The Courtier, the Dandy, and the Nomad: notes on subjectivation processes and Cultural History

Detalhes bibliográficos
Autor(a) principal: Ornellas, Sandro
Data de Publicação: 2008
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4068
Resumo: Thoughts over different subjectiving processes that have produced three conceptual characters along the cultural history. The 16th century coutier, the 19th century dandy and the contemporaneous nomad all result from historical changes in the notion of public and private, artifice and nature, exteriority and interiority, social rules and expontanety, appearance and essence that serves, mainly, to distress the lack of continuance in cultural behaviours that, at a first sight, would seem to be simple processes of history repetition. For beyond the historical characters, their approximation enables a reevaluation of how the contemporaneous culture places itself along some subjectivity historical changes, that is, then, faced less as a psychological data and more as result of political-historical-cultural processes.
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spelling The Courtier, the Dandy, and the Nomad: notes on subjectivation processes and Cultural HistoryEl cortesano, el dandy y el nómada: notas sobre los procesos de subjetivación e historia culturalLe courtisan, le dandy et le nomade: notes sur les procès de subjectivation et histoire culturelleO cortesão, o dândi e o nômade: notas sobre processos de subjetivação e história culturalSsubjectivizingcultural historyconceptual characterscourtierdandynomad.Proceso de subjetivaciónhistoria culturalpersonajes conceptualescortesanodandynómadaProcès de subjectivationhistoire culturellepersonnages conceptuelscourtisandandynomadeProcesso de subjetivaçãohistória culturalpersonagens conceituaiscortesãodândinômadeThoughts over different subjectiving processes that have produced three conceptual characters along the cultural history. The 16th century coutier, the 19th century dandy and the contemporaneous nomad all result from historical changes in the notion of public and private, artifice and nature, exteriority and interiority, social rules and expontanety, appearance and essence that serves, mainly, to distress the lack of continuance in cultural behaviours that, at a first sight, would seem to be simple processes of history repetition. For beyond the historical characters, their approximation enables a reevaluation of how the contemporaneous culture places itself along some subjectivity historical changes, that is, then, faced less as a psychological data and more as result of political-historical-cultural processes.Reflexión sobre diferentes procesos de subjetivación que produjeron tres personajes conceptuales a lo largo de la historia cultural. El cortesano quinientista, el dandy ochocentista y el nómada contemporáneo derivan de cambios históricos de las nociones de público y privado, artificio y naturaleza, exterioridad e interioridad, convención y espontaneidad, apariencia y esencia que sirven, sobretodo, para destacar los descontinuos en los comportamientos culturales que, en un primer momento, podrían parecer simples procesos de repetición de la historia. Además de figuras históricas, el acercamiento a los tres personajes permite una reevaluación de cómo la cultura contemporánea se posiciona a lo largo de algunas transformaciones históricas de la subjetividad que se ve menos como algo psicológico y más como un producto de los procesos político-histórico-culturales.Il s’agit d’une réflexion sur différents procès de subjectivation qui ont produit trois personnages conceptuels tout au long de l’histoire mondiale. Le courtisan du seizième siècle, le dandy du dix-neuvième siècle et le nomade contemporain dérivent de changements historiques dans les notions de publique et privé, artifice et nature, extériorité et intériorité, convention et spontanéité, apparence et essence qui servent surtout, pour détacher les discontinuités dans les conduites culturels lesquels, à première vue, pourraient paraître de simples procès de répétition de l’histoire. Au-delà de figures historiques, l’approche de ces trois personnages rend possible une réévaluation concernant comment la culture contemporaine se place tout au long de quelques transformations historiques de la subjectivité, qui est alors envisagée moins comme une donnée psychologhique et plus comme un produit de procès politico-historique-culturels.Reflexão sobre diferentes processos de subjetivação que produziram três personagens conceituais ao longo da história cultural. O cortesão quinhentista, o dândi oitocentista e o nômade contemporâneo derivam de mudanças históricas nas noções de público e privado, artifício e natureza, exterioridade e interioridade, convenção e espontaneidade, aparência e essência que servem, sobretudo, para destacar as descontinuidades nos comportamentos culturais que, à primeira vista, poderiam parecer meros processos de repetição da história. Para além de figuras históricas, a aproximação dos três personagens possibilita uma reavaliação de como a cultura contemporânea se posiciona ao longo de algumas transformações históricas da subjetividade, que é, então, encarada menos como um dado psicológico e mais como um produto de processos político-histórico-culturais.Universidade do Sul de Santa Catarina2008-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/406810.19177/rcc.v3e2200832-39Revista Crítica Cultural; v. 3 n. 2 (2008); 32-391980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4068/2787Copyright (c) 2016 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessOrnellas, Sandro2016-09-30T17:47:50Zoai:portaldeperiodicos.animaeducacao.com.br:article/4068Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T17:47:50Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv The Courtier, the Dandy, and the Nomad: notes on subjectivation processes and Cultural History
El cortesano, el dandy y el nómada: notas sobre los procesos de subjetivación e historia cultural
Le courtisan, le dandy et le nomade: notes sur les procès de subjectivation et histoire culturelle
O cortesão, o dândi e o nômade: notas sobre processos de subjetivação e história cultural
title The Courtier, the Dandy, and the Nomad: notes on subjectivation processes and Cultural History
spellingShingle The Courtier, the Dandy, and the Nomad: notes on subjectivation processes and Cultural History
Ornellas, Sandro
Ssubjectivizing
cultural history
conceptual characters
courtier
dandy
nomad.
Proceso de subjetivación
historia cultural
personajes conceptuales
cortesano
dandy
nómada
Procès de subjectivation
histoire culturelle
personnages conceptuels
courtisan
dandy
nomade
Processo de subjetivação
história cultural
personagens conceituais
cortesão
dândi
nômade
title_short The Courtier, the Dandy, and the Nomad: notes on subjectivation processes and Cultural History
title_full The Courtier, the Dandy, and the Nomad: notes on subjectivation processes and Cultural History
title_fullStr The Courtier, the Dandy, and the Nomad: notes on subjectivation processes and Cultural History
title_full_unstemmed The Courtier, the Dandy, and the Nomad: notes on subjectivation processes and Cultural History
title_sort The Courtier, the Dandy, and the Nomad: notes on subjectivation processes and Cultural History
author Ornellas, Sandro
author_facet Ornellas, Sandro
author_role author
dc.contributor.author.fl_str_mv Ornellas, Sandro
dc.subject.por.fl_str_mv Ssubjectivizing
cultural history
conceptual characters
courtier
dandy
nomad.
Proceso de subjetivación
historia cultural
personajes conceptuales
cortesano
dandy
nómada
Procès de subjectivation
histoire culturelle
personnages conceptuels
courtisan
dandy
nomade
Processo de subjetivação
história cultural
personagens conceituais
cortesão
dândi
nômade
topic Ssubjectivizing
cultural history
conceptual characters
courtier
dandy
nomad.
Proceso de subjetivación
historia cultural
personajes conceptuales
cortesano
dandy
nómada
Procès de subjectivation
histoire culturelle
personnages conceptuels
courtisan
dandy
nomade
Processo de subjetivação
história cultural
personagens conceituais
cortesão
dândi
nômade
description Thoughts over different subjectiving processes that have produced three conceptual characters along the cultural history. The 16th century coutier, the 19th century dandy and the contemporaneous nomad all result from historical changes in the notion of public and private, artifice and nature, exteriority and interiority, social rules and expontanety, appearance and essence that serves, mainly, to distress the lack of continuance in cultural behaviours that, at a first sight, would seem to be simple processes of history repetition. For beyond the historical characters, their approximation enables a reevaluation of how the contemporaneous culture places itself along some subjectivity historical changes, that is, then, faced less as a psychological data and more as result of political-historical-cultural processes.
publishDate 2008
dc.date.none.fl_str_mv 2008-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4068
10.19177/rcc.v3e2200832-39
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4068
identifier_str_mv 10.19177/rcc.v3e2200832-39
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4068/2787
dc.rights.driver.fl_str_mv Copyright (c) 2016 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 3 n. 2 (2008); 32-39
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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