The presence of the reporter and the 3 thousand journalists who saw the Iraq War in the surrounding of the conflict

Detalhes bibliográficos
Autor(a) principal: Pedro, Vanessa Lehmkuhl
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5809
Resumo: This article talks about the presence of the reporter in coverage of armed conflicts, especially during the Iraq War, in 2003, the potential to transform the narrator and the narrative from this experience, the coverage from the periphery of war, the use of technology as subject and instrument of coverage. The analysis follows the documentary War feels like war, by Esteban Uyarra, and reflects questions from authors as Benjamin, Agamben, Foucault, Martin-Barbero, Hoskins and Chomsky. The analysis follows a group of journalists who covered the Iraq War as ‘unilaterals’ and were more then three thousand in Kuwait, revealing journalism as narrative, its possibilities and potentials.
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spelling The presence of the reporter and the 3 thousand journalists who saw the Iraq War in the surrounding of the conflictA presença do repórter e os 3 mil jornalistas que viram a guerra do Iraque nas bordas do conflitoWar. Journalism. Narrative. Iraq. War coverage.Guerra. Jornalismo. Narrativa. Iraque. Cobertura de guerraThis article talks about the presence of the reporter in coverage of armed conflicts, especially during the Iraq War, in 2003, the potential to transform the narrator and the narrative from this experience, the coverage from the periphery of war, the use of technology as subject and instrument of coverage. The analysis follows the documentary War feels like war, by Esteban Uyarra, and reflects questions from authors as Benjamin, Agamben, Foucault, Martin-Barbero, Hoskins and Chomsky. The analysis follows a group of journalists who covered the Iraq War as ‘unilaterals’ and were more then three thousand in Kuwait, revealing journalism as narrative, its possibilities and potentials.Este artigo analisa a presença do repórter na cobertura dos conflitos armados, especialmente durante a Guerra do Iraque, de 2003, o potencial de transformação do narrador e da narrativa a partir dessa experiência, a cobertura a partir da periferia da guerra, o uso de tecnologia como tema e instrumento da cobertura. A análise parte do documentário War feels like war, do espanhol Esteban Uyarra, e analisa essas questões a partir de Benjamin, Agamben, Foucault, Martin-Barbero, Hoskins e Chomsky. O texto segue um grupo de jornalistas que cobriu a Guerra do Iraque como ‘unilaterais’ e estiveram mais de três mil deles nas bordas do conflito, no Kuwait, revelando o jornalismo como narrativas, suas possibilidades e potencialidades.Universidade do Sul de Santa Catarina2017-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/580910.19177/rcc.v12e22017233-248Revista Crítica Cultural; v. 12 n. 2 (2017); 233-2481980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5809/pdfCopyright (c) 2017 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessPedro, Vanessa Lehmkuhl2017-12-19T18:40:52Zoai:portaldeperiodicos.animaeducacao.com.br:article/5809Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2017-12-19T18:40:52Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv The presence of the reporter and the 3 thousand journalists who saw the Iraq War in the surrounding of the conflict
A presença do repórter e os 3 mil jornalistas que viram a guerra do Iraque nas bordas do conflito
title The presence of the reporter and the 3 thousand journalists who saw the Iraq War in the surrounding of the conflict
spellingShingle The presence of the reporter and the 3 thousand journalists who saw the Iraq War in the surrounding of the conflict
Pedro, Vanessa Lehmkuhl
War. Journalism. Narrative. Iraq. War coverage.
Guerra. Jornalismo. Narrativa. Iraque. Cobertura de guerra
title_short The presence of the reporter and the 3 thousand journalists who saw the Iraq War in the surrounding of the conflict
title_full The presence of the reporter and the 3 thousand journalists who saw the Iraq War in the surrounding of the conflict
title_fullStr The presence of the reporter and the 3 thousand journalists who saw the Iraq War in the surrounding of the conflict
title_full_unstemmed The presence of the reporter and the 3 thousand journalists who saw the Iraq War in the surrounding of the conflict
title_sort The presence of the reporter and the 3 thousand journalists who saw the Iraq War in the surrounding of the conflict
author Pedro, Vanessa Lehmkuhl
author_facet Pedro, Vanessa Lehmkuhl
author_role author
dc.contributor.author.fl_str_mv Pedro, Vanessa Lehmkuhl
dc.subject.por.fl_str_mv War. Journalism. Narrative. Iraq. War coverage.
Guerra. Jornalismo. Narrativa. Iraque. Cobertura de guerra
topic War. Journalism. Narrative. Iraq. War coverage.
Guerra. Jornalismo. Narrativa. Iraque. Cobertura de guerra
description This article talks about the presence of the reporter in coverage of armed conflicts, especially during the Iraq War, in 2003, the potential to transform the narrator and the narrative from this experience, the coverage from the periphery of war, the use of technology as subject and instrument of coverage. The analysis follows the documentary War feels like war, by Esteban Uyarra, and reflects questions from authors as Benjamin, Agamben, Foucault, Martin-Barbero, Hoskins and Chomsky. The analysis follows a group of journalists who covered the Iraq War as ‘unilaterals’ and were more then three thousand in Kuwait, revealing journalism as narrative, its possibilities and potentials.
publishDate 2017
dc.date.none.fl_str_mv 2017-12-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5809
10.19177/rcc.v12e22017233-248
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5809
identifier_str_mv 10.19177/rcc.v12e22017233-248
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5809/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 12 n. 2 (2017); 233-248
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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