Dematerialization of history in the era ofthe (cinematographic) archive. From Aby Warburg to Jean-Luc Godard

Detalhes bibliográficos
Autor(a) principal: Taccetta, Natalia
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3546
Resumo: Aby  Warburg's  Mnemosyne  proposes  a  writing  of  art  history  that  escaped  from chrono-normativities  of  historiography  that  crystallized  before  their  eyes.  In  his  atlas,  he sought  an  anachronistic  point  of view  where  past  and  present  transform  each  other  to configure what Walter Benjamin could call “constellation”. Both Warburgian experience and some cinematographic archives of Jean-Luc Godard pose epistemological problems very contemporary:  how  configure  an archive  about  the  past  and  how  to  restore  to  (visual) documents a place in the historical process? This article explores how the Warburg’s method illuminates contemporary productions on the relationship between film and history and how it continues functioning as a matrix to think the dematerialization of the historical discipline.
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spelling Dematerialization of history in the era ofthe (cinematographic) archive. From Aby Warburg to Jean-Luc GodardLa desmaterialización de la historia en la era del archivo (cinematográfico). De Aby Warburg a Jean-Luc GodardAby WarburgJean-Luc GodardArchiveDematerialization of historyAby WarburgJean-Luc GodardArchivoDesmaterialización de la historiaAby  Warburg's  Mnemosyne  proposes  a  writing  of  art  history  that  escaped  from chrono-normativities  of  historiography  that  crystallized  before  their  eyes.  In  his  atlas,  he sought  an  anachronistic  point  of view  where  past  and  present  transform  each  other  to configure what Walter Benjamin could call “constellation”. Both Warburgian experience and some cinematographic archives of Jean-Luc Godard pose epistemological problems very contemporary:  how  configure  an archive  about  the  past  and  how  to  restore  to  (visual) documents a place in the historical process? This article explores how the Warburg’s method illuminates contemporary productions on the relationship between film and history and how it continues functioning as a matrix to think the dematerialization of the historical discipline.Aby Warburg proponía en Mnemosyne una escritura de la historia del arte que escapaba a las crono-normatividades de la historiografía que se cristalizaba delante de sus ojos. En su atlas, procuraba un punto de vista anacrónico donde pasado y presente se transforman mutuamente para configurar lo que con Walter Benjamin podría denominarse constelación. Tanto la experiencia warburgiana como algunos archivos cinematográficos de Jean-Luc Godard plantean problemas epistemológicos de gran actualidad: ¿cómo se configura un archivo sobre el pasado y cómo se restituye a los documentos (visuales) un lugar en el proceso histórico? Este artículo explora el modo en que el método de Warburg ilumina producciones contemporáneas sobre la relación entre cine e historia y cómo sigue funcionando como matriz para pensar la desmaterialización de la disciplina histórica.Universidade do Sul de Santa Catarina2016-07-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/354610.19177/rcc.v11e1201629-48Revista Crítica Cultural; v. 11 n. 1 (2016); 29-481980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULspahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3546/pdfCopyright (c) 2016 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessTaccetta, Natalia2017-04-19T20:16:10Zoai:portaldeperiodicos.animaeducacao.com.br:article/3546Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2017-04-19T20:16:10Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Dematerialization of history in the era ofthe (cinematographic) archive. From Aby Warburg to Jean-Luc Godard
La desmaterialización de la historia en la era del archivo (cinematográfico). De Aby Warburg a Jean-Luc Godard
title Dematerialization of history in the era ofthe (cinematographic) archive. From Aby Warburg to Jean-Luc Godard
spellingShingle Dematerialization of history in the era ofthe (cinematographic) archive. From Aby Warburg to Jean-Luc Godard
Taccetta, Natalia
Aby Warburg
Jean-Luc Godard
Archive
Dematerialization of history
Aby Warburg
Jean-Luc Godard
Archivo
Desmaterialización de la historia
title_short Dematerialization of history in the era ofthe (cinematographic) archive. From Aby Warburg to Jean-Luc Godard
title_full Dematerialization of history in the era ofthe (cinematographic) archive. From Aby Warburg to Jean-Luc Godard
title_fullStr Dematerialization of history in the era ofthe (cinematographic) archive. From Aby Warburg to Jean-Luc Godard
title_full_unstemmed Dematerialization of history in the era ofthe (cinematographic) archive. From Aby Warburg to Jean-Luc Godard
title_sort Dematerialization of history in the era ofthe (cinematographic) archive. From Aby Warburg to Jean-Luc Godard
author Taccetta, Natalia
author_facet Taccetta, Natalia
author_role author
dc.contributor.author.fl_str_mv Taccetta, Natalia
dc.subject.por.fl_str_mv Aby Warburg
Jean-Luc Godard
Archive
Dematerialization of history
Aby Warburg
Jean-Luc Godard
Archivo
Desmaterialización de la historia
topic Aby Warburg
Jean-Luc Godard
Archive
Dematerialization of history
Aby Warburg
Jean-Luc Godard
Archivo
Desmaterialización de la historia
description Aby  Warburg's  Mnemosyne  proposes  a  writing  of  art  history  that  escaped  from chrono-normativities  of  historiography  that  crystallized  before  their  eyes.  In  his  atlas,  he sought  an  anachronistic  point  of view  where  past  and  present  transform  each  other  to configure what Walter Benjamin could call “constellation”. Both Warburgian experience and some cinematographic archives of Jean-Luc Godard pose epistemological problems very contemporary:  how  configure  an archive  about  the  past  and  how  to  restore  to  (visual) documents a place in the historical process? This article explores how the Warburg’s method illuminates contemporary productions on the relationship between film and history and how it continues functioning as a matrix to think the dematerialization of the historical discipline.
publishDate 2016
dc.date.none.fl_str_mv 2016-07-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3546
10.19177/rcc.v11e1201629-48
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3546
identifier_str_mv 10.19177/rcc.v11e1201629-48
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3546/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2016 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 11 n. 1 (2016); 29-48
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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