The flower of the gods: form and frame in Araweté singing (Amazonia)
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5030 |
Resumo: | In this paper, I analise the refrains or choruses of the Araweté's oñ?ñã me'e songs. I use the araweté concept of “people-carrier” to associate the refrains with other aesthetic forms such as the “tocaia” complex among other Tupi-guarani groups. Using data gathered during 14 months of fieldwork, I trace connections between body ornaments, hunting and shamanic “tocaias”, rattles, shamans, and the refrains. I argue that the refrains “function” not only as a framing device in the lines of the songs but also as a plastic frame sustained by rhythm and movement. |
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The flower of the gods: form and frame in Araweté singing (Amazonia)As flores do Ma?: forma e enquadramento nos cantos Araweté (Amazonia)ArawetéAmazoniaAmerindian EthnologyAnthropologyArawetéAmazoniaEtnologia AmeríndiaAntropologiaIn this paper, I analise the refrains or choruses of the Araweté's oñ?ñã me'e songs. I use the araweté concept of “people-carrier” to associate the refrains with other aesthetic forms such as the “tocaia” complex among other Tupi-guarani groups. Using data gathered during 14 months of fieldwork, I trace connections between body ornaments, hunting and shamanic “tocaias”, rattles, shamans, and the refrains. I argue that the refrains “function” not only as a framing device in the lines of the songs but also as a plastic frame sustained by rhythm and movement.Neste artigo, analiso os refrões ou vocalizes dos cantos oñ?ñã me’e dos Araweté (Pará, Brasil). A partir da noção de “leva-gente”, associo os refrões desses cantos com outras formas estéticas ameríndias, principalmente com o complexo da tocaia entre os povos falantes de línguas tupi-guarani. O material analisado aqui provêm de 14 meses de trabalho de campo que realizei junto aos Araweté, principalmente de trabalho conjunto de transcrição e tradução realizado com Irar?no Araweté (Heurich, 2015). Passando por adornos corporais, tocaias de caça, tocaias xamânicas, chocalhos e maracás, estabeleço uma linha de comparação que passa de um contexto a outro através de conexões metonímicas. Concluo que os refrões funcionam não somente como enquadramento das linhas/estrofes mas como uma forma de moldura maleável e impermanente onde ritmo e movimento são aspectos fundamentais.Universidade do Sul de Santa Catarina2017-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/503010.19177/rcc.v12e1201737-52Revista Crítica Cultural; v. 12 n. 1 (2017); 37-521980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5030/3125Copyright (c) 2017 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessHeurich, Guilherme Orlandini2017-07-11T20:25:33Zoai:portaldeperiodicos.animaeducacao.com.br:article/5030Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2017-07-11T20:25:33Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
The flower of the gods: form and frame in Araweté singing (Amazonia) As flores do Ma?: forma e enquadramento nos cantos Araweté (Amazonia) |
title |
The flower of the gods: form and frame in Araweté singing (Amazonia) |
spellingShingle |
The flower of the gods: form and frame in Araweté singing (Amazonia) Heurich, Guilherme Orlandini Araweté Amazonia Amerindian Ethnology Anthropology Araweté Amazonia Etnologia Ameríndia Antropologia |
title_short |
The flower of the gods: form and frame in Araweté singing (Amazonia) |
title_full |
The flower of the gods: form and frame in Araweté singing (Amazonia) |
title_fullStr |
The flower of the gods: form and frame in Araweté singing (Amazonia) |
title_full_unstemmed |
The flower of the gods: form and frame in Araweté singing (Amazonia) |
title_sort |
The flower of the gods: form and frame in Araweté singing (Amazonia) |
author |
Heurich, Guilherme Orlandini |
author_facet |
Heurich, Guilherme Orlandini |
author_role |
author |
dc.contributor.author.fl_str_mv |
Heurich, Guilherme Orlandini |
dc.subject.por.fl_str_mv |
Araweté Amazonia Amerindian Ethnology Anthropology Araweté Amazonia Etnologia Ameríndia Antropologia |
topic |
Araweté Amazonia Amerindian Ethnology Anthropology Araweté Amazonia Etnologia Ameríndia Antropologia |
description |
In this paper, I analise the refrains or choruses of the Araweté's oñ?ñã me'e songs. I use the araweté concept of “people-carrier” to associate the refrains with other aesthetic forms such as the “tocaia” complex among other Tupi-guarani groups. Using data gathered during 14 months of fieldwork, I trace connections between body ornaments, hunting and shamanic “tocaias”, rattles, shamans, and the refrains. I argue that the refrains “function” not only as a framing device in the lines of the songs but also as a plastic frame sustained by rhythm and movement. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-06-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5030 10.19177/rcc.v12e1201737-52 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5030 |
identifier_str_mv |
10.19177/rcc.v12e1201737-52 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5030/3125 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 12 n. 1 (2017); 37-52 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220552875474944 |