (UNISC)
instacron_str UNISC
institution UNISC
reponame_str Signo (Santa Cruz do Sul. Online)
collection Signo (Santa Cruz do Sul. Online)
repository.name.fl_str_mv Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC)
repository.mail.fl_str_mv rgabriel@unisc.br||revistasigno.unisc@gmail.com
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