William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?
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Publication Date: | 2014 |
Other Authors: | |
Format: | Article |
Language: | por |
Source: | Crítica Cultural (Online) |
Download full: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2341 |
Summary: | Nowadays, one of the major themes of the blakean studies is the interaction of poetry, printmaking and painting in his illuminated books. In this essay, we will focus our attention on the poems "The Little Girl Lost" and "The Little Girl Found", originally published in Songs of Innocence, illuminated poems that later migrated to the volume of Songs of Experience. Methodologically, we will present an interpretation of Blake’s composite art, emphasizing how different arts are produced in the plates of his illuminated books. For this analysis, we will use the copy of G of Songs of Innocence and copy L of Songs of Innocence and of Experience, format not available in the Brazilian editions, only centered in the textual dimension of Blake’s art. |
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William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?“The Little Girl Lost” e “The Litle Girl Found”, de William Blake: Canções de Inocência ou de Experiência?LiteratureEngravingPaintingIlluminated BooksWilliam BlakeLiteraturaGravuraPinturaLivros IluminadosWilliam BlakeNowadays, one of the major themes of the blakean studies is the interaction of poetry, printmaking and painting in his illuminated books. In this essay, we will focus our attention on the poems "The Little Girl Lost" and "The Little Girl Found", originally published in Songs of Innocence, illuminated poems that later migrated to the volume of Songs of Experience. Methodologically, we will present an interpretation of Blake’s composite art, emphasizing how different arts are produced in the plates of his illuminated books. For this analysis, we will use the copy of G of Songs of Innocence and copy L of Songs of Innocence and of Experience, format not available in the Brazilian editions, only centered in the textual dimension of Blake’s art.Atualmente, um dos grandes temas dos estudos blakeanos é a interação de poesia, gravura e pintura em seus livros iluminados. Neste ensaio, centraremos nossa atenção nos poemas “The Little Girl Lost” e “The Little Girl Found”, poemas originalmente presentes em Canções de Inocência que depois migraram para o volume de Experiência. Metodologicamente, buscaremos uma interpretação da arte compósita de Blake, ressaltando como essas diferentes artes são apresentadas nas lâminas dos livros iluminados. Para tal análise, utilizamos a cópia G de Canções de Inocência e a cópia L de Canções de Inocência e de Experiência, formatos ainda não disponíveis nas edições brasileiras, que estão centradas apenas na dimensão textual de sua arte.Universidade do Sul de Santa Catarina2014-08-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/234110.19177/rcc.v9e12014105-117Revista Crítica Cultural; v. 9 n. 1 (2014); 105-1171980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2341/1657Tavares, Enéias FariasOliveira, Leandro Cardoso deinfo:eu-repo/semantics/openAccess2016-09-30T20:43:16Zoai:portaldeperiodicos.animaeducacao.com.br:article/2341Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:43:16Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience? “The Little Girl Lost” e “The Litle Girl Found”, de William Blake: Canções de Inocência ou de Experiência? |
title |
William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience? |
spellingShingle |
William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience? Tavares, Enéias Farias Literature Engraving Painting Illuminated Books William Blake Literatura Gravura Pintura Livros Iluminados William Blake |
title_short |
William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience? |
title_full |
William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience? |
title_fullStr |
William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience? |
title_full_unstemmed |
William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience? |
title_sort |
William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience? |
author |
Tavares, Enéias Farias |
author_facet |
Tavares, Enéias Farias Oliveira, Leandro Cardoso de |
author_role |
author |
author2 |
Oliveira, Leandro Cardoso de |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Tavares, Enéias Farias Oliveira, Leandro Cardoso de |
dc.subject.por.fl_str_mv |
Literature Engraving Painting Illuminated Books William Blake Literatura Gravura Pintura Livros Iluminados William Blake |
topic |
Literature Engraving Painting Illuminated Books William Blake Literatura Gravura Pintura Livros Iluminados William Blake |
description |
Nowadays, one of the major themes of the blakean studies is the interaction of poetry, printmaking and painting in his illuminated books. In this essay, we will focus our attention on the poems "The Little Girl Lost" and "The Little Girl Found", originally published in Songs of Innocence, illuminated poems that later migrated to the volume of Songs of Experience. Methodologically, we will present an interpretation of Blake’s composite art, emphasizing how different arts are produced in the plates of his illuminated books. For this analysis, we will use the copy of G of Songs of Innocence and copy L of Songs of Innocence and of Experience, format not available in the Brazilian editions, only centered in the textual dimension of Blake’s art. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-08-12 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2341 10.19177/rcc.v9e12014105-117 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2341 |
identifier_str_mv |
10.19177/rcc.v9e12014105-117 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2341/1657 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 9 n. 1 (2014); 105-117 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1787715275592826880 |