Destroyed childhood: the beasts and the year zero of civilization

Detalhes bibliográficos
Autor(a) principal: Honesko, Vinícius
Data de Publicação: 2018
Outros Autores: Freyesleben, Alice
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7201
Resumo: This article aims to propose some analysis about the movies Beasts of the nation and Germania anno zero. It uses some concepts developed by the philosopher Giorgio Agamben as a key-reading. From Susan Buck-Morss's appointments, it also indicates the relevance of the cinema not only as a medium to analyze the contemporary historical conjunctures but as a way to allegorical access to certain categories that constitute the dimension of contemporary politics. Finally, from the analysis of the movies, it shows how the childhood's issue (understood as humanity's childhood as well) may be fundamental to consider the connection between civilization and barbarism.
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spelling Destroyed childhood: the beasts and the year zero of civilizationInfância destruída: as bestas e o ano zero da civilizaçãoBeasts of no nation. Germania anno zero. Cinema. Childhood.beasts of no nationgermania anno zerocinemainfânciaThis article aims to propose some analysis about the movies Beasts of the nation and Germania anno zero. It uses some concepts developed by the philosopher Giorgio Agamben as a key-reading. From Susan Buck-Morss's appointments, it also indicates the relevance of the cinema not only as a medium to analyze the contemporary historical conjunctures but as a way to allegorical access to certain categories that constitute the dimension of contemporary politics. Finally, from the analysis of the movies, it shows how the childhood's issue (understood as humanity's childhood as well) may be fundamental to consider the connection between civilization and barbarism. O presente artigo tem como finalidade propor algumas análises a respeito dos filmes Beasts of no nation e Germania anno zero. Utiliza-se de alguns conceitos desenvolvidos pelo filósofo Giorgio Agamben como chave de leitura dos filmes. Também indica, a partir das colocações de Susan Buck-Morss, a pertinência do cinema não apenas como meio de análise das conjunturas históricas contemporâneas, mas como via de acesso alegórica a determinadas categorias que constituem a dimensão da política contemporânea. Por fim, a partir das análises dos filmes, aponta como a questão da infância (entendida também como infância da humanidade) parece ser fundamental para pensar a inextricável conexão entre civilização e barbárie.Universidade do Sul de Santa Catarina2018-12-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/720110.19177/rcc.v13e22018205-217Revista Crítica Cultural; v. 13 n. 2 (2018); 205-2171980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7201/pdfCopyright (c) 2018 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessHonesko, ViníciusFreyesleben, Alice2018-12-17T17:28:22Zoai:portaldeperiodicos.animaeducacao.com.br:article/7201Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2018-12-17T17:28:22Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Destroyed childhood: the beasts and the year zero of civilization
Infância destruída: as bestas e o ano zero da civilização
title Destroyed childhood: the beasts and the year zero of civilization
spellingShingle Destroyed childhood: the beasts and the year zero of civilization
Honesko, Vinícius
Beasts of no nation. Germania anno zero. Cinema. Childhood.
beasts of no nation
germania anno zero
cinema
infância
title_short Destroyed childhood: the beasts and the year zero of civilization
title_full Destroyed childhood: the beasts and the year zero of civilization
title_fullStr Destroyed childhood: the beasts and the year zero of civilization
title_full_unstemmed Destroyed childhood: the beasts and the year zero of civilization
title_sort Destroyed childhood: the beasts and the year zero of civilization
author Honesko, Vinícius
author_facet Honesko, Vinícius
Freyesleben, Alice
author_role author
author2 Freyesleben, Alice
author2_role author
dc.contributor.author.fl_str_mv Honesko, Vinícius
Freyesleben, Alice
dc.subject.por.fl_str_mv Beasts of no nation. Germania anno zero. Cinema. Childhood.
beasts of no nation
germania anno zero
cinema
infância
topic Beasts of no nation. Germania anno zero. Cinema. Childhood.
beasts of no nation
germania anno zero
cinema
infância
description This article aims to propose some analysis about the movies Beasts of the nation and Germania anno zero. It uses some concepts developed by the philosopher Giorgio Agamben as a key-reading. From Susan Buck-Morss's appointments, it also indicates the relevance of the cinema not only as a medium to analyze the contemporary historical conjunctures but as a way to allegorical access to certain categories that constitute the dimension of contemporary politics. Finally, from the analysis of the movies, it shows how the childhood's issue (understood as humanity's childhood as well) may be fundamental to consider the connection between civilization and barbarism.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7201
10.19177/rcc.v13e22018205-217
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7201
identifier_str_mv 10.19177/rcc.v13e22018205-217
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7201/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 13 n. 2 (2018); 205-217
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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