“Although mine is history…” Naturalism and photographic imaginaries in argentinean literature of the eighties

Detalhes bibliográficos
Autor(a) principal: Guerra, Diego
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/133
Resumo: The present work researches a series of literary works from the Argentinean 1880’s generation to explore the links between art, photography and science underlying the controversies about the Naturalist aesthetics in Argentina. As I will try to demonstrate, in the art–vs.–science dichotomy displayed in those debates photography was a recurrent metaphor of the harsh, radically scientist and lacking of any aesthetic distance realism commonly associated with the Naturalist literary language by its defenders and detractors. The discursive products of this process constitute nowadays an inestimable historical corpus of double entry documents; for they reveal, not only many aspects of a particular moment in the development of a modern Argentine literature, but also the status of photographic device in the aesthetic and scientific culture of the time.
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spelling “Although mine is history…” Naturalism and photographic imaginaries in argentinean literature of the eighties“A pesar de que la mía es historia...” Naturalismo e imaginarios fotográficos em la literatura argentina del ochentaLiteraturePhotographyModernityNaturalismDeathLiteraturaFotografíaModernidadNaturalismoMuerteThe present work researches a series of literary works from the Argentinean 1880’s generation to explore the links between art, photography and science underlying the controversies about the Naturalist aesthetics in Argentina. As I will try to demonstrate, in the art–vs.–science dichotomy displayed in those debates photography was a recurrent metaphor of the harsh, radically scientist and lacking of any aesthetic distance realism commonly associated with the Naturalist literary language by its defenders and detractors. The discursive products of this process constitute nowadays an inestimable historical corpus of double entry documents; for they reveal, not only many aspects of a particular moment in the development of a modern Argentine literature, but also the status of photographic device in the aesthetic and scientific culture of the time.El presente trabajo propone partir del relevamiento de fuentes literarias argentinas de la generación del ochenta, a fin de indagar las relaciones entre arte, fotografía y ciencia que subyacieron a las polémicas surgidas en torno de la estética naturalista. Como se verá, en tales debates las contraposiciones entre ciencia y arte con las que se intentaba delimitar el ámbito de acción de cada una recurrieron frecuentemente a la fotografía como un paradigma del realismo crudo, cientificista y carente de suficiente distancia estética con el que detractores y defensores del naturalismo coincidieron en asociar a las producciones de dicho lenguaje. Los registros discursivos resultantes de este proceso constituyen hoy en día fuentes históricas de doble entrada, que no sólo dan cuenta de un momento particular en el desarrollo de la literatura argentina moderna, sino también, del estatuto que tenía el dispositivo fotográfico en la cultura estética y científica de entonces.Universidade do Sul de Santa Catarina2009-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/13310.19177/rcc.v4e2200935-50Revista Crítica Cultural; v. 4 n. 2 (2009); 35-501980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/133/145Guerra, Diegoinfo:eu-repo/semantics/openAccess2016-09-30T19:46:56Zoai:portaldeperiodicos.animaeducacao.com.br:article/133Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T19:46:56Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv “Although mine is history…” Naturalism and photographic imaginaries in argentinean literature of the eighties
“A pesar de que la mía es historia...” Naturalismo e imaginarios fotográficos em la literatura argentina del ochenta
title “Although mine is history…” Naturalism and photographic imaginaries in argentinean literature of the eighties
spellingShingle “Although mine is history…” Naturalism and photographic imaginaries in argentinean literature of the eighties
Guerra, Diego
Literature
Photography
Modernity
Naturalism
Death
Literatura
Fotografía
Modernidad
Naturalismo
Muerte
title_short “Although mine is history…” Naturalism and photographic imaginaries in argentinean literature of the eighties
title_full “Although mine is history…” Naturalism and photographic imaginaries in argentinean literature of the eighties
title_fullStr “Although mine is history…” Naturalism and photographic imaginaries in argentinean literature of the eighties
title_full_unstemmed “Although mine is history…” Naturalism and photographic imaginaries in argentinean literature of the eighties
title_sort “Although mine is history…” Naturalism and photographic imaginaries in argentinean literature of the eighties
author Guerra, Diego
author_facet Guerra, Diego
author_role author
dc.contributor.author.fl_str_mv Guerra, Diego
dc.subject.por.fl_str_mv Literature
Photography
Modernity
Naturalism
Death
Literatura
Fotografía
Modernidad
Naturalismo
Muerte
topic Literature
Photography
Modernity
Naturalism
Death
Literatura
Fotografía
Modernidad
Naturalismo
Muerte
description The present work researches a series of literary works from the Argentinean 1880’s generation to explore the links between art, photography and science underlying the controversies about the Naturalist aesthetics in Argentina. As I will try to demonstrate, in the art–vs.–science dichotomy displayed in those debates photography was a recurrent metaphor of the harsh, radically scientist and lacking of any aesthetic distance realism commonly associated with the Naturalist literary language by its defenders and detractors. The discursive products of this process constitute nowadays an inestimable historical corpus of double entry documents; for they reveal, not only many aspects of a particular moment in the development of a modern Argentine literature, but also the status of photographic device in the aesthetic and scientific culture of the time.
publishDate 2009
dc.date.none.fl_str_mv 2009-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/133
10.19177/rcc.v4e2200935-50
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/133
identifier_str_mv 10.19177/rcc.v4e2200935-50
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/133/145
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 4 n. 2 (2009); 35-50
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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