Three historical figures in Theodor Adorno's immanent critique: old-fashioned, style and tradition.

Detalhes bibliográficos
Autor(a) principal: Rauschenberg, Nicholas D. B.
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2239
Resumo: We introduce the notion of immanent critique in Theodor Adorno's thought based on three historical categories relating to art criticism: the old-fashioned, style and tradition. Each of these notions can only be thought in critical contexts, i. e., in specific cases with sited artworks or ideological critique. The production of the old-fashioned is a characteristic of the ideology of the culture industry, but on the other hand, affirms the critical actuality of the work of art to reject it. The style, characteristic of an epoch as baroque or romanticism, exceeds the perception of the artist from his own historicity while practice confirms some of the features and denies others in the specific materiality in concrete artworks. The tradition, situated in the antinomy of modern art, can only be thought as a rupture: stand on its own or be fetishized.
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spelling Three historical figures in Theodor Adorno's immanent critique: old-fashioned, style and tradition.Tres figuras históricas en la crítica inmanente de Theodor Adorno: anticuado, estilo y tradiciónTheodor AdornoImmanent critiqueOld-fashionedStyleTraditionTheodor AdornoCrítica inmanenteEstiloAnticuadoTradiciónWe introduce the notion of immanent critique in Theodor Adorno's thought based on three historical categories relating to art criticism: the old-fashioned, style and tradition. Each of these notions can only be thought in critical contexts, i. e., in specific cases with sited artworks or ideological critique. The production of the old-fashioned is a characteristic of the ideology of the culture industry, but on the other hand, affirms the critical actuality of the work of art to reject it. The style, characteristic of an epoch as baroque or romanticism, exceeds the perception of the artist from his own historicity while practice confirms some of the features and denies others in the specific materiality in concrete artworks. The tradition, situated in the antinomy of modern art, can only be thought as a rupture: stand on its own or be fetishized. Buscamos presentar la noción de crítica inmanente en Theodor Adorno a partir de tres categorías históricas relativas a la crítica del arte: lo anticuado, el estilo y la tradición. Cada una de éstas nociones sólo pueden ser pensadas en contextos de crítica, es decir, en casos concretos situados de obras de arte o de crítica ideológica. La producción de lo anticuado es una característica de la ideología de la industria cultural, pero, por otro lado, afirma la actualidad crítica de la obra que quiere rechazar. El estilo, característica de una época como el romanticismo o el barroco, sobrepasa la percepción del artista de su propia historicidad al mismo tiempo que su práctica confirma algunas de las características y niega otras en la especificidad material de las obras concretas. La tradición, situada en la antinomia del arte moderno, sólo puede ser pensada como ruptura: valerse por sí misma o ser fetichizada.Universidade do Sul de Santa Catarina2013-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/223910.19177/rcc.v8e22013305-322Revista Crítica Cultural; v. 8 n. 2 (2013); 305-3221980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2239/1611Rauschenberg, Nicholas D. B.info:eu-repo/semantics/openAccess2016-09-30T20:37:03Zoai:portaldeperiodicos.animaeducacao.com.br:article/2239Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:37:03Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Three historical figures in Theodor Adorno's immanent critique: old-fashioned, style and tradition.
Tres figuras históricas en la crítica inmanente de Theodor Adorno: anticuado, estilo y tradición
title Three historical figures in Theodor Adorno's immanent critique: old-fashioned, style and tradition.
spellingShingle Three historical figures in Theodor Adorno's immanent critique: old-fashioned, style and tradition.
Rauschenberg, Nicholas D. B.
Theodor Adorno
Immanent critique
Old-fashioned
Style
Tradition
Theodor Adorno
Crítica inmanente
Estilo
Anticuado
Tradición
title_short Three historical figures in Theodor Adorno's immanent critique: old-fashioned, style and tradition.
title_full Three historical figures in Theodor Adorno's immanent critique: old-fashioned, style and tradition.
title_fullStr Three historical figures in Theodor Adorno's immanent critique: old-fashioned, style and tradition.
title_full_unstemmed Three historical figures in Theodor Adorno's immanent critique: old-fashioned, style and tradition.
title_sort Three historical figures in Theodor Adorno's immanent critique: old-fashioned, style and tradition.
author Rauschenberg, Nicholas D. B.
author_facet Rauschenberg, Nicholas D. B.
author_role author
dc.contributor.author.fl_str_mv Rauschenberg, Nicholas D. B.
dc.subject.por.fl_str_mv Theodor Adorno
Immanent critique
Old-fashioned
Style
Tradition
Theodor Adorno
Crítica inmanente
Estilo
Anticuado
Tradición
topic Theodor Adorno
Immanent critique
Old-fashioned
Style
Tradition
Theodor Adorno
Crítica inmanente
Estilo
Anticuado
Tradición
description We introduce the notion of immanent critique in Theodor Adorno's thought based on three historical categories relating to art criticism: the old-fashioned, style and tradition. Each of these notions can only be thought in critical contexts, i. e., in specific cases with sited artworks or ideological critique. The production of the old-fashioned is a characteristic of the ideology of the culture industry, but on the other hand, affirms the critical actuality of the work of art to reject it. The style, characteristic of an epoch as baroque or romanticism, exceeds the perception of the artist from his own historicity while practice confirms some of the features and denies others in the specific materiality in concrete artworks. The tradition, situated in the antinomy of modern art, can only be thought as a rupture: stand on its own or be fetishized.
publishDate 2013
dc.date.none.fl_str_mv 2013-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2239
10.19177/rcc.v8e22013305-322
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2239
identifier_str_mv 10.19177/rcc.v8e22013305-322
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2239/1611
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 8 n. 2 (2013); 305-322
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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