William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?

Bibliographic Details
Main Author: Tavares, Enéias Farias
Publication Date: 2014
Other Authors: Oliveira, Leandro Cardoso de
Format: Article
Language: por
Source: Crítica Cultural (Online)
Download full: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2341
Summary: Nowadays, one of the major themes of the blakean studies is the interaction of poetry, printmaking and painting in his illuminated books. In this essay, we will focus our attention on the poems "The Little Girl Lost" and "The Little Girl Found", originally published in Songs of Innocence, illuminated poems that later migrated to the volume of Songs of Experience. Methodologically, we will present an interpretation of Blake’s composite art, emphasizing how different arts are produced in the plates of his illuminated books. For this analysis, we will use the copy of G of Songs of Innocence and copy L of Songs of Innocence and of Experience, format not available in the Brazilian editions, only centered in the textual dimension of Blake’s art.
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spelling William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?“The Little Girl Lost” e “The Litle Girl Found”, de William Blake: Canções de Inocência ou de Experiência?LiteratureEngravingPaintingIlluminated BooksWilliam BlakeLiteraturaGravuraPinturaLivros IluminadosWilliam BlakeNowadays, one of the major themes of the blakean studies is the interaction of poetry, printmaking and painting in his illuminated books. In this essay, we will focus our attention on the poems "The Little Girl Lost" and "The Little Girl Found", originally published in Songs of Innocence, illuminated poems that later migrated to the volume of Songs of Experience. Methodologically, we will present an interpretation of Blake’s composite art, emphasizing how different arts are produced in the plates of his illuminated books. For this analysis, we will use the copy of G of Songs of Innocence and copy L of Songs of Innocence and of Experience, format not available in the Brazilian editions, only centered in the textual dimension of Blake’s art.Atualmente, um dos grandes temas dos estudos blakeanos é a interação de poesia, gravura e pintura em seus livros iluminados. Neste ensaio, centraremos nossa atenção nos poemas “The Little Girl Lost” e “The Little Girl Found”, poemas originalmente presentes em Canções de Inocência que depois migraram para o volume de Experiência. Metodologicamente, buscaremos uma interpretação da arte compósita de Blake, ressaltando como essas diferentes artes são apresentadas nas lâminas dos livros iluminados. Para tal análise, utilizamos a cópia G de Canções de Inocência e a cópia L de Canções de Inocência e de Experiência, formatos ainda não disponíveis nas edições brasileiras, que estão centradas apenas na dimensão textual de sua arte.Universidade do Sul de Santa Catarina2014-08-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/234110.19177/rcc.v9e12014105-117Revista Crítica Cultural; v. 9 n. 1 (2014); 105-1171980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2341/1657Tavares, Enéias FariasOliveira, Leandro Cardoso deinfo:eu-repo/semantics/openAccess2016-09-30T20:43:16Zoai:portaldeperiodicos.animaeducacao.com.br:article/2341Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:43:16Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?
“The Little Girl Lost” e “The Litle Girl Found”, de William Blake: Canções de Inocência ou de Experiência?
title William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?
spellingShingle William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?
Tavares, Enéias Farias
Literature
Engraving
Painting
Illuminated Books
William Blake
Literatura
Gravura
Pintura
Livros Iluminados
William Blake
title_short William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?
title_full William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?
title_fullStr William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?
title_full_unstemmed William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?
title_sort William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?
author Tavares, Enéias Farias
author_facet Tavares, Enéias Farias
Oliveira, Leandro Cardoso de
author_role author
author2 Oliveira, Leandro Cardoso de
author2_role author
dc.contributor.author.fl_str_mv Tavares, Enéias Farias
Oliveira, Leandro Cardoso de
dc.subject.por.fl_str_mv Literature
Engraving
Painting
Illuminated Books
William Blake
Literatura
Gravura
Pintura
Livros Iluminados
William Blake
topic Literature
Engraving
Painting
Illuminated Books
William Blake
Literatura
Gravura
Pintura
Livros Iluminados
William Blake
description Nowadays, one of the major themes of the blakean studies is the interaction of poetry, printmaking and painting in his illuminated books. In this essay, we will focus our attention on the poems "The Little Girl Lost" and "The Little Girl Found", originally published in Songs of Innocence, illuminated poems that later migrated to the volume of Songs of Experience. Methodologically, we will present an interpretation of Blake’s composite art, emphasizing how different arts are produced in the plates of his illuminated books. For this analysis, we will use the copy of G of Songs of Innocence and copy L of Songs of Innocence and of Experience, format not available in the Brazilian editions, only centered in the textual dimension of Blake’s art.
publishDate 2014
dc.date.none.fl_str_mv 2014-08-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2341
10.19177/rcc.v9e12014105-117
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2341
identifier_str_mv 10.19177/rcc.v9e12014105-117
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/2341/1657
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 9 n. 1 (2014); 105-117
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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