Echoes from the benjaminian narrator in the film El Laberinto del Fauno: a (re) signification of death by fidelity to Événement

Detalhes bibliográficos
Autor(a) principal: Hartmann, Giuliano
Data de Publicação: 2013
Outros Autores: Silva, Marisa Corrêa
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2231
Resumo: The benjaminian narrator is the presence that, doomed to emptying, takes part of a tradition already fragmented, it is the echo that, throughout time, instills values and regulates life concepts. Contemporary presents it in constant exile, corrupted its wisdom: living is trivial and dying does not produce or make sense anymore. In this context, literature and cinema turn the opposition of life and death into an opaque and relativized couplet: living is now and death becomes a plan sign, a simulacrum. This paper aims to reflect about the representation of death from the perspective of the narrator in O Laberinto del Fauno (2006), that is an omniscient voice which presents Ophelia, immersed in a world of oppression and shadow, character who has her perennial existence (re) symbolized in a moment that living means nothing and dying rescues values, turning it into immortality in the sense elaborated by Alain Badiou, that is fidelity to the Event (événement).
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spelling Echoes from the benjaminian narrator in the film El Laberinto del Fauno: a (re) signification of death by fidelity to ÉvénementEcos do narrador benjaminiano no filme O Labirinto do Fauno: uma (re)significação da morte pela fidelidade ao ÉvénementThe narratorCinemaDeathContemporaryWalter BenjaminO narradorCinemaMorteContemporâneoWalter BenjaminThe benjaminian narrator is the presence that, doomed to emptying, takes part of a tradition already fragmented, it is the echo that, throughout time, instills values and regulates life concepts. Contemporary presents it in constant exile, corrupted its wisdom: living is trivial and dying does not produce or make sense anymore. In this context, literature and cinema turn the opposition of life and death into an opaque and relativized couplet: living is now and death becomes a plan sign, a simulacrum. This paper aims to reflect about the representation of death from the perspective of the narrator in O Laberinto del Fauno (2006), that is an omniscient voice which presents Ophelia, immersed in a world of oppression and shadow, character who has her perennial existence (re) symbolized in a moment that living means nothing and dying rescues values, turning it into immortality in the sense elaborated by Alain Badiou, that is fidelity to the Event (événement). O narrador benjaminiano é a presença condenada ao esvaziamento que faz parte de uma tradição já problematizada; é o eco que, ao longo dos tempos, instilou valores e regulou conceitos de vida. O contemporâneo apresenta-o em constante exílio, corrompida sua sabedoria: viver é banal e morrer já não produz nem faz sentido. Nesse contexto, literatura e cinema transformam a oposição de vida e de morte em um dístico opaco e relativizado: viver é o agora e a morte torna-se um signo plano, um simulacro. O presente trabalho objetiva refletir acerca da questão da representação da morte pela perspectiva do narrador em O Labirinto do Fauno (2006), voz onisciente que apresenta Ofélia, imersa em um universo de opressão e sombra, personagem que tem sua perene existência (re)simbolizada no momento em que viver não significa nada e morrer resgata valores, transformando-se em imortalidade no sentido preconizado por Alain Badiou, de fidelidade ao Acontecimento (événement).Universidade do Sul de Santa Catarina2013-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/223110.19177/rcc.v8e22013201-217Revista Crítica Cultural; v. 8 n. 2 (2013); 201-2171980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2231/1605Hartmann, GiulianoSilva, Marisa Corrêainfo:eu-repo/semantics/openAccess2016-09-30T20:35:18Zoai:portaldeperiodicos.animaeducacao.com.br:article/2231Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:35:18Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Echoes from the benjaminian narrator in the film El Laberinto del Fauno: a (re) signification of death by fidelity to Événement
Ecos do narrador benjaminiano no filme O Labirinto do Fauno: uma (re)significação da morte pela fidelidade ao Événement
title Echoes from the benjaminian narrator in the film El Laberinto del Fauno: a (re) signification of death by fidelity to Événement
spellingShingle Echoes from the benjaminian narrator in the film El Laberinto del Fauno: a (re) signification of death by fidelity to Événement
Hartmann, Giuliano
The narrator
Cinema
Death
Contemporary
Walter Benjamin
O narrador
Cinema
Morte
Contemporâneo
Walter Benjamin
title_short Echoes from the benjaminian narrator in the film El Laberinto del Fauno: a (re) signification of death by fidelity to Événement
title_full Echoes from the benjaminian narrator in the film El Laberinto del Fauno: a (re) signification of death by fidelity to Événement
title_fullStr Echoes from the benjaminian narrator in the film El Laberinto del Fauno: a (re) signification of death by fidelity to Événement
title_full_unstemmed Echoes from the benjaminian narrator in the film El Laberinto del Fauno: a (re) signification of death by fidelity to Événement
title_sort Echoes from the benjaminian narrator in the film El Laberinto del Fauno: a (re) signification of death by fidelity to Événement
author Hartmann, Giuliano
author_facet Hartmann, Giuliano
Silva, Marisa Corrêa
author_role author
author2 Silva, Marisa Corrêa
author2_role author
dc.contributor.author.fl_str_mv Hartmann, Giuliano
Silva, Marisa Corrêa
dc.subject.por.fl_str_mv The narrator
Cinema
Death
Contemporary
Walter Benjamin
O narrador
Cinema
Morte
Contemporâneo
Walter Benjamin
topic The narrator
Cinema
Death
Contemporary
Walter Benjamin
O narrador
Cinema
Morte
Contemporâneo
Walter Benjamin
description The benjaminian narrator is the presence that, doomed to emptying, takes part of a tradition already fragmented, it is the echo that, throughout time, instills values and regulates life concepts. Contemporary presents it in constant exile, corrupted its wisdom: living is trivial and dying does not produce or make sense anymore. In this context, literature and cinema turn the opposition of life and death into an opaque and relativized couplet: living is now and death becomes a plan sign, a simulacrum. This paper aims to reflect about the representation of death from the perspective of the narrator in O Laberinto del Fauno (2006), that is an omniscient voice which presents Ophelia, immersed in a world of oppression and shadow, character who has her perennial existence (re) symbolized in a moment that living means nothing and dying rescues values, turning it into immortality in the sense elaborated by Alain Badiou, that is fidelity to the Event (événement).
publishDate 2013
dc.date.none.fl_str_mv 2013-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2231
10.19177/rcc.v8e22013201-217
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2231
identifier_str_mv 10.19177/rcc.v8e22013201-217
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2231/1605
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 8 n. 2 (2013); 201-217
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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