“So I came scourged”: The profane image in mediatic circulation

Detalhes bibliográficos
Autor(a) principal: Machado, Alisson
Data de Publicação: 2018
Outros Autores: Dias, Marlon Santa Maria
Tipo de documento: Artigo
Idioma: por
Título da fonte: Verso e Reverso (Online)
Texto Completo: https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2018.32.80.06
Resumo: In June 2015, the actress and model Viviany Beleboni staged a crucifixion during the LGBT Pride Parade in São Paulo, Brazil. From this empirical situation, the article seeks to reflect on the mediatic circulation of the transvestite body through the divergent reconfigurations of the sacrality and profanity statutes. Understanding the image of Viviany crucified as an incendiary image, we observe how the media event organizes the processes of circulation of the original image and the images produced by the social actors. It is possible to observe two dynamics, two different projects of interpretation: one demarcates the possibility of “making to exist what exists”, which communes with the message of “Christ-transvestite”, and the other seeks to “make not to exist what exists”, interdicting ways of recognizing the precariousness of the lives of Brazilian transvestites and LGBT populations.Keywords: circulation, image, transvestite.
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spelling “So I came scourged”: The profane image in mediatic circulation“Então eu vim flagelada”: a imagem profana na circulação midiáticaIn June 2015, the actress and model Viviany Beleboni staged a crucifixion during the LGBT Pride Parade in São Paulo, Brazil. From this empirical situation, the article seeks to reflect on the mediatic circulation of the transvestite body through the divergent reconfigurations of the sacrality and profanity statutes. Understanding the image of Viviany crucified as an incendiary image, we observe how the media event organizes the processes of circulation of the original image and the images produced by the social actors. It is possible to observe two dynamics, two different projects of interpretation: one demarcates the possibility of “making to exist what exists”, which communes with the message of “Christ-transvestite”, and the other seeks to “make not to exist what exists”, interdicting ways of recognizing the precariousness of the lives of Brazilian transvestites and LGBT populations.Keywords: circulation, image, transvestite.Em junho de 2015, a atriz e modelo Viviany Beleboni realizou uma encenação da crucificação durante a Parada do Orgulho LGBT de São Paulo. A partir dessa situação empírica, o artigo busca refletir acerca da circulação midiática do corpo travesti por meio das reconfigurações divergentes dos estatutos de sacralidade e profanidade. Entendendo a imagem de Viviany crucificada como uma imagem incendiária, observamos como o acontecimento midiático organiza os processos de circulação da imagem originária e das imagens ofertadas pelos atores sociais. É possível observar duas dinâmicas distintas de interpretação: um demarca a possibilidade de “fazer existir o que existe”, que comunga com a mensagem da “Cristo-travesti”, e a outra busca por “fazer inexistir o que existe”, interditando as formas de reconhecimento da precariedade das vidas das travestis brasileiras e das populações LGBTs.Palavras-chave: circulação, imagem, travesti.Verso e Reverso2018-08-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2018.32.80.0610.4013/ver.2018.32.80.06Verso e Reverso; v. 32 n. 80 (2018); 154-1661806-6925reponame:Verso e Reverso (Online)instname:Universidade do Vale do Rio dos Sinos (UNISINOS)instacron:UNISINOSporhttps://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2018.32.80.06/60746344Machado, AlissonDias, Marlon Santa Mariainfo:eu-repo/semantics/openAccess2018-08-27T17:50:29Zoai:ojs2.revistas.unisinos.br:article/16416Revistahttp://revistas.unisinos.br/index.php/versoereversoPRIhttp://revistas.unisinos.br/index.php/versoereverso/oaiperiodicos@unisinos.br||bmarocco@unisinos.br1806-69250103-1414opendoar:2018-08-27T17:50:29Verso e Reverso (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS)false
dc.title.none.fl_str_mv “So I came scourged”: The profane image in mediatic circulation
“Então eu vim flagelada”: a imagem profana na circulação midiática
title “So I came scourged”: The profane image in mediatic circulation
spellingShingle “So I came scourged”: The profane image in mediatic circulation
Machado, Alisson
title_short “So I came scourged”: The profane image in mediatic circulation
title_full “So I came scourged”: The profane image in mediatic circulation
title_fullStr “So I came scourged”: The profane image in mediatic circulation
title_full_unstemmed “So I came scourged”: The profane image in mediatic circulation
title_sort “So I came scourged”: The profane image in mediatic circulation
author Machado, Alisson
author_facet Machado, Alisson
Dias, Marlon Santa Maria
author_role author
author2 Dias, Marlon Santa Maria
author2_role author
dc.contributor.author.fl_str_mv Machado, Alisson
Dias, Marlon Santa Maria
description In June 2015, the actress and model Viviany Beleboni staged a crucifixion during the LGBT Pride Parade in São Paulo, Brazil. From this empirical situation, the article seeks to reflect on the mediatic circulation of the transvestite body through the divergent reconfigurations of the sacrality and profanity statutes. Understanding the image of Viviany crucified as an incendiary image, we observe how the media event organizes the processes of circulation of the original image and the images produced by the social actors. It is possible to observe two dynamics, two different projects of interpretation: one demarcates the possibility of “making to exist what exists”, which communes with the message of “Christ-transvestite”, and the other seeks to “make not to exist what exists”, interdicting ways of recognizing the precariousness of the lives of Brazilian transvestites and LGBT populations.Keywords: circulation, image, transvestite.
publishDate 2018
dc.date.none.fl_str_mv 2018-08-27
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2018.32.80.06
10.4013/ver.2018.32.80.06
url https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2018.32.80.06
identifier_str_mv 10.4013/ver.2018.32.80.06
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2018.32.80.06/60746344
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Verso e Reverso
publisher.none.fl_str_mv Verso e Reverso
dc.source.none.fl_str_mv Verso e Reverso; v. 32 n. 80 (2018); 154-166
1806-6925
reponame:Verso e Reverso (Online)
instname:Universidade do Vale do Rio dos Sinos (UNISINOS)
instacron:UNISINOS
instname_str Universidade do Vale do Rio dos Sinos (UNISINOS)
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reponame_str Verso e Reverso (Online)
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repository.mail.fl_str_mv periodicos@unisinos.br||bmarocco@unisinos.br
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