Every film is haunted: A dialogue between Laura Mulvey and José Luís Guerín on cinema, time and ghosts
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Verso e Reverso (Online) |
Texto Completo: | https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2015.29.72.04 |
Resumo: | The present paper attempts to create a dialogue between the films Train of shadows (1997) and In the city of Sylvia (2007), by the Spanish filmmaker José Luís Guerín’s, and some of the ideas discussed by Laura Mulvey in her book Death 24x a second – stillness and the moving image (2006). For the author, the act of delaying the flow of a fi lm through pause and repetition of certain sequences is capable of bringing to the surface the stillness of the single frame and the consciousness of the photographic index, evoking the presence of death. Through analysis of the aforementioned films, we investigate the strategies employed by Guerín to delay narrative, giving space to reflection on time and memory. Furthermore, we take note of the ways in which the filmmaker stages the tension between stasis and movement in terms of gender, linking it to the roles played by male and female characters in the narrative.Keywords: film, memory, narrative, feminist theory. |
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Every film is haunted: A dialogue between Laura Mulvey and José Luís Guerín on cinema, time and ghostsTodo filme é de assombração: um diálogo entre Laura Mulvey e José Luis Guerín sobre cinema, tempo e fantasmasThe present paper attempts to create a dialogue between the films Train of shadows (1997) and In the city of Sylvia (2007), by the Spanish filmmaker José Luís Guerín’s, and some of the ideas discussed by Laura Mulvey in her book Death 24x a second – stillness and the moving image (2006). For the author, the act of delaying the flow of a fi lm through pause and repetition of certain sequences is capable of bringing to the surface the stillness of the single frame and the consciousness of the photographic index, evoking the presence of death. Through analysis of the aforementioned films, we investigate the strategies employed by Guerín to delay narrative, giving space to reflection on time and memory. Furthermore, we take note of the ways in which the filmmaker stages the tension between stasis and movement in terms of gender, linking it to the roles played by male and female characters in the narrative.Keywords: film, memory, narrative, feminist theory.O presente artigo busca tecer um diálogo entre os filmes Trem de sombras (1997) e Na cidade de Sylvia (2007), do cineasta espanhol José Luís Guerín, e algumas das ideias discutidas por Laura Mulvey no livro Death 24x a second – stillness and the moving image (2006). Para a autora, o ato de adiar o fl uxo de um fi lme pela pausa ou pela repetição de certas sequências é capaz de trazer à tona a estaticidade do fotograma e a consciência do índice fotográfico, evocando a presença da morte. Através da análise dos filmes citados, investigamos as estratégias empregadas por Guerín para adiar a narrativa, dando espaço à reflexão sobre o tempo e a memória. Vemos ainda como o cineasta encena a tensão entre estase e movimento em termos de gênero, relacionando-a aos papéis exercidos por personagens masculinos e femininos na narrativa.Palavras-chave: cinema, memória, narrativa, teoria feminista.Verso e Reverso2015-08-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2015.29.72.0410.4013/ver.2015.29.72.04Verso e Reverso; v. 29 n. 72: Ano XXIX - 2015/3; 165-1731806-6925reponame:Verso e Reverso (Online)instname:Universidade do Vale do Rio dos Sinos (UNISINOS)instacron:UNISINOSporhttps://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2015.29.72.04/4901Neves, Pedro Pinheiroinfo:eu-repo/semantics/openAccess2015-12-07T10:34:40Zoai:ojs2.revistas.unisinos.br:article/9378Revistahttp://revistas.unisinos.br/index.php/versoereversoPRIhttp://revistas.unisinos.br/index.php/versoereverso/oaiperiodicos@unisinos.br||bmarocco@unisinos.br1806-69250103-1414opendoar:2015-12-07T10:34:40Verso e Reverso (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS)false |
dc.title.none.fl_str_mv |
Every film is haunted: A dialogue between Laura Mulvey and José Luís Guerín on cinema, time and ghosts Todo filme é de assombração: um diálogo entre Laura Mulvey e José Luis Guerín sobre cinema, tempo e fantasmas |
title |
Every film is haunted: A dialogue between Laura Mulvey and José Luís Guerín on cinema, time and ghosts |
spellingShingle |
Every film is haunted: A dialogue between Laura Mulvey and José Luís Guerín on cinema, time and ghosts Neves, Pedro Pinheiro |
title_short |
Every film is haunted: A dialogue between Laura Mulvey and José Luís Guerín on cinema, time and ghosts |
title_full |
Every film is haunted: A dialogue between Laura Mulvey and José Luís Guerín on cinema, time and ghosts |
title_fullStr |
Every film is haunted: A dialogue between Laura Mulvey and José Luís Guerín on cinema, time and ghosts |
title_full_unstemmed |
Every film is haunted: A dialogue between Laura Mulvey and José Luís Guerín on cinema, time and ghosts |
title_sort |
Every film is haunted: A dialogue between Laura Mulvey and José Luís Guerín on cinema, time and ghosts |
author |
Neves, Pedro Pinheiro |
author_facet |
Neves, Pedro Pinheiro |
author_role |
author |
dc.contributor.author.fl_str_mv |
Neves, Pedro Pinheiro |
description |
The present paper attempts to create a dialogue between the films Train of shadows (1997) and In the city of Sylvia (2007), by the Spanish filmmaker José Luís Guerín’s, and some of the ideas discussed by Laura Mulvey in her book Death 24x a second – stillness and the moving image (2006). For the author, the act of delaying the flow of a fi lm through pause and repetition of certain sequences is capable of bringing to the surface the stillness of the single frame and the consciousness of the photographic index, evoking the presence of death. Through analysis of the aforementioned films, we investigate the strategies employed by Guerín to delay narrative, giving space to reflection on time and memory. Furthermore, we take note of the ways in which the filmmaker stages the tension between stasis and movement in terms of gender, linking it to the roles played by male and female characters in the narrative.Keywords: film, memory, narrative, feminist theory. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-08-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2015.29.72.04 10.4013/ver.2015.29.72.04 |
url |
https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2015.29.72.04 |
identifier_str_mv |
10.4013/ver.2015.29.72.04 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2015.29.72.04/4901 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Verso e Reverso |
publisher.none.fl_str_mv |
Verso e Reverso |
dc.source.none.fl_str_mv |
Verso e Reverso; v. 29 n. 72: Ano XXIX - 2015/3; 165-173 1806-6925 reponame:Verso e Reverso (Online) instname:Universidade do Vale do Rio dos Sinos (UNISINOS) instacron:UNISINOS |
instname_str |
Universidade do Vale do Rio dos Sinos (UNISINOS) |
instacron_str |
UNISINOS |
institution |
UNISINOS |
reponame_str |
Verso e Reverso (Online) |
collection |
Verso e Reverso (Online) |
repository.name.fl_str_mv |
Verso e Reverso (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS) |
repository.mail.fl_str_mv |
periodicos@unisinos.br||bmarocco@unisinos.br |
_version_ |
1800219585512734720 |