A thought on a thought
Autor(a) principal: | |
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Data de Publicação: | 2013 |
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Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Verso e Reverso (Online) |
Texto Completo: | https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.66.02 |
Resumo: | Two musician sociologists asked themselves this question: how can four guys who have never met and who have no written music, meet, shake hands, and start playing in a way that sounds like they’ve been working together for years. Faulkner and Becker decided to answer this question with field research. Because they lived 3,000 miles apart they cooperated via e-mail, thus preserving a record of the creative scientific process as it really occurs.Key words: music, repertoire, fieldwork methods. |
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A thought on a thoughtPensamentos em açãoTwo musician sociologists asked themselves this question: how can four guys who have never met and who have no written music, meet, shake hands, and start playing in a way that sounds like they’ve been working together for years. Faulkner and Becker decided to answer this question with field research. Because they lived 3,000 miles apart they cooperated via e-mail, thus preserving a record of the creative scientific process as it really occurs.Key words: music, repertoire, fieldwork methods.Dois músicos sociólogos se fizeram a seguinte pergunta: como quatro caras que nunca se encontraram e que não têm nenhuma música escrita, apertam as mãos, e começam a tocar de uma forma que parece que eles estão trabalhando juntos há anos? Faulkner e Becker decidiram responder a pergunta com pesquisa de campo. Porque viviam a 3.000 milhas de distância eles cooperaram via email, preservando, assim, um registro do processo científico criativo como ele realmente ocorre.Palavras-chave: música, repertório, métodos depesquisa de campo.Verso e Reverso2013-10-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.66.0210.4013/ver.2013.27.66.02Verso e Reverso; v. 27 n. 66: Ano XXVII - 2013/3; 152-1641806-6925reponame:Verso e Reverso (Online)instname:Universidade do Vale do Rio dos Sinos (UNISINOS)instacron:UNISINOSenghttps://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.66.02/3789Becker, Howard S.Falkner, Robert R.info:eu-repo/semantics/openAccess2015-01-09T16:40:54Zoai:ojs2.revistas.unisinos.br:article/5829Revistahttp://revistas.unisinos.br/index.php/versoereversoPRIhttp://revistas.unisinos.br/index.php/versoereverso/oaiperiodicos@unisinos.br||bmarocco@unisinos.br1806-69250103-1414opendoar:2015-01-09T16:40:54Verso e Reverso (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS)false |
dc.title.none.fl_str_mv |
A thought on a thought Pensamentos em ação |
title |
A thought on a thought |
spellingShingle |
A thought on a thought Becker, Howard S. |
title_short |
A thought on a thought |
title_full |
A thought on a thought |
title_fullStr |
A thought on a thought |
title_full_unstemmed |
A thought on a thought |
title_sort |
A thought on a thought |
author |
Becker, Howard S. |
author_facet |
Becker, Howard S. Falkner, Robert R. |
author_role |
author |
author2 |
Falkner, Robert R. |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Becker, Howard S. Falkner, Robert R. |
description |
Two musician sociologists asked themselves this question: how can four guys who have never met and who have no written music, meet, shake hands, and start playing in a way that sounds like they’ve been working together for years. Faulkner and Becker decided to answer this question with field research. Because they lived 3,000 miles apart they cooperated via e-mail, thus preserving a record of the creative scientific process as it really occurs.Key words: music, repertoire, fieldwork methods. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-10-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.66.02 10.4013/ver.2013.27.66.02 |
url |
https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.66.02 |
identifier_str_mv |
10.4013/ver.2013.27.66.02 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.66.02/3789 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Verso e Reverso |
publisher.none.fl_str_mv |
Verso e Reverso |
dc.source.none.fl_str_mv |
Verso e Reverso; v. 27 n. 66: Ano XXVII - 2013/3; 152-164 1806-6925 reponame:Verso e Reverso (Online) instname:Universidade do Vale do Rio dos Sinos (UNISINOS) instacron:UNISINOS |
instname_str |
Universidade do Vale do Rio dos Sinos (UNISINOS) |
instacron_str |
UNISINOS |
institution |
UNISINOS |
reponame_str |
Verso e Reverso (Online) |
collection |
Verso e Reverso (Online) |
repository.name.fl_str_mv |
Verso e Reverso (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS) |
repository.mail.fl_str_mv |
periodicos@unisinos.br||bmarocco@unisinos.br |
_version_ |
1800219585441431553 |