The Dead of the Twentieth Century: The Past in Fragments and Little Stories

Detalhes bibliográficos
Autor(a) principal: Rocha Juliano, Dilma Beatriz
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/732
Resumo: Consistent with the political sense of those narratives on history, the present paper approximates Marcelo Masagão and Walter Benjamin for an interpretive reading of the ‘essay-film’ Nós que aqui estamos por vós esperamos (1998). Far from trying to introduce subtitles in the narrative of images by Masagão with the notions by Benjamin, the reflection here advanced restates the task of revolving the debris of the past in order to think on the present. Considered one of the most instigating Brazilian films for the investigation of the political role of the public as citizens, this ‘essay-film’ is discussed under the perspective of the artistic experience as a form of knowledge.
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spelling The Dead of the Twentieth Century: The Past in Fragments and Little StoriesOs mortos do século XX: o passado em fragmentos e pequenas históriasEssay-filmCultural historyMarcelo MasagãoWalter BenjaminFilme-ensaioHistória culturalMarcelo MasagãoWalter BenjaminConsistent with the political sense of those narratives on history, the present paper approximates Marcelo Masagão and Walter Benjamin for an interpretive reading of the ‘essay-film’ Nós que aqui estamos por vós esperamos (1998). Far from trying to introduce subtitles in the narrative of images by Masagão with the notions by Benjamin, the reflection here advanced restates the task of revolving the debris of the past in order to think on the present. Considered one of the most instigating Brazilian films for the investigation of the political role of the public as citizens, this ‘essay-film’ is discussed under the perspective of the artistic experience as a form of knowledge.Comprometido com o sentido político das narrativas sobre a história, este artigo aproxima Marcelo Masagão a Walter Benjamin, desejando uma leitura interpretativa do ‘filme-ensaio’ Nós que aqui estamos por vós esperamos (1998). Longe de pretender legendar a narrativa imagética de Masagão com os conceitos de Benjamin, a reflexão aqui proposta reafirma a tarefa de revirar os escombros do passado para pensar o presente. Considerando uma das obras cinematográficas brasileiras mais instigantes para pensar o papel político dos espectadores como cidadãos, discute-se o ‘filme-ensaio’ na perspectiva da experiência artística como forma de conhecimento.Universidade do Sul de Santa Catarina2011-06-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/73210.19177/rcc.v6e12011175-182Revista Crítica Cultural; v. 6 n. 1 (2011); 175-1821980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/732/pdf_17Rocha Juliano, Dilma Beatrizinfo:eu-repo/semantics/openAccess2016-09-30T20:08:08Zoai:portaldeperiodicos.animaeducacao.com.br:article/732Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:08:08Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv The Dead of the Twentieth Century: The Past in Fragments and Little Stories
Os mortos do século XX: o passado em fragmentos e pequenas histórias
title The Dead of the Twentieth Century: The Past in Fragments and Little Stories
spellingShingle The Dead of the Twentieth Century: The Past in Fragments and Little Stories
Rocha Juliano, Dilma Beatriz
Essay-film
Cultural history
Marcelo Masagão
Walter Benjamin
Filme-ensaio
História cultural
Marcelo Masagão
Walter Benjamin
title_short The Dead of the Twentieth Century: The Past in Fragments and Little Stories
title_full The Dead of the Twentieth Century: The Past in Fragments and Little Stories
title_fullStr The Dead of the Twentieth Century: The Past in Fragments and Little Stories
title_full_unstemmed The Dead of the Twentieth Century: The Past in Fragments and Little Stories
title_sort The Dead of the Twentieth Century: The Past in Fragments and Little Stories
author Rocha Juliano, Dilma Beatriz
author_facet Rocha Juliano, Dilma Beatriz
author_role author
dc.contributor.author.fl_str_mv Rocha Juliano, Dilma Beatriz
dc.subject.por.fl_str_mv Essay-film
Cultural history
Marcelo Masagão
Walter Benjamin
Filme-ensaio
História cultural
Marcelo Masagão
Walter Benjamin
topic Essay-film
Cultural history
Marcelo Masagão
Walter Benjamin
Filme-ensaio
História cultural
Marcelo Masagão
Walter Benjamin
description Consistent with the political sense of those narratives on history, the present paper approximates Marcelo Masagão and Walter Benjamin for an interpretive reading of the ‘essay-film’ Nós que aqui estamos por vós esperamos (1998). Far from trying to introduce subtitles in the narrative of images by Masagão with the notions by Benjamin, the reflection here advanced restates the task of revolving the debris of the past in order to think on the present. Considered one of the most instigating Brazilian films for the investigation of the political role of the public as citizens, this ‘essay-film’ is discussed under the perspective of the artistic experience as a form of knowledge.
publishDate 2011
dc.date.none.fl_str_mv 2011-06-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/732
10.19177/rcc.v6e12011175-182
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/732
identifier_str_mv 10.19177/rcc.v6e12011175-182
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/732/pdf_17
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 6 n. 1 (2011); 175-182
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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